Idil Biret

Idil Biret

Performer

b. 1941. Turkish pianist.

Turkish pianist known for vast solo recordings and complete cycles; released extensively on her own Idil Biret Archive label. Repertoire spans Bach, Beethoven, Schubert, Liszt, and Saint-Saëns.

    Best Of Chamber Music / Idil Biret
    Idil Biret Archive

    Best Of Chamber Music / Idil Biret

    CD · 4 discs

    $16.49 $32.99 Save 50%
    Composer
    VARIOUS
    Artist
    Idil Biret
    Released
    Mar 12, 2021

    Idil Biret’s chamber music performances are relatively rare. Most importantly, she played Beethoven’s violin Sonatas Nos. 5, 7 and 9 with Yehudi Menuhin at the Istanbul Festival in July 1973. In 1975, she played all the five Beethoven cello sonatas with Maurice Gendron. With the London String Quartet, in 1980, Biret played the Schumann and Brahms Piano Quintets at the Queen Elisabeth Hall in London, later at the Istanbul Festival and then recorded the Brahms Quintet as well as the Mahler Piano Quartet with the LSQ. In 2011, she played in concerts and recorded Berlioz’s Harold in Italy in Liszt’s piano transcription and Brahms’ 2nd Viola Sonata with Rusen Gu¨nes. In 2014, she played in concerts and recorded the Schumann Piano Quintet with the Borusan Quartet of Turkey. The same year, she recorded the two cello sonatas of Brahms with Roderic von Bennigsen. Finally, in 2019, Biret played and recorded Mendelssohn’s 1st Piano Trio and the Tchaikovsky Piano Trio with Irina Nikotina and Julya Krepak. These are some of the memorable chamber music performances of her career.

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  • Best Of Chamber Music / Idil Biret
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    Best Of Chamber Music / Idil Biret

    Idil Biret Archive Mar 2021
    4 discs
    CD
    $32.99 $16.49Save 50%
  • CHOPIN: Fantasia on Polish Airs / Andante spianato / Krakowi
    Sale

    CHOPIN: Fantasia on Polish Airs / Andante spianato / Krakowi

    Naxos Jun 2000
    1 disc
    CD
    $19.99 $9.99Save 50%
  • Rachmaninoff: Piano Concerto No. 3
    Idil Biret Archive

    Rachmaninoff: Piano Concerto No. 3

    Vinyl · 1 disc

    $29.99
    Composer
    Sergei Rachmaninoff
    Artist
    Idil Biret, Boston Symphony Orchestra
    Released
    Oct 02, 2026
    On 22 November 1963 at Idil Biret's US debut with the Boston Symphony Orchestra conducted by Erich Leinsdorf she played Rachmaninoff's 3rd Concerto. The concert was scheduled for 2.00pm. The tragic death of President Kennedy was announced during the concert. Despite the electrified atmosphere which can be sensed in the recording, the audience, many in tears, then heard a stunning performance of the concerto which was broadcast live to the nation from Boston and rebroadcast the next day from New York - "There was a buoyant quality to Idil Biret's playing, a great warmth of tone was in no way dispelled by her technical skill... she gave us power without a bang, emotion without a sentimental tear. There is no question that Miss Biret is one of the most extraordinary musicians and many of her listeners testified to her artistry by giving her a standing ovation."
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  • Rachmaninoff: Piano Concerto No. 3
    Sold Out

    Rachmaninoff: Piano Concerto No. 3

    Idil Biret Archive Oct 2026
    1 disc
    Vinyl
    $29.99
  • Idil Biret Franz Liszt 200th Anniversary Edition

    Idil Biret Franz Liszt 200th Anniversary Edition

    Idil Biret Archive Nov 2011
    9 discs
    CD + DVD
    $51.99
    Idil Biret Archive

    Idil Biret: LP Originals Edition 1959-1986 [14-CD Set]

    CD · 14 discs

    $74.99
    Composer
    BARTOK BEETHOVEN BOUCOURECHL
    Artist
    Idil Biret
    Released
    Sep 24, 2013
    “We are in the presence of one of the greatest virtuosos of our time. I do not see in her generation any other pianist who possesses an equal mastery of the keyboard, in the service of such a mature mind so rich in imagination.”
    — Marc Pincherle Nouvelles Litteraires, France 1959

