Samuel Coleridge-Taylor is best known for his cantata Hiawatha’s Wedding Feast, which brought him international success as well as propelling his career at home in the UK – success which was remarkable in stuffy late-Victorian England because of his mixed race and humble origins. Born out of wedlock to Daniel Taylor, a medical student from Sierra Leone, and Alice Holmans, Samuel was brought up by his mother and step-father, George Evans, a railway worker, in Croydon, south London. The three pieces recorded here were all composed during his time as a student at the Royal College of Music. They were destined to remain unpublished during his lifetime, and indeed for some ninety years following his untimely death from pneumonia at the age of only thirty-seven. Performing editions were eventually prepared from the surviving manuscripts – which had remained in the RCM’s archive – in the early 2000s, offering modern performers and audiences the chance for the first time to savour exactly how precocious the creative talents of the teenage Coleridge-Taylor had been. The Kaleidoscope Chamber Collective has consulted the manuscripts and corrected numerous inaccuracies in these editions. Described by The Arts Desk as ‘a sparky, shape-shifting ensemble of starry young musicians’, the Collective has been thrilling audiences with its charismatic programming and outstanding musicianship.
REVIEWS:
This disc is a delight from first to last… For anyone interested in rare British chamber music this is warmly recommended.
-- MusicWeb International
What a glorious disc this is! From beginning to end the music just flows in an unending stream of pleasure. There is such skill and maturity in every aspect of the writing…These works could not hope for better performances[.]
-- British Music Society
The music’s youthful joie de vivre is matched by the Kaleidoscope Chamber Collective’s warmth, enthusiasm and finesse … Elena Urioste is an ever-eloquent first violin, Tom Poster’s silvery pianism glistens and flows as if effortless, and all of their colleagues match them with a spontaneous, collegial and well-balanced playing, making the whole more than the sun of its already excellent parts.
-- BBC Music Magazine
[The] Piano Quintet and Nonet in particular are assured, determinedly structured and richly scored statements, abundant in melody and a gutsy inner harmonic strength…The Kaleidoscope Chamber Collective…clearly love performing this music [and] take the listener on joyful and impassioned journey – great players cherishing special music for a new generation to discover[.]
-- International Piano
