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    Ramee

    Pepusch: Venus & Adonis

    CD · 1 disc

    $20.99
    Composer
    PEPUSCH, JOHANN CHRISTOPH
    Artist
    Hendrick, Hyde, Edgar-Wilson, Harmonious Society Of Tickle-Fiddle Gentlemen, Rawson
    Released
    Sep 30, 2016
    Johann Christoph Pepusch's Venus and Adonis premiered at London's Theatre Royal in 1715. Inspired by the operas of composers like Giovanni Battista Bononcini and Alessandro Scarlatti, it was the most substantial effort of the period to "reconcile Musick to the English Tongue." These works bristle with Italian virtuosity and dynamism and unlike most dramatic music of the time, Venus and Adonis makes ample use of dramatic recitative. A clar model for Handel's later works.
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  • Pepusch: Venus & Adonis

    Pepusch: Venus & Adonis

    Ramee Sep 2016
    1 disc
    CD
    $20.99
  • Pepusch: The Beggar's Opera
    Opus Arte

    Pepusch: The Beggar's Opera

    Blu-Ray · 1 disc

    $26.99
    Composer
    GAY, JOHN
    Artist
    Christie
    Released
    Feb 26, 2021
    Written by John Gay in 1728, The Beggar's Opera is widely considered to be the first musical comedy, and one that pre-empted by about 300 years the current vogue for " jukebox " productions, which create a plot to fit around hit songs. Gay took some of the best-known tunes of his day, both classical and popular, and worked them into a savagely satirical tale set amongst London's thieves, pimps and prostitutes. Wildly popular from it's first performance, The Beggar's Opera has been the basis for numerous stage, musical and cinematic adaptations ever since. It explores a cynical world where capitalist greed, crime and social inequality are the norm. Robert Carsen's new take on this classic is indeed "A brilliant tour de force between baroque and modernity" (Liberation).
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  • Pepusch: The Beggar's Opera

    Pepusch: The Beggar's Opera

    Opus Arte Feb 2021
    1 disc
    Blu-Ray
    $26.99
  • BAROQUE-BOLERO: BAROQUE MUSIC

    BAROQUE-BOLERO: BAROQUE MUSIC

    Audite Musikproduktion Jan 1995
    1 disc
    CD
    $10.99
    Ramee

    Pepusch: Concertos and Overtures for London / Harmonious Society of Tickle-Fiddle Gentlemen

    CD · 1 disc

    $20.99
    Composer
    PEPUSCH, J.C.
    Artist
    Harmonious Society Of Tickle-Fiddle Gentlemen
    Released
    Jun 12, 2012

    Johann Christoph Pepusch (1667-1752) was probably something of a child prodigy and Ernst Ludwig Gerber records that he received an appointment as harpsichordist to the Prussian Court at Berlin by the age of 14. Regardless of this and other successes in the theatre, Pepusch was most highly esteemed in his own lifetime as a composer of concertos. Georg Philipp Telemann considered him as one of the best six German composers. As with Handel, later Germans and Britons both claimed Pepusch as their own. Pepusch is best remembered today for his contribution to The Beggar's Opera (1728), for which he composed a fine overture. Apart from that overture, none of his other pieces had received commercial recordings until today. It is our hope that this CD goes some distance to remind audiences why Pepusch was once so highly regarded across Europe as a fine composer of inventive and dramatic concertos.

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  • Trumpet Recital: Weller, Martin - KREBS, J.L. / GABRIELI, G.

    Trumpet Recital: Weller, Martin - KREBS, J.L. / GABRIELI, G.

    Coviello Jan 2011
    1 disc
    CD
    $20.99
  • QUEEN ANNE'S LONDON (MUSIC FROM) - WILLIAMS, W. / CORBETT, W

    QUEEN ANNE'S LONDON (MUSIC FROM) - WILLIAMS, W. / CORBETT, W

    Avie Records Aug 2006
    1 disc
    CD
    $19.99
    Channel Classics

    The Spohr Collection, Vol. 3

    CD · 1 disc

    $20.99
    Composer
    Wilhelm Friedemann Bach, Francesco Barsanti, Thomas Chilcot, Walter Clagget, John Frederick Lampe, P
    Artist
    Florilegium, Ashley Solomon
    Released
    Jan 26, 2024

    "Flutist Ashley Solomon and Florilegium continue the Spohr Collection project with Volume 3. Ashley plays nine original exquisite 18th century flutes from Peter Spohr’s private collection, which can now be heard around the world for the first time. They are made from various materials including solid ivory, ebony and ivory, and boxwood and ivory. These historical instruments possess a beautiful and unique sound, making them most desirable to play.

    This new recording explores repertoire from Italy, Germany and England written by composers including Vivaldi, Mozart, Clagget and Locatelli. Each work matches historically and geographically with the flute Ashley plays. Soprano Rowan Pierce joins them for two songs by Chilcot and Lampe."

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  • The Spohr Collection, Vol. 3

    The Spohr Collection, Vol. 3

    Channel Classics Jan 2024
    1 disc
    CD
    $20.99
  • Musical London c. 1700 - from Purcell to Handel

    Musical London c. 1700 - from Purcell to Handel

    Chandos Jan 2011
    1 disc
    CD
    $21.99
    Carus

    Purcell: Love’s Madness / Dorothee Mields, Wolfgang Katschner, Lautten Compagney Berlin

    CD · 1 disc

    $20.99
    Composer
    PURCELL, HENRY
    Artist
    Mields, Lautten Compagney Berlin, Katschner
    Released
    Apr 24, 2012
    You really won’t be disappointed with these stylish, polished, engaging performances.

    In the old days—that is, the 1980s and ‘90s—this is a recording that would have been done by the Baltimore Consort, with soprano Custer LaRue; but they would have left out the boring stuff, all those endlessly plodding “grounds”, or the excessively torturous (as opposed to the reasonably tortuous) six-and-one-half-minute Expostulation of the Blessed Virgin, in favor of livelier, more virtuosic, or just more light-hearted or even humorous material.

    Mields is certainly a wonderful singer—indeed, this is some of the best work she’s done—and the instrumentalists are first-rate. But I don’t buy the legitimacy of the programmatic device that supposedly unifies the chosen repertoire: a “journey into the extremities of the life of the soul, caused by feelings of love.” The word “mad” pops up frequently in the liner notes, supposedly a theme that links all of the music, by Purcell and a few contemporaries—but you’ll be hard pressed to hear and feel this connection as you listen.

    That’s not to say that the program isn’t composed of some fine and well-chosen songs—and Mields has admirable command of the material; yet her final, gorgeously sung Dido’s Lament lacks a true emotional connection with the character’s situation, eliminating that oft-recorded, beloved aria as a reason to own the disc. But there are plenty more reasons among the 31 tracks—and if you’re a fan of this period and place (latter 17th-century England), and of songs such as “Sing, sing Ye Druids” and “The Three Ravens”, you really won’t be disappointed with these stylish, polished, engaging performances.

    -- David Vernier, ClassicsToday.com
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