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    A Musical Journey - Toledo, Cordoba
    Naxos AudioVisual

    A Musical Journey - Toledo, Cordoba

    CD · 1 disc

    $13.99
    Composer
    LALO SAINT SEANS SARASATE
    Artist
    Various
    Released
    May 26, 2009
    TOLEDO AND CÓRDOBA



    The Places
    Our visit to Spain centres on the old capital of Castile, Toledo, historically famous for its steel and swords, the home of the great painter known as El Greco. There are views of Córdoba, with its relics of Moorish occupation and a brief glimpse of the windmills on the plains of La Mancha, buildings Don Quixote once mistook for giants.


    The Music
    The music of Spain held an exotic attraction for composers from other countries. The French composer Lalo was of remote Spanish origin himself, and his Symphonie espagnole, written for the great Spanish violinist Pablo Sarasate, evokes the spirit of the country. Sarasate himself is represented here by a gypsy piece, Zigeunerweisen, and the versatile and prolific French composer Saint-Saëns, who also dedicated a number of works to Sarasate, by his Spanish Havanaise.


    Picture format: NTSC 4:3
    Sound format: Dolby Digital / DTS Surround
    Region code: 0 (worldwide)
    Running time: 52 mins
    No. of DVDs: 1
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  • A Musical Journey - Toledo, Cordoba

    A Musical Journey - Toledo, Cordoba

    Naxos AudioVisual May 2009
    1 disc
    CD
    $13.99
  • INCOMPARABLE

    INCOMPARABLE

    IMPORTS Apr 2014
    2 discs
    Vinyl
    $36.49
  • SAINT-SAENS: Piano Trios Nos. 1-2 (Complete)

    SAINT-SAENS: Piano Trios Nos. 1-2 (Complete)

    Challenge Classics Sep 2004
    1 disc
    SACD
    $20.99
  • SAINT-SAENS: SYMPHONIC POEMS LE CARNAVAL DES
    HARMONIA MUNDI

    SAINT-SAENS: SYMPHONIC POEMS LE CARNAVAL DES

    CD · 2 discs

    $23.99
    Artist
    LES SIECLES
    Released
    Nov 17, 2023
    Francois-Xavier Roth and Les Siecles offer us a double-sided portrait of Saint-Saens here. On one side, some of the most fascinating symphonic poems of French Romanticism are revealed in all the shimmering timbres of the period. On the other, we rediscover a composer who enjoyed a good laugh (The Carnival of the Animals also returns to it's original colors), when he was not involved in the early days of the cinema, with the very first music ever composed for a film.
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  • SAINT-SAENS: SYMPHONIC POEMS LE CARNAVAL DES

    SAINT-SAENS: SYMPHONIC POEMS LE CARNAVAL DES

    HARMONIA MUNDI Nov 2023
    2 discs
    CD
    $23.99
  • Dancing Organ
    Aeolus

    Dancing Organ

    SACD · 1 disc

    $23.99
    Composer
    Johann Sebastian Bach, Jan Pieterszoon Sweelinck
    Artist
    Michael Bartek
    Released
    Dec 19, 2025
    Under the motto "Dancing Organ," Czech organist Michael Bartek has compiled a varied program of dance pieces from different eras, including original compositions and some virtuoso transcriptions. In addition to popular works, there are also a few surprises to discover. This is performed on "his" Kuhn organ in the Richterswil Church near Zurich. For this SACD, the sound has been optimally captured in stereo and 5.1 surround sound. Unter dem Motto "Dancing Organ" hat der tchechische Organist Michael Bartek ein vielseitiges Programm von Tanzstucken verschiedener Epochen - Originalkompositionen und teils virtuose Transkriptionen - zusammengestellt. Neben popularen Werken gibt es auch so manche uberraschung zu entdecken. Als Instrument dient ihm "seine" Kuhn-Orgel in der Richterswiler Kirche, nahe Zurich. Fur diese SACD wurde der Klang optimal als Stereo- und auch als 5.1 Surround-Aufnahme eingefangen.
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  • Dancing Organ

    Dancing Organ

    Aeolus Dec 2025
    1 disc
    SACD
    $23.99
  • Saint-Saëns: Music for Piano Duo & Duet, Vol. 1
    Nimbus

