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    Arcana

    Bach: The 6 Cello Suites Played on Violin / Carmignola

    CD · 2 discs

    $29.99
    Composer
    Johann Sebastian Bach
    Artist
    Giuliano Carmignola
    Released
    Sep 09, 2022

    An eminent interpreter of Vivaldi, Giuliano Carmignola has always had a great affinity with the music of Johann Sebastian Bach, as can be heard in his landmark recordings of the Violin Sonatas with Andrea Marcon (2002), the Violin Concertos with Concerto Köln (2014, Diapason d'or), and the Sonatas & Partitas (2018), which Gramophone judged to be "a first-rate choice among the recordings of these works on period instruments, despite the competition”. Carmignola’s latest project took shape during the Covid lockdowns of 2020 and offers a new and sometimes experimental reading of Bach’s Suites à Violoncello Solo senza Basso, in which he highlights new details and exalts the choreatic character and the brilliance of many of the suites’ movements. Having already assured the success of Sonar in Ottava (A472) with his long-time friend Mario Brunello, this recording is the first of a series of solo projects that Carmignola will realize for Arcana.

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  • Bach: The 6 Cello Suites Played on Violin / Carmignola

    Bach: The 6 Cello Suites Played on Violin / Carmignola

    Arcana Sep 2022
    2 discs
    CD
    $29.99
  • J. S. Bach: The Cello Suites on Six Different Instruments
    Ramee

    J. S. Bach: The Cello Suites on Six Different Instruments

    CD · 2 discs

    $29.99
    Composer
    Johann Sebastian Bach
    Artist
    Ronan Kernoa
    Released
    Nov 28, 2025
    The term violoncello was particularly fluid in the early 18th century: it referred to a wide range of bowed stringed instruments of different sizes and shapes, generally with four or five strings; some of these instruments were held between the knees and others were supported by the arm. So when Bach's wife, Anna Magdalena, wrote Suites à Violoncello Solo senza Basso (Suites for Solo Cello without Bass) on the title page of her manuscript copy, we cannot be entirely sure what type of instrument she was referring to. It is said that Bach himself played both the violin and the viola exceptionally well, and it is quite possible that he originally composed the suites for his own use and played them on a violoncello piccolo held on the arm, using viola fingerings. It is, however, also possible that he composed these works for other virtuosi known to him, these including Gregor Christoph Eylenstein, concertmaster of the Weimar court orchestra, and the Leipzig violinist Carl Gotthelf Gerlach. While being excellent violinists, they were also known as experts on the cello and viola d'amore. These considerations-and the observation that certain suites seem particularly well suited to specific instruments-inspired Ronan Kernoa to record the six suites on six different instruments.
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  • Bach, J.S.: Cello Suites Nos. 1-6

    Bach, J.S.: Cello Suites Nos. 1-6

    Coviello Feb 2008
    2 discs
    SACD
    $32.99
  • Bach, J.S: Cello Suites Nos. 1, 3 and 5

    Bach, J.S: Cello Suites Nos. 1, 3 and 5

    Ars Produktion Jan 2009
    1 disc
    SACD
    $21.99
  • Bach, J.S.: Cello Suite No. 2 (Arr. for Viola) / Hindemith,

    Bach, J.S.: Cello Suite No. 2 (Arr. for Viola) / Hindemith,

    Coviello Jan 2011
    1 disc
    CD
    $20.99
  • BACH, J.S.: Cello Suites Nos. 1-6, BWV 1007-1012 (Complete)

    BACH, J.S.: Cello Suites Nos. 1-6, BWV 1007-1012 (Complete)

    Dynamic Jan 1995
    2 discs
    CD
    $24.99
  • Legendary Treasures - Bach: 6 Suites For Cello / Fuchs
    Doremi

    Legendary Treasures - Bach: 6 Suites For Cello / Fuchs

    CD · 2 discs

    $40.99
    Composer
    BACH, J.S.
    Artist
    Lillian Fuchs
    Released
    Feb 01, 2005
    Lillian Fuchs (1903–1991) was considered the “first lady of the viola,” and enjoyed a very successful career as a performer, composer, and teacher. Her students at Juilliard and the Manhattan School of Music became the elite players of the viola in the US and her influence is still very much alive, 14 years after her death. The Bach suites that she recorded in the beginning of the 1950s were received with unanimous praise by her contemporaries, but since then they have disappeared from the market, and have become collectors’ items. So I was piqued to find out what the fuss was all about.