    “No doubt remained as soon as the piano began to reverberate: on the stage was a first class musician and a maestro. A complete freedom went hand in hand with Idil Biret’s interpretations. One has the feeling that she plays as easily as she breathes. With an extraordinary plasticity, she moulds each musical phrase like wax with her fingers. But, the freedom in Miss Biret’s interpretation is not accidental. Her attitude towards the works she is playing is the result of meditation. The art of Idil Biret gives joy and emotion.”
    – D. Blagoy SOVIETSKAIA KULTURA – USSR 1960

    “All the works [on this LP] require a pianist of true class, because each of them presents challenges demanding something quite different from traditional technique. It has to be said that the young Idil Biret exceeds all expectations. This Turkish artist appeared in Brussels (1959) at the tender age of eighteen. Her virtuosity is astonishing, encompassing clarity, rhythmical rigour, precision and strength or delicacy, as required. She can play at great speed and maintain runs of impeccable luminosity. Her flexible touch conjures a thousand surprising effects; some notes and chords explode like whip-cracks, while others caress the keys, and there is an extraordinary purity to her polyphonic playing. In the hands of an artist of such superior qualities, the very particular characteristics of both Bartók’s and Prokofiev’s piano writing are brought out to the full. Taking into account her passionate vitality and lively musical intelligence as well, I believe her talent offers more than enough to be met not simply with satisfaction but with genuine enthusiasm.”
    – Jacques Stehman, LA REVUE DES DISQUES (Belgium) 1962

    “This is the most successful direct-to-disc piano recording I have heard. Having an artist as sensitive and accomplished as Idil Biret at the keyboard is an enormous help. Her fluency seems limitless and her ability to control, even at the softest dynamics, is all too rare these days…Hers is a bona fide virtuoso rendition.”
    – HIGH FIDELITY – USA 1977
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  • Idil Biret: LP Originals Edition 1959-1986 [14-CD Set]

    Idil Biret: LP Originals Edition 1959-1986 [14-CD Set]

    Idil Biret Archive Sep 2013
    14 discs
    CD
    $74.99
    Idil Biret Archive

    Mussorgsky: Pictures at and exhibition - Glazunov: Piano Sonata No. 2 - Balakirev: Islamey / Biret

    CD

    $6.49 $12.99 Save 50%
    Composer
    BALAKIREV GLAZUNOV MUSSORGSK
    Artist
    Idil Biret
    Released
    Sep 24, 2021

    In November 1949, at the age of eight, Idil Biret entered the studios of ORTF (Radiodiffusion Television Francaise) in Paris and made her first recordings; these were works by Couperin, Bach, Beethoven and Debussy. In the following decades she made nearly 100 LPs and CDs, released on ten record labels (Pretoria, Vega, Decca, Atlantic/Finnadar, Pantheon, EMI, Naxos, Marco Polo, Alpha, BMP) and many recordings for radio and television stations around the world. These included the complete piano works of Brahms, Chopin and Rachmaninov as well as the Sonatas of Boulez and the Etudes of Ligeti. The Idil Biret Archive (IBA) is now bringing together her past and present recording; as the copyrights are obtained, old recordings no longer available commercially are being released together with her new recordings. The current album features showcases her interpretations of Mussorgsky’s Pictures at an Exhibition and Glazunov’s Piano Sonata No. 2, recorded in March 2017, and Balakirev’s Islamey “Oriental Fantasy,” recorded in concert at the Lille Festival 1993.

