More than perhaps any other jazz vocalist the name Chris Connor is mentioned with an almost mystical reverence. From her stints with Claude Thronhill and Stan Kenton, through her illustrious solo career, to her most recent appearances and reocrdings on HighNote, Chris brings a lifetime of experience to every song she sings, making it not just a track on a record, but a commentary on life itself.

SWEET LOVE OF MINE

HOW ABOUT ME

PROTOTYPE

SMOOTH SAILING

Wesla Whitfield is known for her deft sense of swing and incisive ballad readings. Now she returns to release IN MY LIFE, a gorgeous collection of 15 wonderful works by such diverse composers as Leonard Bernstein, Vernon Duke and Lennon/McCarney.

As the highly conspicuous drummer for rocker Lenny Kravitz, Cindy has developed a loyal following which transcends the jazz boundaries. Lenny is actually having Cindy & her jazz band open for him so her jazz persona can shine in the limelight. This, her 3rd jazz recording for HighNote, finds her playing at it's richest & most well-integrated. With her colleagues J.D. Allen, Carlton Holmes & George Mitchell, she offers a program of standards & originals bound together into one work of art with a leitmotiv of interludes composed especially for the album.

UNDERGROUND MEMOIRS

The release of a Mark Murphy recording renders hyperbole superfluous. Other people have said it all: Murphy is "a hipster's hipster," writes the New York Post. Featuring his latest effort Links, Mark performs classic tunes and original lyricst and otehr adventurous choices make this mark's finest record to date.

JAZZ WITH GENTLE RHYTHMS / VARIOUS

PROMISE LAND

Vocalist Jones once again joins sidekick Houston Person on a selection of tunes that represent all the greats of Tin Pan Alley & Broadway, inc. Frank Loesser, Irving Berlin, Dietz & Schwartz, Anthony Newley & others

KEEPERS OF THE FLAME

Featuring wonderful standards perfromed by: Houston Person, Norman Simmons, Charles Earland, Wallace roney, Lenny White, Mike Renzi, Gerri Allen and others.

DEAD CENTER

REFLECTIONS

Ever since his arrival in New York back in 1984, Don Braden has been one of the most impressive tenor saxophonists of his generation. He has uplifted the bands of the Harper Bros., Betty Carter, Wynton Marsalis, Freddie Hubbard, Tony Williams & others along the way, yet it is his work as a leader that is most significant. From start to finish, this CD is one of his finest recordings & it shows why he is rated as one of the top sax men of the early 21st Century. Together with his quartet, his chosen medium now, Braden offers a program of jazz classics, as well as a sprinkling of original tunes, including an innovative tenor sax/drum duet.

Hear history in the making as saxophonist Ventura & trombonist Harris team up on this astounding session, captured live in 1947, and unavailable on any format for over 25 years; Harris shows his inimitable way with ballads, while Ventura leaps into his famous "High On An Open Mike," propelled by drummer Davey Tough

RUSTY RIDES AGAIN

The Mighty Burner, who passed away recently, rips it up on this album, which was his last recording with his "regular" band, feat. sax smoker Eric Alexander, Michael Karn & James Rotondi - together they create a real "little big band" sound on originals & standards

WOODY SHAW LIVE 2

MOOD SWINGS

Jazz voclaist Carol Sloane's newest effort featuring a collection of favorites and some rarely heard gems.

There have been a number of famous jazz artists whose offspring have followed their father's footsteps into music. Think only of Ellis Marsalis and his sons, Dewey and Joshua Redman, Papa John and Joey DeFrancesco, Bucky and John Pizzarelli, Walter and Nicholas Payton and Harry Connick Senior & Junior. But for every famous father in jazz there are an unknowable number of fathers who inspired and nurtured their progeny's talent from the sidelines and encouraged them to go into music and pursue their dreams. Such a man was McDonald Chestnut whose internationally renowned son, pianist Cyrus Chestnut, remembers his dad with this touching memorial, My Father's Hands. By carefully choosing a wide range of repertoire - including originals, standards and jazz classics - and with the great bassist Peter Washington and the legendary Lewis Nash on drums, Cyrus has crafted not just an intensely personal reminiscence but a truly beautiful jazz album in all respects. The material is strong, the sequencing uniquely satisfying and the performances display a unity of conception and execution that can only be called remarkable. Top it off with the exceptional recording quality and you have not only another fabulous jazz record, but a lasting and moving tribute to a father from his son.

As difficult times often beget new beginnings, the COVID-19 quagmire gave birth to alto saxophonist Eric Alexander. To some, a tenor-to-alto switch may not seem to be a newsworthy matter, but for the initiated it's the stuff of headlines. An inveterate tenor at the apex of the scene for more than three decades, Eric put the alto away in his teen years and never looked back. "But with the dearth of opportunities to play during the pandemic, I started to work on it," he confesses. After successfully pitching the idea of using his second saxophone-with-strings project as a debut on alto, the present recording is quite simply astounding. Working with his regular rhythm section and adding ace string arrangements, this altoist delivers one revelatory performance after another.