    Saint-Saëns: Music for Piano Duo & Duet, Vol. 1

    CD · 1 disc

    $20.99
    Composer
    SAINT-SAENS, CAMILLE
    Artist
    Jones, Farmer
    Released
    Apr 07, 2017
    Saint-Saënss' favorite pupil, Gabriel Faure, wrote in his obituary of his teacher of the "serene regions" his music often inhabited, "where violence and paroxysms are unknown, where gravity, wit, charm, and smiling tenderness rule side by side." In this, he was echoing his teacher's own response to the world around him: "Are smiles and graces to be ignored by all"... Happiness is disapproved of in the music of our time... Long live sadness! Long live boredom!" To which Roger Nicholas responds, "Long live keys, tunes, clarity, and playfulness! Long live the music of Camille le Grand!" This release is the second of two volumes of original compositions and arrangements for piano duo and duets by Camille Saint-Saëns. "The two pianists are perfectly in tune with one another at all times. This is thoroughly enjoyable and well recorded with some interesting cover notes. I really look forward to hearing volume 2..." (Jonathan Welsh)
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  • Saint-Saëns: Music for Piano Duo & Duet, Vol. 1

    Saint-Saëns: Music for Piano Duo & Duet, Vol. 1

    Nimbus Apr 2017
    1 disc
    CD
    $20.99
  • Saint-Saens: Melodies avec orchestre / Poschner
    Alpha

    Saint-Saens: Melodies avec orchestre / Poschner

    CD · 1 disc

    $20.99
    Composer
    SAINT-SAENS, CAMILLE
    Artist
    Beuron, Christoyannis, Poschner
    Released
    Feb 24, 2017

    Although the turn of the twentieth century marked the golden age of French song, the genre was generally accompanied on the piano and only rarely orchestrated by its composers. But Camille Saint-Saëns, a great lover of poetry, was also a champion of the orchestrated mélodie and the French coloristic style. He also wanted to counterbalance the overwhelming popularity of operatic arias in concert programmes. An immense admirer of Victor Hugo, Saint-Saëns set many of his poems to music, including L'Enlèvement, Rêverie, and Le Pas d'armes du Roi Jean, regarded as one of his masterpieces. Exoticism and a certain sense of the supernatural run through such songs as Danse macabre, one of the most popular pieces of classical music, but always heard nowadays either in its version for orchestra alone or performed by a singer with piano accompaniment. Of the twenty-five mélodies with orchestra listed in the catalogue of Saint-Saëns, nineteen are recorded here, all of them for the first time! With interpreters of the calibre of Yann Beuron and Tassis Christoyannis, the words are perfectly served here and the composer’s coloristic talents heard from the very first bars. This release of world premiere recordings is a genuine event that enables us to rediscover a whole segment of the history of vocal music, a renaissance made possible by the Fondation Bru Zane.

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  • Saint-Saens: Melodies avec orchestre / Poschner

    Saint-Saens: Melodies avec orchestre / Poschner

    Alpha Feb 2017
    1 disc
    CD
    $20.99
  • LA MUSE ET LE POETE

    LA MUSE ET LE POETE

    ERATO Oct 2013
    1 disc
    CD
    $18.49
    SOMM Recordings

    Oswald: Piano Concerto - Saint-saens: Piano Concerto No. 5 'egyptian'

