The crossroads of Christianity, Judaism and Islam create the backdrop to O! Jerusalem, a scintillating live recording by Apollo’s Fire that interweaves the lives and music of the peoples who have inhabited the “City on a Hill” since Biblical times. Conceived and directed by Jeanette Sorrell, Grammy Award-winning founder of Apollo’s Fire, O! Jerusalem conjures a tour of the Old City’s four quarters – Christian, Jewish, Arab and Armenian – and the confluence of the communities’ sacred and secular music from 1200 – 1650. This colorful and vibrant program – featuring musicians of Jewish, Muslim, and Christian backgrounds – premiered to packed audiences in New York City, Chicago, and the ensemble’s home base of Cleveland where this recording was captured live. O! Jerusalem follows in the footsteps of Sephardic Journey (AV2361), one of ten Apollo’s Fire releases to debut in Billboard’s Classical Chart Top 10.

REVIEW:

The program is organized as a walk through the four neighborhoods of Jerusalem's Old Quarter, namely Jewish, Arab, Christian, and Armenian, concluding with a festival secular dance set in which the traditions mingle. Much of the program was recorded live in 2020, just before the pandemic shut things down; these tracks are augmented by others recorded earlier. Most or all of the music seems to have been performed by members of Apollo's Fire itself. Beyond the rather plaintive hopes for peace that it expresses, the program is both instructive and engaging.

-- AllMusicGuide.com (James Manheim)

Following Tom Lehrer’s decision in 2020 to release almost 100 of his songs into the public domain (for anyone to perform and adapt without permission) The Queen’s Six take up the offer with relish in this album of a cappella renditions of his “catchy and savage musical satire”. Based at Windsor Castle, the members of The Queen’s Six make up half of the Lay Clerks of St George’s Chapel, whose homes lie within the Castle walls. This rare privilege demands the highest musical standards, as they sing regularly for the Royal family at both private and state occasions. In 2018 this included the wedding of Prince Harry and Ms Meghan Markle, held in St George’s Chapel. Most significantly however, it is the familiarity of living and singing together in Chapel every day that lends this group its distinctive closeness and blend, as well as an irresistible informality and charm.

REVIEW:

Those who love the music of Thomas Lehrer cannot help but succumb to the charms of this disc, which is a thoroughly worthy successor to the recordings by these singers of more expected repertory. I note with pleasure that the disc acknowledges the assistance of (among others) the Trustees of Ascot Priory and the Dean and Canons of Windsor; and the cover illustration by Paul Taylor, depicting the composer in the guise of a pigeon poisoned with cyanide-laced peanuts before the façade of Windsor Castle, strikes just the right note.

-- MusicWeb International

All my life I have admired, studied and performed the music of the extraordinary Argentinian composer, Astor Piazzolla (1921-1992). So, when I was offered the chance to publish a whole instrumental Piazzolla album of my own for the centenary of his birth, I decided to base my tribute solely on Piazzolla titles but… with a little something extra. I decided to design a varied and comprehensive listening experience - an hour of accordion solos, instrumental duos, and pieces that I arranged for accordion and a small ensemble as a tribute to the Master of Tango! The music is all Astor but with a touch of Bjarke here and there and maybe everywhere, in fact. There are no singers involved, but Piazzolla’s music sings, and our instruments sing, and at every corner there is melancholy, tripping feet, fast figures, and an atmosphere of Buenos Aires.” (Bjarke Mortense) All of Piazzolla’s more than 750 works are inextricably bound to an essential and unmistakable Argentinian identity. His output includes an opera, music for the theatre, film scores, concertos, chamber music and songs. He loved to startle the listener by spicing up his music with chromaticism, dissonance and abrupt surprises: yet Piazzolla paid homage to Johann Sebastian Bach on almost every page he ever wrote. In commemoration of the genius of Nuevo Tango the young Danish master of the modern accordion, Bjarke Mortensen and his friends serve up a true musical banquet that will satisfy all tastes.

Missa Criolla, by Argentine composer Ariel Ramirez (1921-2010) is a Spanish vernacular setting of Roman mass liturgy. Navidad Nuestra, composed in 1964, is subtitled"A folk drama of the nativity based on rhythms and traditions of Hispanic America"