Sir Stephen Hough's new solo piano album, Stephen Hough's Piano Postcards, explores the world from the perspective of the itinerant pianist sending home musical messages from his voyages. Music from Asia includes "Spring breeze prelude" by Taiwanese composer Deng Yu-Hsien and a piano version of "Aka tombo," a children's song so beloved in Japan that it features in citywide "5-o'clock chimes" across the country. Folk and popular traditions appear in "Cielito lindo" and "Nature boy," while the final group of pieces turns to nature, with works by MacDowell, Schumann and Sinding. Alongside these musical travel diaries, he intersperses new transcriptions of songs from popular films, including arrangements he created for Lang Lang's 'Disney Book' album. This is the first chance Sir Stephen has had to include piano arrangements of songs from Frozen, Coco and Mary Poppins.

Never has Bach seemed less dry and more full of fantasy, stated The Telegraph. Mahan Esfahani's mammoth project to record the complete keyboard works of Bach reaches it's zenith with The Complete Keyboard Concertos. At every stage in the series, Esfahani has sought to challenge long-held assumptions about the composer we seek to know. By teaming up with the Britten Sinfonia, he dispels any assumptions that the harpsichord might be seen as an "ancient" instrument, eschewing period instruments in favor of modern ones. In his typically scholarly but engaging liner notes, Esfahani writes of Bach the trendsetter, putting the keyboard front and center in a concerto for the first time. In addition to his roles as harpsichordist and director, Esfahani adds a compositional feather to his cap with the first recording of his own reconstruction of the "lost concerto" No. 8 (BWV1059), once available only as a small fragment. 2-CD set.

Christopher Tye is less famous than his Tudor contemporary Thomas Tallis and his documented life more chaotic, but the caliber of his Masses and polyphony are unsurpassed for color, full-textured fabric and interwoven melodic lines. The music may be English but the five members of Cinquecento ('16th century' in Italian) are pan-European, each bringing a lifetime of early music experience to forgotten masterpieces. This is their 17th album for Hyperion. Tye successfully negotiated the perilous politics of an era when successive monarchs, from Henry VIII to Elizabeth I, pulled England back and forth between Catholicism and Protestantism, and demanded that church music bend accordingly. The Peterhouse Mass recorded here survives in partbooks found in the Cambridge college of the same name; the missing tenor part has been reconstructed by Paul Doe.

From the late-Romantic Andante e Allegro con fuoco by Guido Alberto Fano and Dallapiccola's early wartime concerto to the final, much later work by Cristian Carrara, this album provides a welcome overview of the piano concerto in 20th and 21st century Italy. All four works benefit from the playing of Roberto Prosseda, whose talents as a champion of Italian contemporary music and of undiscovered piano music make him the ideal advocate.

Essential listening... "fabulously assured"... "unequivocally excellent", are just a few of the critical superlatives earned by Martyn Brabbins's magnificent Vaughan Williams symphony cycle. In this, the penultimate release of the series, two of the late symphonies are coupled with more rare works.

The great "Eroica" variations are the centerpiece of this program, which ends with two amusingly anglophile tributes, and contains some surprisingly under-appreciated Beethoven. This is an indispensable pendant to Angela Hewitt's ongoing survey of his piano sonatas.

Both sonatas recorded here are the work of the young Brahms, who was still a teenager when he wrote Op.2. They are paired with, and perfectly complement the much later rhapsodies. These are magisterial accounts from Garrick Ohlsson, a pianist noted for his mastery of the Romantics.

Vaughan Williams's incidental music for The Pilgrim's Progress has seldom been heard in it's original guise since the 1906 premiere. Martyn Brabbins and the BBC Symphony Orchestra couple it with outstanding interpretation of the composer's Symphony No 5.

Beethoven: Piano Sonatas Vol.7 The latest installment of Angela Hewitt's much-lauded Beethoven cycle is bookended by the great 'Tempest' and Op.109 sonatas. The performances are as usual complemented by Angela's own booklet notes which provide real insight into how she approaches these masterworks.

Hyperion presents Mozart: The Complete Violin Sonatas in a 10-CD collection, featuring Alina Ibragimova and Cedric Tiberghien in a celebrated cycle recorded between 2014 and 2016. Composed between his childhood years and the full maturity of his Viennese period, the violin sonatas chart the profound transformation not only in Mozart but in chamber music itself. The very earliest of them are essentially keyboard sonatas with violin accompaniment and were his first published works. By contrast, the mature works display a continuous dialog of equals between the instruments. Thus, they chart his growth from child wonder to fully fledged genius. The production team of Andrew Keener and engineer Simon Eadon assisted Alina and Cedric to illuminate the character of each of these 37 violin sonatas, while revealing the larger narrative that connects them across Mozart's compositional life.