    CD · 1 disc

    $20.99
    Composer
    OSWALD SAINT-SAENS
    Artist
    Iruzun, Steen
    Released
    Aug 21, 2020
    SOMM Recordings is pleased to announce the return of the acclaimed partnership of pianist Clélia Iruzun and the Royal Philharmonic Orchestra conducted by Jac van Steen with two colorful late-19th-century Romantic Piano Concertos from Brazil and France: Henrique Oswald’s G minor Piano Concerto, Op.10 and the Fifth Piano Concerto in F major (Op.103) by Camille Saint-Saëns. Iruzun’s Brazilian compatriot Henrique Oswald shared a long friendship with Camille Saint-Saëns based on mutual admiration for each other as composers and pianists. They occasionally performed together some of Saint-Saëns’ music for two pianos in public recitals. Saint-Saëns’ exotic Fifth Piano Concerto, the Egyptian, was composed during a North African holiday in 1896. Combining complex piano writing with a deft lightness of touch, it boasts a lyrical main theme (described by Saint-Saëns as “a Nubian love song”), hypnotic echoes of the gamelan and a finale bursting with virtuosity. Oswald’s Piano Concerto was composed in Italy a decade before Saint-Saëns’ Egyptian. With bravura passages recalling Saint-Saëns’ Second Piano Concerto, its richly Romantic vein carries allusions to Fauré while brimming with Oswald’s intriguing native Brazilian rhythms. Like Oswald, Alberto Nepomuceno was a Brazilian who studied in Europe, later succeeding him in a prestigious teaching position in Rio de Janeiro. Modelled on Grieg’s Suite from Holberg’s Time, his Suite Antiga (Suite in the Old Style) combines Baroque style and Romantic attitude with a bewitching savoir faire.
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  • Oswald: Piano Concerto - Saint-saens: Piano Concerto No. 5 'egyptian'

    Oswald: Piano Concerto - Saint-saens: Piano Concerto No. 5 'egyptian'

    SOMM Recordings Aug 2020
    1 disc
    CD
    $20.99
  • COMPLETE AMERICAN DECCA RECORDINGS
    ELOQUENCE AUSTRALIA

    COMPLETE AMERICAN DECCA RECORDINGS

    CD · 9 discs

    $53.49
    Artist
    RICCI, RUGGIERO
    Released
    Oct 22, 2021
    Several legendary but long-unavailable recordings freshly remastered in a comprehensive 'original covers' set of Ruggiero Ricci's recordings for American Decca during the 1960s. With definitive accounts of the Tchaikovsky Concerto and the Paganini Caprices recorded in 1950, Ruggiero Ricci became established as a Decca artist in the early days of LP. A decade later he began recording for Decca's American division, and between 1960 and 1970 he made nine albums of solo, recital and concerto repertoire which are gathered here in one set for the first time. Ricci had already recorded some of the solo Bach sonatas and partitas, but in 1967 he made his first complete set for American Decca. Tully Potter's illuminating booklet essay explains how a snowstorm forced Ricci to hole up in a hotel for several days prior to the sessions, and his devoted his time to perfecting his interpretations of Bach. Ricci was renowned for the astonishing virtuosity that enabled him to tackle the Caprices and Concertos of Paganini without breaking sweat - he became the first great exponent of the composer in the LP era with his Decca recordings - and he remade the Second Concerto for American Decca in 1964 with the Cincinnati Symphony Orchestra conducted by Max Rudolf: one of several albums here receiving it's first international release on CD. The American Decca legacy of Ricci also included several 'concept albums' which soon became collector's items. The set opens with the first of them from 1964, on which the violinist plays The Four Seasons of Vivaldi on four different Strads, one for each concerto, with a string ensemble fielding another ten Strads for a uniquely rich string sound. Two years earlier, Ricci had made "The Glory of Cremona", which saw him play fifteen priceless violins in sessions attended by two security guards. Even these two projects pale beside the astonishing virtuosity on display in "Bravura!", which collects some of Ricci's favourite "knuckle-breakers" by Paganini, Wieniawski and Ernst. The set closes with another album new to CD, "Violin Plus 1" from 1970, which paired Ricci with five different musicians for a unique display of his versatility, accompanying soprano Lee Venora in Villa-Lobos, taking the spotlight in a Saint-Saens Fantaisie for violin and harp, and meeting David Nadien as an equal in the Sonata for Two Violins by Prokofiev. As well as one of the last century's most spell-binding technicians on the violin, Ricci was a complete musician, to whom this set pays eloquent tribute.
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  • COMPLETE AMERICAN DECCA RECORDINGS

    COMPLETE AMERICAN DECCA RECORDINGS

    ELOQUENCE AUSTRALIA Oct 2021
    9 discs
    CD
    $53.49
    Sony Masterworks

    William Steinberg & The BSO - The Complete RCA Victor Recordings

    CD · 4 discs

    $39.98
    Composer
    Various
    Artist
    Boston Symphony Orchestra
    Released
    Apr 05, 2024

    When William Steinberg was appointed music director of the Boston Symphony in 1969 as successor to Erich Leinsdorf, he attained the pinnacle of his career. No previous conductor had headed two top-ten US orchestras simultaneously. It was a condition of his Boston position that he could continue to work in Pittsburgh with the orchestra that he had headed since 1952.