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  • Stravinsky: The Firebird / Idil Biret

    Stravinsky: The Firebird / Idil Biret

    Naxos Aug 2003
    1 disc
    CD
    $19.99
  • Chopin: Piano Favorites / Idil Biret
    Sale

    Chopin: Piano Favorites / Idil Biret

    Naxos Jan 1995
    1 disc
    CD
    $19.99 $13.99Save 30%
  • Brahms: Piano Pieces, Rhapsodies, Fantasies / Idil Biret

    Brahms: Piano Pieces, Rhapsodies, Fantasies / Idil Biret

    Naxos Nov 1990
    1 disc
    CD
    $19.99
  • Chopin: Piano Sonatas Nos. 1-3

    Chopin: Piano Sonatas Nos. 1-3

    Naxos Jun 2000
    1 disc
    CD
    $19.99
  • Brahms: 10 Hungarian Dances, WoO 1 - 16 Waltzes, Op. 39
    Naxos

    Brahms: 10 Hungarian Dances, WoO 1 - 16 Waltzes, Op. 39

    CD · 1 disc

    $19.99
    Composer
    BRAHMS
    Artist
    Idil, Biret
    Released
    Jun 03, 1994
    The set of ten Hungarian dances opens with the famous G minor dance, followed by a D minor dance, with a central D major episode, and a third in D minor, with a lively D major middle section. The fourth dance, in F sharp minor, is of a more expressive cast, leading to a more passionate companion in the same key. The sixth of the set, in D flat major, frames a slower C sharp minor section in livelier outer sections, leading to the rhythmic seventh dance and an eighth in A minor in the rhythm of the first. A dance in E minor is succeeded by the final rapid E major that rounds of the work. The sixteen Waltzes that form Opus 39 were written in Vienna in 1864 and published two years later with a dedication to the critic Eduard Hanslick, who welcomed such an unexpected gift from a serious, North German composer, who might have been supposed incapable of such Viennese abandon. If the great symphonies of Brahms continue the tradition of Schubert, they may be imagined as a tribute to the city where the compose was now to make his home. The original version seems to be that for piano duet, a form that had an immediate popular commercial attraction and would have provided Hanslick with music to share with young ladies of his acquaintance, with whom he was accustomed to play duets. The Waltzes are in a simpler and shorter form than the slightly more complex Hungarian Dances. Idil Biret born in Ankara, Idil Biret began piano lessons at the age of three. She displayed an outstanding gift for music and graduated from the Paris Conservatoire with three first prizes when she was fifteen. She studied piano with Alfred Cortot and Wilhelm Kempff, and composition with Nadia Boulanger. Since the age of sixteen Idil Biret has performed in concerts around the world, playing with major orchestras under the direction of conductors such as Monteux, Boult, Kempe, Sargent, de Burgos, Pritchard, Groves and Mackerras. She has participated in the festivals of Montreal, Persepolis, Royan, La Rochelle, Athens, Berlin, Gstaad and Istanbul. She was also invited to perform at the 85th birthday celebration of Wilhelm Backhaus and at the 90th birthday celebration of Wilhelm Kempff. Idil Biret received the Lily Boulanger Memorial Fund Award (1954/1964), the Harriet Cohen/Dinu Lipatti Gold Medal (1959) and the Polish Artistic Merit Award (1974) and was named Chevalier de l'Ordre du Mérite in 1976.
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  • Brahms: 10 Hungarian Dances, WoO 1 - 16 Waltzes, Op. 39

    Brahms: 10 Hungarian Dances, WoO 1 - 16 Waltzes, Op. 39

    Naxos Jun 1994
    1 disc
    CD
    $19.99
  • Ligeti: Etudes Books 1 And 2 (1-14a) / Idil Biret

    Ligeti: Etudes Books 1 And 2 (1-14a) / Idil Biret

    Naxos Mar 2003
    1 disc
    CD
    $19.99
  • Saint-Saëns: Piano Concertos Nos. 2 & 4

    Saint-Saëns: Piano Concertos Nos. 2 & 4

    Naxos Nov 1990
    1 disc
    CD
    $19.99
  • CHOPIN: Ballades / Fantaisie in F Minor / Galop Marquis
    Naxos