Amsterdam Piano Trio / Tchaikovsky: Piano Trio; Schoenberg: Verklarte Nacht This album pairs two works separated by only 17 years, but whose composers seem at first glance to be worlds apart. The coupling of Tchaikovsky's monumental Piano Trio in A minor (1882) with Schoenberg's Verklarte Nacht (1899, in it's original scoring for string sextet) reveals a line of musical continuity from the great Russian Romantic to the pioneering Viennese modernist. Verklarte Nacht has itself been transfigured here in a new, never-before-recorded arrangement for piano trio by Henk Guittart, one of the world's leading Schoenberg specialists. This debut recording from the Amsterdam Piano Trio features award-winning Hyperion pianist Andrey Gugnin alongside violinist Anna Lipkind-Mazor and cellist Dmitry Prokofiev.

The performance Florence Price's Piano Quintet receives on this eagerly awaited new release from the Tak�cs Quartet and Marc-Andr� Hamelin would suggest that it can be only a matter of time before the work-rediscovered only in 2009-is as familiar and much-loved as the one by Dvor�k with which it shares the album.

From TV theme tunes to a folk-inspired 'circle dance on seven notes' by Villa-Lobos, Laurence Perkins-aided by a wide variety of accompanists-presents another pleasing miscellany of composers and works (no fewer than fourteen of each) demonstrating the many moods and expressive potential of the bassoon.

Gidon Kremer's commitment to the music of our own time and the exploration of some of the lesserknown byways of the past is justly famous. Here, alongside his Kremerata Baltica colleagues, he turns his attention to three substantial works for strings by the twentieth-century Czech composer Viktor Kalabis. This is an album guaranteed to win new friends for the music.

The Gesualdo Six/Owain Park - "Radiant Dawn". For their tenth Hyperion album, award-winning vocal supergroup The Gesualdo Six combine voices and trumpet to unearth the spirit of the surprise 1990s hit ECM album 'Officium' (Jan Garbarek & The Hilliard Ensemble), launched when G6 director Owain Park was still in the cradle. Exploring fresh sound worlds, this album presents writing old and new, with two compositions commissioned specifically for the release. The Gesualdo Six regularly tour the world, giving 150+ concerts a year. The group has commissioned (and written) over 100 new works from a diverse range of composers and runs regular composition competitions.

Ikon/David Hill - "Howells: King David & Sine nomine". Herbert Howells was perhaps the most distinctive and revered composer of sacred choral music in 20th-century Britain. However, his non-sacred music has been long neglected; this album unearths Howells's little-known secular choral music. 12 of the 14 tracks here represent repertoire that is completely new to UMG. New arrangements by Iain Farrington have been specially made for this recording, including Howells's famous "King David" and the title track "Sine nomine." Ikon comprises the UK's foremost singers brought together to form one superchoir. David Hill MBE has held conducting posts with the Bach Choir, BBC Singers and Yale Schola Cantorum. Featuring starry soloists Ruairi Bowen (tenor), Hilary Cronin (soprano), Charlie Lovell-Jones (violin) and Iain Farrington (piano).

Mahan Esfahani - "Bach: The Well-Tempered Clavier, Book 1". Mahan Esfahani's hugely ambitious, complete Bach keyboard project reaches it's summit with Book 1 of the WellTempered Clavier. Bach wrote his seminal 48 Preludes & Fugues with a harpsichord in mind; this is a rare chance to hear the music as intended. Recorded on a German double-manual harpsichord built by Huw Saunders and based on an instrument thought to have belonged to Bach. Mahan's discography has thus far garnered a Gramophone Award, two BBC Music Magazine Awards, a Preis der deutschen Schallplattenkritik, Opus Klassik Recording of the Year, Diapason d'Or, Choc de Classica and an ICMA, among many other awards. 2 CD set.

Hyperion proudly presents the Complete Haydn String Quartets on period instruments in one 20-CD box set. These acclaimed performances from the London Haydn Quartet combine historically informed performance practice with performing editions published during Haydn's own lifetime. The release celebrates the 25th anniversary of the formation of the London Haydn Quartet.

2025 marks the 60th anniversary of the Nash Ensemble, and Hyperion is celebrating the occasion with a program of Debussy's Sonatas & Prelude ? l'apr's-midi d'un faune. The original album was #1 on the UK Specialist Charts earlier this year, with the Times writing: "Sixty years have told us that with the Nash Ensemble's musicians, whatever their repertoire, nothing can ever really go wrong." Available on 180g vinyl.

Child's Play is a double album of chamber music by Australian composer Carl Vine, one of the most approachable and prolific composers of our day. Vine's output embraces 8 symphonies, 13 concertante works, numerous chamber works, plus music for film, television, dance and theatre. This album marks the final recording of the Goldner String Quartet, whose members have chosen to honor the occasion in the company of friends, including longtime collaborator Piers Lane. The album's title is taken from the String Quartet No 6. In the liner notes, written by the composer himself, Vine writes of being commissioned to create music that "uplifted, edified and elated."