    Born as Hans Wilhelm Steinberg in Cologne on 1 August 1899, he studied at the local conservatory with the conductor Hermann Abendroth and the pianist Lazzaro Uzielli, a Clara Schumann pupil. On graduating in 1920 he became Otto Klemperer’s assistant at the Cologne opera house. In 1929 he was appointed music director in Frankfurt. Relieved of his post by the Nazis in 1933, he conducted concerts in Frankfurt and Berlin under the auspices of the Jewish Cultural League before emigrating to Palestine in 1936 to take over the Palestine Orchestra (now Israel Philharmonic Orchestra). At Toscanini’s invitation he went to the United States in 1938 to assist in forming and training the new NBC Symphony Orchestra. In 1945, he assumed the music directorship of the Buffalo Philharmonic, where he liked to refer to himself as “Buffalo Bill”.

    The Steinberg/Boston collaboration with RCA was unfortunately ill-fated and short-lived. Not because of the repertoire, but plummeting sales and spiraling costs plaguing the American recording industry in general persuaded RCA to let its contract with the Boston Symphony lapse after 52 years’ association. Gramophone magazine’s Peter Quantrill claimed in 2018 that Steinberg was “the most under-recorded of great conductors in the second half of the last century.”

    In 2004, the critic Richard Freed wrote of the Schubert Ninth (CD 1) and Bruckner Sixth (CD 2) Symphonies: “Both [are] vital and inspiring performances, free of the monumentalizing all too often inflicted on such music: they are among the best entries in his discography and among the finest recordings of the works.” According to John L. Holmes in Conductors on Record, they were also Steinberg’s favorites among his own recordings. Mendelssohn’s own orchestration of the Scherzo from his Octet and Stravinsky’s Scherzo fantastique and Scherzo à la russe, coupled on CD 3 with formidable virtuoso renderings of orchestral showpieces by Dukas, Richard Strauss and Saint-Saëns, were originally prepared for release on LP LSC-3155 but remained unpublished – until now.

    This survey of RCA Boston Symphony recordings during the Steinberg era is rounded off with 1970 tapings of Dvorák’s “New World” Symphony and Carnival Overture (CD 4) from the same recording period by Arthur Fiedler, former BSO violinist and longstanding conductor of the Boston Pops. His recordings of mainly light repertoire for RCA generated total sales of well over 50 million. Nevertheless, it was his ambition to record a major symphony, and here RCA belatedly granted his wish, placing the full Boston Symphony Orchestra at his disposal for the first and only time.

    All recordings in the set have been newly transferred and remastered from the 3-track (CD 1), 4-track (CDs 2, 3 [1-6], 4) and 2-track (CD 3 [7-9]) analog tapes using 24 bit / 192 kHz technology.

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  • William Steinberg & The BSO - The Complete RCA Victor Recordings

    William Steinberg & The BSO - The Complete RCA Victor Recordings

    Sony Masterworks Apr 2024
    4 discs
    CD
    $39.98
  • A Noble & Melancholy Instrument / Frank-Gemmill, Beatson
    BIS

    A Noble & Melancholy Instrument / Frank-Gemmill, Beatson

    SACD · 1 disc

    $21.99
    Composer
    BEETHOVEN DUKAS STRAUSS
    Artist
    Frank-Gemmill, Beatson
    Released
    Apr 07, 2017

    The 19th century saw huge developments in the design of many musical instruments. In some cases changes were adopted more or less universally: the fortepiano that Mozart knew, a five-octave instrument constructed entirely of wood, had by around 1900 grown into the modern grand piano with over seven octaves and a castiron frame. With other instruments, progress was less streamlined. As late as 1865, the natural, valveless horn of Beethoven's time remained the instrument of choice for Brahms when he wrote his famous Horn Trio, and when valves began to be introduced, makers and musicians in Germany, France and Vienna favoured different solutions, offering different results in terms of sound and requiring different playing techniques. The present release is a unique combination of recital and history lesson, with a young British team performing music from between 1800 and 1942 on no less than eight different historic instruments: four horns and four pianos. This gives us the opportunity to hear the works on instruments that the different composers would have recognized, whether Beethoven's Sonata in F major (a natural horn from 1800 and a fortepiano from 1815) or the Villanelle by Paul Dukas from 1906 (an early 20thcentury cor à pistons and a Bechstein from 1898). Both notable performers on modern instruments, Alec FrankGemmill and Alasdair Beatson here revel in the sonic possibilities offered by the historic instruments with results that are as delighting as they are enlightening.