    CHOPIN: Ballades / Fantaisie in F Minor / Galop Marquis

    CD · 1 disc

    $13.99 $19.99 Save 30%
    Composer
    CHOPIN
    Artist
    Idil, Biret
    Released
    Sep 01, 1999
    Chopin's four Ballades are among the greatest of his works, as is the Fantasia in F minor also included on this disk. The Ballades were composed between 1835 and 1843 and are generally believed to be based upon works by the Polish poet Adam Mickiewicz. This is music in the style of the medieval troubador, with singing lyrical sections alternating with music of wild passions, big chords, chromatic passages, and virtuosic runs. The first and fourth ballades, in G minor and F minor, tend to be more stormy and passionate while the second and third, in F major and A flat major are more reflective and lyrical. Biret gives a beautiful rendition of this music with beautiful, free rhythm, attention to dynamics and phrasing, and a full use of the resources of the piano. She captures magnificently the wild, virtuosic concluding passages in the first and fourth ballades.
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  • CHOPIN: Ballades / Fantaisie in F Minor / Galop Marquis
    Sale

    CHOPIN: Ballades / Fantaisie in F Minor / Galop Marquis

    Naxos Sep 1999
    1 disc
    CD
    $19.99 $13.99Save 30%
  • PIANO MUSIC FOR CHILDREN

    PIANO MUSIC FOR CHILDREN

    Naxos Nov 1993
    1 disc
    CD
    $19.99
  • Brahms: Klavierstucke Opp. 117 118
    Sold Out

    Brahms: Klavierstucke Opp. 117 118

    Naxos Jun 1991
    1 disc
    CD
    $19.99
  • Idil Biret: Archive Edition, Vol. 19
    Idil Biret Archive

    Idil Biret: Archive Edition, Vol. 19

    CD · 1 disc

    $14.99
    Composer
    RAVEL, MAURICE
    Artist
    Various
    Released
    Jan 03, 2020

    In November 1949, at the age of eight, Idil Biret entered the studios of ORTF (Radiodiffusion Television Francaise) in Paris and made her first recordings; these were works by Couperin, Bach, Beethoven and Debussy. In the following decades she made nearly 100 LPs and CDs, released on ten record labels (Pretoria, Vega, Decca, Atlantic/Finnadar, Pantheon, EMI, Naxos, Marco Polo, Alpha, BMP) and many recordings for radio and television stations around the world. These included the complete piano works of Brahms, Chopin and Rachmaninov as well as the Sonatas of Boulez and the Etudes of Ligeti. The Idil Biret Archive (IBA) is now bringing together her past and present recording; as the copyrights are obtained, old recordings no longer available commercially are being released together with her new recordings. The transcriptions by Liszt of Beethoven's Symphonies, originally recorded for EMI, and the newly recorded 32 Sonatas and all the Piano Concertos of Beethoven were released by IBA and also made available in a box set. All the Piano Concertos of Liszt, Tchaikovsky, Schumann and Grieg and the nine LPs recorded for Atlantic/Finnadar in New York which include works by Boulez, Webern, Berg, Ravel and Stravinsky were also released. Among the recent new releases are Liszt's Etudes and the piano transcription of Berlioz's Harold en Italie, Schumann's Carnaval, Fantasie and other works, all five Piano Concertos of Hindemith and, in the Archive Edition, the early LPs made in France for Pretoria (Schumann, Brahms), Vega (Bartok, Prokofiev, Brahms, Beethoven) and Decca (Rachmaninov). IBA is distributed worldwide by Naxos.

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  • Idil Biret: Archive Edition, Vol. 19

