The Singapore Symphony Orchestra, conducted by Darrell Ang and Joshua Tan, presents a compelling programme that explores the rich and often unexpected dialogue between film and concert music, featuring works by John Williams, Bernard Herrmann, and Hugo Friedhofer. Once considered distinct spheres, these worlds are brought together through compositions that reveal the breadth and depth of three composers whose artistry extends far beyond the screen. At the centre of the programme is Williams' Concerto for Solo Flute, Strings and Percussion (starring Singapore Symphony Principal Flutist Jin Ta), a work of striking imagination and expressive range, complemented by his Essay for Strings (1965), an early yet already assured statement of his concert voice. Alongside these works, Herrmann's Souvenirs de Voyage for clarinet quintet, here heard in the late Hans Sørensen's adaptation for clarinet and string orchestra, receives it's world premiere recording with clarinettist Ma Yue, offering a vivid example of the composer's distinctive harmonic language in a concert setting. Friedhofer's Suite for 5 Woodwinds, also presented in a world premiere recording, further enriches the programme with it's inventive textures and stylistic range. Together, these works highlight a shared spirit of exploration, brought to life with clarity and refinement by the Singapore Symphony Orchestra in a release that continues it's distinguished collaboration with PENTATONE.

Bernard Herrmann is widely regarded as one of Hollywood’s most important composers, responsible for more than fifty film scores (in addition to his work for TV, radio, and the concert hall), and noted for his collaborations with Orson Welles and, later, with Alfred Hitchcock.

Welles was unofficially involved with Robert Stevenson’s film of Jane Eyre in the 1940s, and it was Welles that suggested Herrmann as composer for the project. Herrmann became obsessed with all things Brontë, and within months was writing to friends of his plans to write an opera on Wuthering Heights. It took him eight years to complete the vocal score, using a libretto written by his wife, Lucille Fletcher. Although he conducted a recording of the work, in 1966, he failed to see a live production in his lifetime. Although the opera features eight solo roles, Cathy and Heathcliff dominate the action and are the only singers in Hans Sørensen’s Suite of excerpts – recorded here for the very first time.

Keri Fuge and Roderick Williams take the vocal roles in this recording. Echoes was composed in 1965 for string quartet, and was later arranged for string orchestra by Hans Sørensen – the version heard on this album. The recording was made in the Esplanade Concert Hall, Singapore. in Surround Sound, and is available as a Hybrid SACD and in Spatial Audio.