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  • A Noble & Melancholy Instrument / Frank-Gemmill, Beatson

    A Noble & Melancholy Instrument / Frank-Gemmill, Beatson

    BIS Apr 2017
    1 disc
    SACD
    $21.99
    Naxos

    Saint-Saens: Symphonic Poems / Markl, Orchestre National de Lille

    CD · 1 disc

    $19.99
    Composer
    SAINT-SAENS, CAMILLE
    Artist
    Märkl
    Released
    Dec 01, 2017
    While the invention of the symphonic poem is credited to Franz Liszt, French composer Camille Saint-Saens truly took the genre to a new level. The symphonic poem became popular in France in the early 1870s, supported by the newly founded Societe Nationale and its promotion of young French composers. Camille Saint-Saens composed his Le rouet d’Omphale in 1872, with three more soon following. The most famous was his Danse macabre. In all of these works he experiments with orchestration and thematic transformation. In this new release, the Orchestre National de Lille does a service to their fellow countryman, with Jun Markl as their faithful leader at the helm.
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    PENTATONE

    Fantasies, Rhapsodies & Daydreams / Steinbacher, Foster, Monte-Carlo Philharmonic

    SACD · 1 disc

    $21.99
    Composer
    MASSENET RAVEL SAINT-SAENS
    Artist
    Steinbacher, Foster
    Released
    Sep 09, 2016
    This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.

    Thrilling flights of fancy abound from violinist Arabella Steinbacher in Fantasies, Rhapsodies and Daydreams Spectacular virtuoso playing, bravura passagework and show-stopping melodies are balanced with wistful lyricism and sublime tone painting in this irresistible programme of perennial favourites, played with elan by the violinist Arabella Steinbacher with the Orchestre Philharmonique de Monte-Carlo, conducted by Lawrence Foster in this new release from Pentatone.

    From the high jinks and outrageous showmanship of Franz Waxman's Carmen Fantasie and Pablo de Sarasate's Zigeunerweisen, to the fearsome technical demands of Ravel's Tzigane and the exquisite refinement of Saint-Saens' Havanaise and Introduction et Rondo capriccioso, this album harks back to an earlier era of violin playing.

    REVIEW:

    Were someone to ask me to suggest a disc to introduce them to the violin, I might well steer them in the direction of this one. I rather like the way she pushes on in the central section of The Lark Ascending, and it cleverly elides into the beginning of Saint-Saens's Havanaise. This, the Introduction and Rondo capriccio, and Ravel's Tzigane are given excellent performances. The standout performance comes with the Meditation from Massanet's Thais, done with breathtaking beauty, a turn-on for any newcomer to the violin.

    – Gramophone
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  • Saint-Saens: Orchestral Works / Pastrana, Markl, Basque National Orchestra
    Naxos

    Saint-Saens: Orchestral Works / Pastrana, Markl, Basque National Orchestra

    CD · 1 disc

    $19.99
    Composer
    SAINT-SAENS, CAMILLE
    Artist
    Pastrana, Orquesta Sinfónica De Euskadi, Markl
    Released
    Feb 09, 2018

    Saint-Saens’ travels often resulted in geographically themed works, such as the Suite algerienne: this exotic musical picture postcard- full of perfumed sensuality and the brazen confidence of march themes- reflects the composer’s visits to colonial North Africa. The two suites on this recording are both structured around dance movements and were originally scored for different forces- the Suite in D major, Op. 49 for harmonium, the Suite in D minor, Op. 16 for cello and piano. The engaging Serenade, Op. 15, rarely performed with its original, exotic scoring, is heard here in an orchestral transcription.