    Idil Biret: Archive Edition, Vol. 19

    Idil Biret Archive Jan 2020
    1 disc
    CD
    $14.99
    Idil Biret Archive

    Saint-Saëns: Piano Concerto No. 5 - Ravel: Piano Concerto in

    CD · 1 disc

    $14.99
    Composer
    RAVEL SAINT-SAENS
    Artist
    Biret, Fournet
    Released
    Sep 29, 2009
    Idil Biret' new Liszt album prompts a reappraisal of her extraordinary talent... in her Liszt Sonata... you will hear playing of a formidable power and assurance... There is no mistaking her lightning reflexes in the second of the Paganini Etudes and her vi. 747313128778 IBRA8571287.2 16136342 .00 14.99 .19 IDIL BIRET ARCHIVE COMPACT DISCS CLASSICAL CHAMBER MUSIC & RECITALS 11/15/2011 https://media.aent-m.com/graphics/items/sdimages/a/500/0/4/2/8/1908240.jpg 26 1 N WAGNER / YOUNG / PHILHARMONIKER HAMBURG / POLASKI GOTTERDAMMERUNG 4260034869288 OEHM928.2 16183056 .00 47.99 .77 OEHMS COMPACT DISCS CLASSICAL ORCHESTRAL & SYMPHONIC 11/15/2011 https://media.aent-m.com/graphics/items/sdimages/a/500/0/5/3/8/1908350.jpg 5 4 Y WETZ / ZUMBUELT / DOMBERGCHOR ERFURT CHRISTMAS ORATORIO 53 761203763825 CPO777638.2 16136182 .00 18.99 .25 CPO RECORDS COMPACT DISCS CLASSICAL CHRISTMAS / CHANUKKAH 11/15/2011 https://media.aent-m.com/graphics/items/sdimages/a/500/0/6/3/8/1908360.jpg 15 1 N PORTSMOUTH CHAMBER CHOIR / BEAMISH / MOLDOVEANU SONG MORE SILENT 822252214727 AVIE2147.2 14159244 .00 19.99 .16 AVIE COMPACT DISCS CLASSICAL CHILDRENS 11/25/2008 https://media.aent-m.com/graphics/items/sdimages/c/500/8/7/2/3/1443278.jpg 11 1 N PLACE / HICKEY / LINELL MUSIC FOR SHAKESPEARE'S THEATRE Music played an important role in the Renaissance theatre and Shakespeare brought new subtlety to it's use. In a theatre without lights and sets, it fell to music to underline mood, whether for magic, comedy, feasting or pathos. 747313070879 NXS8570708.2 20566654 .00 19.99 .21 NAXOS COMPACT DISCS CLASSICAL CHAMBER MUSIC & RECITALS 04/29/2008 https://media.aent-m.com/graphics/items/sdimages/b/500/4/2/5/2/1482524.jpg 3 1 N KORNGOLD / STRAUSS / PRAGUE SYM ORCH / KOUT CONCERTO FOR VIOLIN & ORCHESTRA 099925396220 SPP3962.2 14737381 .00 14.99 .20 SUPRAPHON COMPACT DISCS CLASSICAL ORCHESTRAL & SYMPHONIC 10/27/2009 https://media.aent-m.com/graphics/items/sdimages/a/500/1/5/4/1/1571451.jpg 0 1 N KOVACS / DONATONI / BASSETT / KOMIVES / HARTIG CHALUMEAU 044747296524 CAV2965.2 14737640 .00 18.99 .20 CENTAUR COMPACT DISCS CLASSICAL CHAMBER MUSIC & RECITALS 10/27/2009 https://media.aent-m.com/graphics/items/sdimages/a/500/2/6/4/1/1571462.jpg 12 1 N VIVALDI / MCMURTRY / HUHTANEN / MCLEOD / MALLON SACRED MUSIC -MAGNIFICAT 3 / NISI DOMINUS Vivaldi' sacred music occupies a place of honour in his vast output, dovetailing passages of great tenderness and sombre beauty, rich in cantabile expressiveness, with highly operatic movements of colourful and exciting virtuosity. 747313044573 NXS8570445.2 13956387 .00 19.99 .25 NAXOS COMPACT DISCS CLASSICAL CHAMBER MUSIC & RECITALS 09/30/2008 https://media.aent-m.com/graphics/items/sdimages/c/500/8/4/8/1/1411848.jpg 28 1 N HAYDN / OELZE / WEIR / LIKA / NORRINGTON / COE CREATION HOBXXI:2 881488707458 PROL7074.2 13959890 .00 24.99 .25 PROFIL - G HAENSSLER COMPACT DISCS CLASSICAL ORCHESTRAL & SYMPHONIC 09/30/2008 https://media.aent-m.com/graphics/items/sdimages/b/500/4/5/8/1/1411854.jpg 7 2 N CLASSICAL DREAMS / VARIOUS CLASSICAL DREAMS / VARIOUS 881488806557 PROL8065.2 13960827 .00 54.99 .25 PROFIL - G HAENSSLER COMPACT DISCS CLASSICAL V/A COMPILATIONS 09/30/2008 08/31/2026 https://mediacdn.aent-m.com/prod-img/500/38/1308038.jpg 9 3 N RAVEL / SAINT-SAENS / FOURNET / BILKENT SO / BIRET IDIL BIRET RAVEL EDITION 3 - PIANO CONCERTOS The Turkish pianist Idil Biret was one of the greatest child prodigies of the 20th century. Her recital at the Boston Conservatory demonstrated that she is no less prodigious today. She played a long and demanding program with the power, concentration.
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  • Saint-Saëns: Piano Concerto No. 5 - Ravel: Piano Concerto in