    Yes, it is a dated performance in many senses. Fuchs plays with the kind of unrelenting legato that we would bash in any aspiring musician of today. Her interpretation is overly Romantic, phrases long, and breaths almost non-existent. Yet, I could not stop listening, and after the first CD ended, I was still curious to hear more. Why was that? Part of the reason is the lush, flexible sound produced by the artist, the interesting inflections, the unerring sense of direction, the overall technical achievement. Notable also is the very spare use of vibrato, pointing to a more “modern” conception (that is, one which is closer to our notions about authentic-performance practices) than was the norm at the time. But the main reason is that intangible charisma, the star quality that makes us follow every mood change, every nuance in dynamics, every twist in the musical plot.

    ...I was left with the sensation of having shared a unique moment, of the kind that transcends fashion or trends, and that can rightfully be called a legendary performance.

    Laura Rónai, FANFARE
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  • Legendary Treasures - Bach: 6 Suites For Cello / Fuchs

    Legendary Treasures - Bach: 6 Suites For Cello / Fuchs

    Doremi Feb 2005
    2 discs
    CD
    $40.99
  • BACH, J.S.: Cello Suites Nos. 1-6, BWV 1007-1012 (Complete)
    Sale

    BACH, J.S.: Cello Suites Nos. 1-6, BWV 1007-1012 (Complete)

    Signum Classics Jan 2006
    2 discs
    CD
    $27.99 $20.99Save 25%
    Reference Recordings

    Bach: Suites for Cello Nos. 1-6 / Skeen

    CD · 2 discs

    $24.99
    Composer
    Johann Sebastian Bach
    Artist
    William Skeen
    Released
    Mar 07, 2025

    The six suites for solo cello are frequently considered to be Bach’s greatest masterpieces and are a pinnacle of the Baroque cello repertory. This new album of Bach’s complete Cello Suites has the unique feature of being performed using two different historic cellos, one of them being a rare five-string instrument from the 17th century, which is used on Suite 6.

    Cellist William Skeen is one of the world’s premiere Baroque cellists. He serves as Principal Cellist with Philharmonia Baroque Orchestra, Voices of Music, and was Principal Cellist of the American Bach Soloists for nearly two decades. Mr. Skeen taught Baroque cello and viola da gamba at the University of Southern California for two decades. Mr. Skeen has received two GRAMMY® nominations for previous albums. He continues to perform regularly with major orchestras and Baroque groups around the world.

    This new release of the Six Cello Suites was beautifully recorded by famed multi-GRAMMY®-winning engineer Leslie Ann Jones at Skywalker Sound in Marin County, California. It was mastered by RR's own multi-GRAMMY®-nominated engineer, Sean Royce Martin. The album was produced by the outstanding San Francisco-based Lolly Lewis, who in recent years has been particularly focused on period instrument performance and has produced six albums with the New Esterházy Quartet.

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  • Bach: Suites for Cello Nos. 1-6 / Skeen

    Bach: Suites for Cello Nos. 1-6 / Skeen

    Reference Recordings Mar 2025
    2 discs
    CD
    $24.99
  • BACH, J.S.: Cello Suites Nos. 1-3, BWV 1007-1009 (Jordan) (A

    BACH, J.S.: Cello Suites Nos. 1-3, BWV 1007-1009 (Jordan) (A

    Centaur Records Jul 2008
    1 disc
    CD
    $18.99
  • Bach: Six Suites For Unaccompanied Cello / Tanya Tomkins
    Avie Records

    Bach: Six Suites For Unaccompanied Cello / Tanya Tomkins

    CD · 2 discs

    $29.99
    Composer
    BACH, J.S.
    Artist
    Tanya Tomkins
    Released
    Mar 01, 2011