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  • Theme varie
    Chandos

    Theme varie

    CD · 1 disc

    $21.99
    Composer
    Various
    Artist
    Elena Urioste, Tom Poster
    Released
    Jul 17, 2026
    Conceived as a treasure trove of lesser-known French and Belgian repertoire, the works on this album span a forty-year period, from 1892 to 1932. A number of unifying threads run through the programme, perhaps the most significant of which is the influence of a composer whose music is not heard here at all: César Franck. Franck taught and championed Guillaume Lekeu and Mel Bonis; and Bonis in turn taught Charlotte Sohy, whose principal composition teacher was Vincent d'Indy, one of Franck's most devoted acolytes. The artists decided against including Franck's Violin Sonata in favour of the work by his fellow Belgian Lekeu, much more rarely recorded and hardly ever heard in the concert hall. A number of shorter works surround this sonata to form a uniquely rewarding programme, starting with Charlotte Sohy's Thème varié. Three works by Mel Bonis complement the duo's recording of her Violin Sonata on their previous album (CHAN 20275), whilst the two Élégies by Saint-Saëns have also been unfairly neglected. Fascinatingly, the second Élégie and Messiaen's Thème et variations are separated by just a dozen years, although they inhabit sound worlds seemingly decades apart. Elsa Barraine was Messiaen's contemporary and lifelong friend. Her haunting Nocturne seemed to provide a fitting conclusion to this programme.
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  • Theme varie

    Theme varie

    Chandos Jul 2026
    1 disc
    CD
    $21.99
  • CABINET OF CURIOSITIES
    WARNER CLASSICS

    CABINET OF CURIOSITIES

    CD · 1 disc

    $17.28
    Artist
    ETIENNE GARA / DELIRIUM MUSICUM
    Released
    Dec 19, 2025
    From Etienne Gara: "This album is a beautiful patchwork of short pieces that cannot be more different one from the other and span from the Baroque era to tomorrow. Think of it as an Advent calendar for listeners, where each piece opens a new window into a musical universe all on it's own. On this album, you'll find Classical music canons, film-music from Pulp Fiction and Psycho, miniatures by Philip Glass, and small curiosities written just for us that help bridge the gap between Classical music and today's diverse audiences. Delirium Musicum and Cabinet of Curiosities both carry that mischievous DNA that transcends borders and brings the excitement that unapologetic passion and commitment trigger. In other words, you have here a delirious concert where everyone will find something they know, something they love, and something that will trigger their curiosity."
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  • CABINET OF CURIOSITIES

    CABINET OF CURIOSITIES

    WARNER CLASSICS Dec 2025
    1 disc
    CD
    $17.28
  • Britten: Young Person's Guide; Saint-Saëns: Carnival of the Animals; Prokofiev: Peter & The Wolf
    Naxos

    Britten: Young Person's Guide; Saint-Saëns: Carnival of the Animals; Prokofiev: Peter & The Wolf

    CD · 1 disc

    $9.99 $19.99 Save 50%
    Composer
    PROKOFIEV/BRITTEN
    Artist
    Pet, Jeremy, Toperczer, Ondrej, Nicholas, Marián, Lenárd, Lapšanský
    Released
    Oct 30, 1991

    The French composer Camille Saint-Saëns was prolific and lived a long time, although by the time of his death in 1921 music had changed beyond anything he could have conceived. He was a gifted pianist and, in common with many other well known French composers, found employment and distinction as organist at one of the principal churches in Paris. The popular Carnival of the Animals, described as A Zoological Fantasy, was written in 1886, originally for two pianos and a small chamber orchestra, to celebrate that year's carnival. The composer forbade further performances of this occasional music, except for The Swan, which enjoyed immediate and irresistible popularity.

    The Soviet composer Sergey Prokofiev wrote his Peter and the Wolf in 1936 to introduce to children the instruments of the orchestra. He had taken his two sons to see performances at the Moscow Children's Music Theatre and this had suggested to him the possibility of a composition of this kind. The boy Peter, represented by the strings, is playing in the meadow, forbidden territory. A bird, shown by the flute, sings in a tree: a duck, the oboe, swims in the pond, and a cat, the clarinet, comes onto the scene, sending the bird up to a higher branch. Peter's grandfather, the bassoon, warns the boy not to venture out, but meanwhile a wolf, the French horns, comes into the meadow, 
    and adventures ensue with spoken narration.