    Saint-Saëns: Piano Concerto No. 5 - Ravel: Piano Concerto in

    Idil Biret Archive Sep 2009
    1 disc
    CD
    $14.99
  • CHOPIN: Piano Favourites
    Naxos

    CHOPIN: Piano Favourites

    CD · 1 disc

    $19.99
    Composer
    CHOPIN
    Artist
    Idil, Biret
    Released
    Sep 26, 1997
    The greater part of Chopin's music was written for his own instrument, the piano. At first it seemed that works for piano and orchestra would be a necessary part of his stock-in-trade, but the position he found for himself in Paris enabled him to write principally for the piano alone, in a characteristic idiom that derives some inspiration from contemporary Italian opera, much from the music of Poland, and still more from his own adventurous approach to harmony and his own sheer technical ability as a player. Of the forms that Chopin used, the romantic Impromptu offered a particular freedom, with it's suggestion of music dashed off in some fine, careless rapture. His Fantaisie-Impromptu was written in 1835, but published posthumously. It was followed by three further works under the same generic title. The Mazurka, a Polish dance, provided Chopin with a basic rhythmic pattern, his first attempt made in childhood at the age of ten and his last in the year of his death. The form became one with which he was particularly closely associated, an expression of his patriotism. Writers had started to show an interest in the traditional ballad with the publication by Bishop Percy of his Reliques of Ancient English Poetry, which first appeared in the 1760s. The work of Sir Walter Scott as a collector and as a poet added to the enthusiasm. In Germany further interest was shown, with the publication of translations of ballads and the creation of new ones, first by Bürger and then by Goethe and Schiller. This literary form, reflected in ballad settings by Schubert, Loewe and others, led Chopin to a purely instrumental form, based, it has been suggested, on poems by Mickiewicz, contemporary ballads of Polish patriotic purport. The first of Chopin's four Ballades implies a narrative content, opening with the words of the story-teller and proceeding to events of greater excitement. Chopin completed his collection of Preludes in 1839, when he published a set of 24, using all major and minor keys. A number of the Preludes were written during his winter in Mallorca with George Sand and her two children. They had arrived on the island in November, their appearance arousing some suspicions in the minds of local people. Deterioration in the weather aggravated the weakness of Chopin's health and doctors diagnosed tuberculosis. Forced to leave their lodgings and to pay for their fumigation, the party moved to rooms in the deserted monastery at Valldemosa, where George Sand continued to nurse him, in spite of considerable local hostility towards this woman who smoked cigars, the two long-haired boys and a girl who dressed as a man. It was with some relief that they left Mallorca in February, happy to return to France. It was in these circumstances, graphically described by George Sand in her Hiver à Majorque, that the Preludes were completed and revised, before being dispatched to Camille Pleyel for publication, each one a musical vignette. The second of Chopin's three sonatas includes, as a slow movement, his famous Funeral March, written in 1837, while the second of his four scherzos, the Scherzo in B flat minor, was written in the same key and same year. Originally a musical joke, with Beethoven a relatively jocular symphonic movement that replaced the traditional minuet as a bridge between a slow movement and a final symphonic rondo, the scherzo, for Chopin, became an extended and independent composition, here passionate in it's content. His single Berceuse, completed in 1844, makes much more than might be expected from the lullaby of the title. The Polish dance, the Polonaise, found it's way from village to ball-room and thence abroad. In Paris in 1830 Poland was in the news, with the attempted rising against Russia and it's suppression, and things Polish enjoyed considerable popularity, a fact from which Chopin benefited on his arrival in the city. As with other relatively trivial dance forms, he was able to raise the Polonaise to a new level, imparting a degree of complexity and a degree of feeling that had not always been present in the work of his elders in Warsaw. Chopin's first attempts at the form were at the age of seven and his last in 1846, three years before his death, and there is a clear element of patriotism about the two Polonaises included in the present collection, the Military and the Heroic.
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  • CHOPIN: Piano Favourites