    Tanya Tomkins, one of the foremost cellists of her generation, makes an indelible impression scaling the pinnacle of the cello repertoire, J S Bach's Six Suites for Unaccompanied Cello. Familiar to record collectors through her appearance on Avie's release of Kummer's Cello Duets, and as a member of the Benvenue Fortepiano Trio's Mendelssohn and Schumann recordings, Tanya is equally at home in an intimate house concert setting or anchoring the cello section of the Philharmonia Baroque Orchestra with whom she has become a familiar face to home audiences in San Francisco. A student of Anner Bylsma at the Royal Conservatory of Music in the Netherlands, Tanya was the first cellist to win the Boston-based Erwin Brodsky Competition for early music soloists, in 2001. In addition to Philharmonia Baroque, she has been a featured soloist with the Portland Baroque Orchestra, American Bach Soloists, and the Oregon Bach Festival. As a recitalist, Tanya has performed at Lincoln Center and the 92nd Street Y in New York City, and the Concertgebouw in Amsterdam. critical acclaim "Tomkins explored Bach's Cello suite No. 1 with a probing, ruminating, often rhapsodic approach" - Los Angeles Times "superlative performance ... A performer who combines an intense dramatic fire with Apollonian poise ... There is an international career of great renown awaiting this young woman" - Cleveland Plain Dealer "Tomkins offered as compelling solo work on period instruments as you are likely to hear. The result was spontaneous and heartfelt music making.' - San Francisco Classical Voice

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  • Bach: Six Suites For Unaccompanied Cello / Tanya Tomkins

    Bach: Six Suites For Unaccompanied Cello / Tanya Tomkins

    Avie Records Mar 2011
    2 discs
    CD
    $29.99
    Brilliant Classics

    Bach: 6 Suites for Cello Solo BWV 1007-1012 / Kloeckner

    CD · 3 discs

    $11.49 $22.99 Save 50%
    Composer
    VARIOUS
    Artist
    Benedict Kloeckner
    Released
    Oct 22, 2021

    A highly regarded representative of the new generation of cellists, Benedict Kloeckner has been championed by such maestros as Daniel Barenboim and Sir Simon Rattle. With a discography including an acclaimed recording of the Schumann Cello Concerto nominated for the German Record Critics prize, Kloeckner also demonstrates a great interest in new music. He plays an Italian Cello by Francesco Rugeri (Cremona 1690), formerly played by Maurice Gendron. In this three-album set he tackles the sacred summit of the solo cello repertoire, rightly pointing out that the lack of original manuscripts for the Six Suites leaves them especially open to individual interpretation. Yet he takes a further step in making this recording his own, interpolating between each of the suites miniature compositions for solo cello that he commissioned from composers on six different continents under the motto “Sounds of Light”, thereby placing Bach’s Western European masterworks in dialogue with music from across the globe in our own time.

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  • Bach: 6 Suites for Cello Solo BWV 1007-1012 / Kloeckner
    Sale

    Bach: 6 Suites for Cello Solo BWV 1007-1012 / Kloeckner

    Brilliant Classics Oct 2021
    3 discs
    CD
    $22.99 $11.49Save 50%
  • Gaspar Cassado - Bach: 6 Suites For Solo Cello
    Sale

    Gaspar Cassado - Bach: 6 Suites For Solo Cello

    Vox Jan 1996
    2 discs
    CD
    $29.99 $22.99Save 23%
    Navona

    Ranz, J.: Three Cello Suites

    CD · 1 disc

    $8.49 $16.99 Save 50%
    Composer
    BACH, J.S.
    Artist
    Joshua Ranz
    Released
    Apr 23, 2021
    THREE CELLO SUITES from clarinetist Joshua Ranz and Navona Records is a truly groundbreaking take on Bach's legendary works; In this album, for the first time ever, listeners may enjoy three unabridged cello suites by Bach arranged for the bass clarinet. Ranz selected Suites 1, 2, and 4 for this recording because, together, they form a cohesive and dynamic whole. Ranz holds the chair of principal clarinet for the Los Angeles Chamber Orchestra, and has played on such blockbuster soundtracks as Toy Story 3 and 4, and Star Wars episodes VII and IX. He can be heard prominently featured in La La Land, Catch Me If You Can, and An American Pickle. Ranz lends a fresh voice to Bach's profoundly-beautiful music in THREE CELLO SUITES.
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  • Ranz, J.: Three Cello Suites
    Sale

    Ranz, J.: Three Cello Suites

    Navona Apr 2021
    1 disc
    CD
    $16.99 $8.49Save 50%
    Divine Art

    J.S. Bach: 6 Suites for Solo Cello / Marina Tarasova

    CD · 2 discs

    $27.99
    Composer
    Johann Sebastian Bach
    Artist
    Marina Tarasova
    Released
    Jun 10, 2022

