The Golden Age of Hollywood

Regular price $18.99
Label
Quartz Music
Release Date
April 5, 2024
Format
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    Featuring
    • COMPOSER
      Robert Russell Bennett, Bernard Herrmann, Erich Korngold, Jerome Moross, Heinz Roemheld, Miklos Rozs
    • PERFORMER
      Patrick Savage, Martin Cousin
    Product Details
    • RELEASE DATE
      April 05, 2024
    • UPC
      880040215622
    • CATALOG NUMBER
      QTZ2156
    • LABEL
      Quartz Music
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. I. Mädchen im Brautgemach

      Composer: Erich Wolfgang Korngold

      Performer: Patrick Savage, Martin Cousin

    2. II. Holzapfel und Schlehwein

      Composer: Erich Wolfgang Korngold

      Performer: Patrick Savage, Martin Cousin

    3. III. Gartenszene

      Composer: Erich Wolfgang Korngold

      Performer: Patrick Savage, Martin Cousin

    4. IV. Mummenschanz

      Composer: Erich Wolfgang Korngold

      Performer: Patrick Savage, Martin Cousin

    5. I. Good Morning

      Composer: Franz Waxman

      Performer: Patrick Savage, Martin Cousin

    6. II. Promenade

      Composer: Franz Waxman

      Performer: Patrick Savage, Martin Cousin

    7. III. Playtime

      Composer: Franz Waxman

      Performer: Patrick Savage, Martin Cousin

    8. IV. Bedtime Story: The Fairy Princess

      Composer: Franz Waxman

      Performer: Patrick Savage, Martin Cousin

    9. No. 1. Gut Bucket Gus

      Composer: Robert Russell Bennett

      Performer: Patrick Savage, Martin Cousin

    10. No. 2. Jane Shakes Her Hair

      Composer: Robert Russell Bennett

      Performer: Patrick Savage, Martin Cousin

    11. No. 3. Betty and Harold Close Their Eyes

      Composer: Robert Russell Bennett

      Performer: Patrick Savage, Martin Cousin

    12. No. 4. Jim Jives

      Composer: Robert Russell Bennett

      Performer: Patrick Savage, Martin Cousin

    13. No. 5. Till Dawn Sunday

      Composer: Robert Russell Bennett

      Performer: Patrick Savage, Martin Cousin

    14. I. Fast and Deliberate

      Composer: Heinz Eric Roemheld

      Performer: Patrick Savage, Martin Cousin

    15. II. Sempre senza vibrato

      Composer: Heinz Eric Roemheld

      Performer: Patrick Savage, Martin Cousin

    16. III. Very Fast

      Composer: Heinz Eric Roemheld

      Performer: Patrick Savage, Martin Cousin

    17. Recitative and Aria

      Composer: Jerome Moross

      Performer: Patrick Savage, Martin Cousin

    18. Twilight

      Composer: Bernard Herrmann

      Performer: Patrick Savage, Martin Cousin

    19. Variations on a Hungarian Peasant Song, Op. 4 (version for violin and piano)

      Composer: Miklós Rózsa

      Performer: Patrick Savage, Martin Cousin


A remarkable album of concert works by legendary composers of Hollywood’s Golden Age will be released on the Quartz label on 5 April, 2024. The recording features music for violin and piano by Erich Korngold, Franz Waxman, Bernard Herrmann, Miklós Rózsa, Robert Russell Bennett, Jerome Moross and Heinz Roemheld. Much of the music is rarely heard and the album features three world premiere recordings.

Australian-born violinist Patrick Savage researched and compiled the program during COVID lockdowns and performs the works alongside pianist Martin Cousin.
Formerly Principal First Violin for the Royal Philharmonic Orchestra and first violin in the Tippett Quartet, Patrick is now a free-lance concertmaster, soloist, studio session player and West End musician. He is also a composer for feature film, theatre and video games, and his film scores include the cult horror THE HUMAN CENTIPEDE and the forthcoming puppet horror, ABRUPTIO.

Each of the composers represented on this album were Academy Award-winners or nominees and made an extraordinary contribution to the art of film scoring during Hollywood’s Golden Age - the heady years of frenetic film production from the 1920s to the 1960s. Between them they composed scores for some of the most famous cinema of the era.

Extraordinary music-makers were drawn to Los Angeles from across the United States and around the world, including those forced to flee the rise of Nazism in Europe. But even the most gifted of composers that made their name in cinema often faced an uphill battle for acceptance in the classical world. Professional jealousy may have been a factor, as well as snobbery: how could a composer for popular entertainment be taken seriously as an artist?

This prejudice led to music of great value remaining in obscurity, but despite a resurgence of interest in film composers of those years, the works by Herrmann, Roemheld and Moross are recorded here for the first time.