    CHOPIN: Piano Favourites

    Naxos Sep 1997
    1 disc
    CD
    $19.99
  • Brahms: Variations "schumann," "handel," "paganini" / Biret

    Brahms: Variations "schumann," "handel," "paganini" / Biret

    Naxos May 1991
    1 disc
    CD
    $19.99
  • Rachmaninov: Piano Transcriptions And Arrangements / Biret
    Sale

    Rachmaninov: Piano Transcriptions And Arrangements / Biret

    Naxos Apr 1998
    1 disc
    CD
    $19.99 $13.99Save 30%
    Idil Biret Archive

    Turkish Piano Music (The Best of)

    CD · 4 discs

    $16.49 $32.99 Save 50%
    Composer
    VARIOUS
    Artist
    Various
    Released
    Sep 10, 2021

    In November 1949, at the age of eight, Idil Biret entered the studios of ORTF (Radiodiffusion Television Francaise) in Paris and made her first recordings; these were works by Couperin, Bach, Beethoven and Debussy. In the following decades she made nearly 100 LPs and CDs, released on ten record labels (Pretoria, Vega, Decca, Atlantic/Finnadar, Pantheon, EMI, Naxos, Marco Polo, Alpha, BMP) and many recordings for radio and television stations around the world. These included the complete piano works of Brahms, Chopin and Rachmaninov as well as the Sonatas of Boulez and the Etudes of Ligeti. The Idil Biret Archive (IBA) is now bringing together her past and present recording; as the copyrights are obtained, old recordings no longer available commercially are being released together with her new recordings. The transcriptions by Liszt of Beethoven's Symphonies, originally recorded for EMI, and the newly recorded 32 Sonatas and all the Piano Concertos of Beethoven were released by IBA and also made available in a box set. All the Piano Concertos of Liszt, Tchaikovsky, Schumann and Grieg and the nine LPs recorded for Atlantic/Finnadar in New York which include works by Boulez, Webern, Berg, Ravel and Stravinsky were also released. The present album is a showcase of Turkish Piano Music and is made up of recordings made between 1958 and 2021. IBA is distributed worldwide by Naxos.

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  • Turkish Piano Music (The Best of)
    Sale

    Turkish Piano Music (The Best of)

    Idil Biret Archive Sep 2021
    4 discs
    CD
    $32.99 $16.49Save 50%
    Idil Biret Archive

    Idil Biret Bach & Mozart Edition

    CD + DVD · 13 discs

    $111.99
    Composer
    BACH MOZART
    Artist
    Various
    Released
    Jan 13, 2017
    "The music critics of the Paris press dedicated glowing articles last week to the 11 years old Turkish pianist Idil Biret. Ms. Idil Biret made a triumphal success in performing with the great master of the piano Wilhelm Kempff, Mozart's Concerto for Two Pianos in E-Flat" - La Republique "Biret's unusual compilation of Wilhelm Kempff's Bach transcriptions is unlikely to be outclassed in the near future." - Gramophone "Idil Biret takes up the works of Bach. As these recordings once more show, Biret counts among the greatest pianists of the 20th century in every respect." - Piano News In 1945 Idil Biret was four years old and living with her parents in Ankara, Turkey. She could not read music yet, but she was playing Mozart or the preludes and fugues from the Well-Tempered Clavier of Bach - music she had heard on the radio." - Dominique Xardel in the foreword of the book "Une Pianist" "The soloist, at the SSO concert in the Sydney Opera House performing Mozart's Piano Concerto No. 20, K. 466 was Idil Biret, the Turkish pianist. Her playing was eminently musical, stylishly phrased, totally free of mannerisms or effects imposed from outside, firm yet emotionally attuned to a work with a deep vein of sadness." - Sydney Morning Herald "The Idil Biret 'Concerto Edition' turns to Mozart, showcasing both the composer and the considerable skill that Biret brings to the performance of Mozart's music... She handles the Piano Concertos Nos. 13 and 17 with firm understanding both intellectual and technical, and with a wonderful sense of the music's ebb and flow, it's structure and it's emotional evocations." - Infodad
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  • Idil Biret Bach & Mozart Edition

