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    Passion - Lully, Charpentier & Desmarets / Gens, Camboulas, Ensemble Les Surprises

    CD · 1 disc

    $20.99
    Composer
    CHARPENTIER DESMARETS LULLY
    Artist
    Gens, Camboulas
    Released
    Aug 27, 2021

    Shortlisted for the Gramophone Awards!

    This programme marks the eagerly awaited return of Véronique Gens to Baroque music and Lully, in which she made a name for herself at the start of her career. It presents airs from Atys, Persée, Alceste, Proserpine, Le Triomphe de l’Amour and other works by Louis XIV’s famous composer, but also several by Marc-Antoine Charpentier (Médée), Henry Desmarets and Pascal Collasse. Whether well known, rare or in some cases even unpublished, all of them present roles for powerful women whose love is unrequited: dark passions, bitter laments, jealousy, vengeance, the type of dramatic characters that Véronique Gens embodies with all the charisma that has made her reputation. This recording is also the result of an encounter with the youthful ensemble Les Surprises, founded and directed by Louis-Noël Bestion de Camboulas. Together they conceived this programme, which mingles airs, dances and choruses, in collaboration with the Centre de Musique Baroque de Versailles.

     

    REVIEW:

     

    The voice remains in remarkable condition, as strongly radiant, firm and secure as ever with powerful chest notes. And of course the characteristics that have made her so prized in this repertoire, the perfect shaping of line and outstanding diction, remain, still more finely honed.

     

    – Opera

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  • UGAB: L'univers de l'orgue - Luneville (France 1751)

    UGAB: L'univers de l'orgue - Luneville (France 1751)

    Alpha Jan 2011
    1 disc
    SACD
    $31.99
  • Desmarets & Campra: Iphigenie en Tauride
    Alpha

    Desmarets & Campra: Iphigenie en Tauride

    CD · 2 discs

    $29.99
    Composer
    Andre Campra, Henry Desmarest
    Artist
    Veronique Gens, Reinoud Van Mechelen, Thomas Dolie, David Witczak, Olivia Doray, Floriane Hasler, To
    Released
    Jan 24, 2025
    Nearly a century before Gluck, another opera called Iphigenie en Tauride - same plot, same protagonists - had immense success on the opera stage. This 'first' Iphigenie has rather a curious history. The opera was sketched out by composer Henri Desmarest around the year 1695, but he was then banished from France by Louis XIV for having married a young girl without her father's consent. The uncompleted score of Iphigenie was then entrusted to Andre Campra. The opera, since lost and forgotten, was rediscovered by Benoit Dratwicki, Director of the Centre de Musique Baroque de Versailles, who marvels at it's stylistic unity: 'Campra easily adopted Desmarest's style. He just added some virtuoso arias to the divertissements, as well as the tuneful choruses that were his speciality.' Iphigenie en Tauride had it's premiere on 6 May 1704, and was revived throughout Europe from 1711. Thanks to Herve Niquet, a top-flight team of singers, an orchestra well versed in French repertoire, and all their collaborative research into the practices and specific playing techniques of the early 18th century, Iphigenie sees the light of day once more.
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  • Desmarets & Campra: Iphigenie en Tauride

    Desmarets & Campra: Iphigenie en Tauride

    Alpha Jan 2025
    2 discs
    CD
    $29.99
    Alpha

    Charpentier & Desmarest: Te Deum / Camboulas, Ensemble Les Surprises

    CD · 1 disc

    $20.99
    Composer
    Marc-Antoine Charpentier, Henry Desmarest
    Artist
    Louis-Noel Bestion De Camboulas, Jehanne Amzal, Eugenie Lefebvre, Clement De
    Released
    Jan 12, 2024

    Two Te Deums go head to head! The famous one by Marc-Antoine Charpentier and a completely new one by Henry Desmarets. Charpentier and Desmarets, remarkable composers of both sacred music and opera, shared a taste for Italian music and travel, but they also shared the disadvantage of having spent some time in Jean-Baptiste Lully's 'shadow'! Desmarets' life was somewhat tormented, between disgrace and exile; it was while he was superintendent of music at the Court of Lorraine that he composed two Te Deums, including the Te Deum"de Lyon". Written for the same ensemble as Charpentier's famous Te Deum, it uses trumpets and timpani for the grandiloquent sections. It is a true work of craftsmanship, notably in the variety of instrumentation, but also in its alternation of different vocal forces.

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