    Ten years later, in 1946, the English composer Benjamin Britten was asked to write music for an educational film introducing the instruments of the orchestra. For the purpose he chose a theme by the great 17th century English composer Henry Purcell and wrote a set of variations, each of which shows the characteristics of a particular instrument or group of instruments. The alternative title of the work, Variations and Fugue on a Theme of Purcell, is an exact description. The other title, The Young Person's Guide to the 
    Orchestra, makes fun of the titles much favored by writers of moral tales in the 19th century, providing "young persons" with advice on how to regulate every aspect of their lives. At the most exciting part of the concluding fugue, the brass instruments play again the original theme, leading to a grand conclusion. 

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  • Saint-saens: Symphonies No 1 & 2 / Soustrot, Malmo
    Naxos

    Saint-saens: Symphonies No 1 & 2 / Soustrot, Malmo

    CD · 1 disc

    $19.99
    Composer
    SAINT-SAENS, CAMILLE
    Artist
    Soustrot
    Released
    Feb 10, 2015
    All of Saint-Saëns’ symphonies have been thrown into the shadows by the popularity of the last of them, the famous “Organ” Symphony (No. 3). This is a pity, because the others are very enjoyable and rewarding pieces. The First, dating from 1852 when the composer was only seventeen, features a finale whose scoring includes saxhorns, cymbals, and four harps, and it reveals a composer who, despite his classical leanings, wasn’t afraid to challenge convention. The more modestly scored Second Symphony of seven years later continues that trend, sporting a contrapuntal opening movement that’s remarkably assured and formally successful.

    The standard reference versions for these works have been Martinon’s EMI (now Warner) recordings, but Soustrot’s are different enough to justify duplication. In the First Symphony, particularly, Soustrot adopts a very slow, dreamy tempo for the Adagio, but it works very well, particularly in contrast to the bold and brassy finale which follows without a break. Soustrot correctly highlights the adventurous writing for the harps, but never tastelessly, and some listeners may feel that the interpretation finds additional expressive depth in music often denigrated as merely sentimental. It’s good to hear it played with no apologies.

    In the Second Symphony Soustrot comes closer to Martinon in terms of timing, but there’s no denying the extra clarity and nimbleness of the Malmö ensemble as compared to the old French National Radio and Television Orchestra for EMI. Soustrot’s exciting and rhythmically sharp reading of Phaéton makes a welcome bonus. This is unquestionably one of the best recordings of the piece, with an especially effective thunderbolt as Zeus hurls the hapless chariot (of the sun) driver from his seat. Attractively natural sonics round out a very promising start to this new series.

    -- David Hurwitz, ClassicsToday.com
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  • Saint-saens: Symphonies No 1 & 2 / Soustrot, Malmo

    Saint-saens: Symphonies No 1 & 2 / Soustrot, Malmo

    Naxos Feb 2015
    1 disc
    CD
    $19.99
  • Saint-Saens: Complete Piano Works, Vol. 4 / Geoffrey Burleson
    Grand Piano

    Saint-Saens: Complete Piano Works, Vol. 4 / Geoffrey Burleson

    CD · 1 disc

    $19.99
    Composer
    SAINT-SAENS, CAMILLE
    Artist
    Geoffrey Burleson
    Released
    Feb 12, 2016
    Although he is best remembered for his orchestral and instrumental music, Saint-Saens was also responsible for spearheading the revival of the French Baroque, especially the music of Lully and Rameau, as well as being perfectly placed to absorb the latest instrumental dance music. His five "character waltzes" include the ethereal and ravishingly textured Valse mignonne, the stylistically forward-looking Valse nonchalante and the virtuosic Valse gaie, the composer's final waltz for solo piano, while the three minor key Mazurkas are strongly characterized and filled with ingenious musical contrasts. Last but not least, the three "souvenirs" are delightful evocations of particular corners of the world that inspired Saint-Saens.
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  • Saint-Saens: Complete Piano Works, Vol. 4 / Geoffrey Burleson

    Saint-Saens: Complete Piano Works, Vol. 4 / Geoffrey Burleson

    Grand Piano Feb 2016
    1 disc
    CD
    $19.99