    Idil Biret Bach & Mozart Edition

    Idil Biret Archive Jan 2017
    13 discs
    CD + DVD
    $111.99
  • Chopin: Complete Piano Music Vol 13 / Idil Biret

    Chopin: Complete Piano Music Vol 13 / Idil Biret

    Naxos Sep 1999
    1 disc
    CD
    $19.99
  • Rachmaninov: Variations on a Theme of Chopin and other piano

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  • Brahms: Piano Sonatas No 1 & 2 / Idil Biret

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  • Chopin: Preludes

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  • Chopin: Nocturnes
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    Chopin: Nocturnes

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  • Chopin: Nocturnes, Vol. 1
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    Chopin: Nocturnes, Vol. 1

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    Composer
    CHOPIN
    Artist
    Idil, Biret
    Released
    Sep 01, 1999
    Among forms that Chopin made his own was the Nocturne, at one time synonymous with the Serenade, but with the Irish pianist John Field and Chopin, his successor, a lyrical piano piece offering, nominally at least, a poetic vision of the night. Field wrote eighteen piano pieces with this title between the years 1814 and 1835 and these introduced a new form of piano music that was developed not only in the Nocturne but in other separate movements for piano throughout the century. Two nocturnes were published in 1840 by Eugéne-Thèodore Troupenas, who briefly replaced Schlesinger, whom Chopin now accused of sharp practice in disposing of one of his German copyrights, giving vent, in private correspondence, to his rooted anti-semiotic suspicions. The G minor Nocturne, Opus 37, No. 1, encloses a tranquil chordal E flat major section, and is followed by a G major Nocturne, with a lilting secondary episode. By 1841 disagreement with Schlesinger had been put aside and he published a set of two nocturnes, the first in C minor and the second in F sharp minor, dedicated to Chopin's pupil Laure Duperré. Opus 48, No.1, moves forward to a central C major section of gentler character, increasing in excitement as the opening material returns. The F sharp minor Nocturne that completes the set moves into a relatively sombre D flat major section of some harmonic complexity. Two more nocturnes were published by Schlesinger in 1844, dedicated to Jane Stirling, a middle-aged Scottish pupil of Chopin whose nuptial ambitions outweighed her musical talent. It was through her that Chopin travelled in 1848 to London and to Scotland and to an endless round of tedious social visits that lasted seven months, until he could escape back to Paris again, his health now much worse. In 1844, however, Chopin was still involved with George Sand, although their relationship had it's difficulties as her two children, Maurice and Solange, grew up and used him in their own rivalries and jealousies. The F minor Nocturne, Opus 55, No. 1, allows the opening material to re-appear in more elaborate form in conclusion. It is followed by a second, the Nocturne in E flat, marked by it's use of a second melodic voice, accompanying the first. Chopin wrote his last two nocturnes in 1846 and they were published in the same year by Brandus, who had bought Maurice Schlesinger's business and was later to acquire Troupenas. They were dedicated to another of the composer's piano pupils, Mlle. de Kînneritz. Opus 62, No.1, in B major, is introduced by two chords, the first suggesting another tonality. There is an A flat major central section and an elaborated return of the material of the opening section. The final work, the Nocturne in E major, has a secondary episode with a more energetic accompanying figure. The two nocturnes were written in the autumn of 1846 at Nohant, which Chopin only left in November to return alone to Paris, giving rise to rumors about a quarrel with George Sand, with whom he quarreled definitively the following year, after her daughter's marriage.
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  • Chopin: Nocturnes, Vol. 1
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    Chopin: Nocturnes, Vol. 1

    Naxos Sep 1999
    1 disc
    CD
    $19.99 $13.99Save 30%