    The Six Suites for Solo Cello by J.S. Bach, composed around 1720, are generally regarded as the first and greatest masterpieces ever written for the instrument. Their scope is vast and ingenious. Although most of the time, only one note is played, occasional chords and masterful melodies imply harmony and counterpoint. The Suites have been performed and recorded countless times over the last 100 years, with a variety of interpretative approaches. These approaches, until recently, could often be rather academic and formal, as it used to be thought that baroque music was mostly about form. The present cellist takes a radically opposing approach, one which is inspirational and which infuses the works with vitality and spirit.

    Marina Tarasova is a world-renowned cellist with many recordings to her name for Musical Concepts and Northern Flowers among other labels, and this is her first recording for Divine Art. She has won international competitions in Prague, Florence and Paris and has a wide repertoire covering works of composers from the 17th century to the 20th century.

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  • J.S. Bach: 6 Suites for Solo Cello / Marina Tarasova

    J.S. Bach: 6 Suites for Solo Cello / Marina Tarasova

    Divine Art Jun 2022
    2 discs
    CD
    $27.99
  • CELLO SUITES

    CELLO SUITES

    WARNER CLASSICS Oct 2014
    2 discs
    CD
    $18.99
    Linn Records

    CELLO SUITES

    CD · 2 discs

    $29.99
    Composer
    BACH, J.S.
    Artist
    Richard Tunnicliffe
    Released
    Jan 25, 2019
    Richard Tunnicliffe's recording of the Bach cello suites was released in 2012; the culmination of many years of study and countless performances, it has been very warmly received by critics: The Sunday Times praised it's "clear-sighted, intelligently informed yet emotionally engaged performances" and The Independent chose the album as one of the 'best classical releases of 2012.' Performing Bach's iconic suites has become a rite of passage for many cellists and Tunnicliffe's extensive experience and virtuosity has allowed him to create a recording that highlights the distinct personality and individuality of each movement. Tunnicliffe's chosen instruments (a four-string attributed to Leonhard Maussiell and a five-string piccolo by Pierre Malahar) add a welcome authenticity to his performance since both are contemporaries of Bach's suites. His concert performances of the six works have been acclaimed in Europe and Australia as well as at numerous venues in Great Britain, including Wigmore Hall and the Purcell Room in London.
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  • CELLO SUITES

    CELLO SUITES

    Linn Records Jan 2019
    2 discs
    CD
    $29.99
  • CELLO SUITES 1-6

    CELLO SUITES 1-6

    APARTE Jun 2011
    2 discs
    CD
    $27.51
    Ramee

    Bach: Hebenstreit’s Bach / La Gioia Armonica, Übellacker

    CD · 1 disc

    $15.99 $20.99 Save 23%
    Composer
    Johann Sebastian Bach
    Artist
    La Gioia Armonica, Margit Ubellacker, Jurgen Banholzer
    Released
    May 13, 2022
    Johann Sebastian Bach was certainly familiar with the Pantaleon – a large hammered dulcimer with a wide range and full chromatic scale. Bach’s contemporary Pantaleon Hebenstreit had developed the instrument, through which he gained international renown and became one of the best-paid Dresden court musicians. The instrument enjoyed great popularity in the 18th century and was an important precursor of the fortepiano, its younger brother. Bach may have heard Hebenstreit with his Pantaleon himself, as he knew several court musicians of the Dresden orchestra personally and also performed with some of them. While we cannot know if they had met in reality, our imagination has nonetheless been much exercised. What would Bach have put on his famous colleague's music stand? Very little music written for the Pantaleon has survived, although the instrument’s use in the court orchestras of Vienna and Dresden suggests that works for the harpsichord and for the violin in particular could have served for arrangements and improvisations. It is hard to imagine that Bach would have objected to a virtuoso like Hebenstreit adapting his violin sonatas for the Pantaleon.
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  • Bach: Hebenstreit’s Bach / La Gioia Armonica, Übellacker
    Sale

    Bach: Hebenstreit’s Bach / La Gioia Armonica, Übellacker

    Ramee May 2022
    1 disc
    CD
    $20.99 $15.99Save 23%