Patricia Barber's Modern Cool brought her mainstream success, propelled by her classic version of the Doors' "Light My Fire." Touring for this album, Barber played selections from it during a four-night stand at The Jazz Standard in New York. There she was heard by Bruce Lundvall of Blue Note Records, which led to a string of popular Barber recordings for both Premonition and Blue Note, worldwide touring and the unapologetic critical acclaim from which Barber never looked back. It quickly became an audiophile classic through Jim Anderson's stunningly-detailed naturalistic recording. The deluxe new package updates the stylish original design with a booklet and includes new notes from Jim Anderson and many exclusive session and tour photos from Barber photographer Valerie Booth. For a perfectly immersive experience, the 5.1 SACD layer features the same Grammy-winning surround mix master, plus a Bernie Grundman stereo remaster using Jim Anderson's original analog stereo mix master in both full-DSD and CD format.

Recorded in 1990 for the noted New York audiophile label Chesky Records, My Blue Heaven was John Pizzarelli's first significant album release, heralding the arrival of a major talent and future Grammy®-winning star. Supported by a dream team line-up of veteran jazz stars - including Pizzarelli's guitar-playing father, Bucky, together with trumpeter Clark Terry, bass supremo Milt Hinton, and drummer extraordinaire Connie Kay - the New Jersey-born singer and virtuoso of the seven-string guitar serves up a swinging cache of evergreen jazz standards. With the album's highlights ranging from spirited revamps of the Nat King Cole Trio's 'Candy,' Duke Ellington's 'Passion Flower' and Dave Frishberg's 'Can't Take You Nowhere,' the impeccably recorded My Blue Heaven represented a significant step in Pizzarelli's early musical journey, helping to introduce him to a wider audience. The album is reissued on SACD Hybrid Stereo and will be released on 23rd May 2025.

Beautifully recorded in late 2002 in New York's St. Peter's Episcopal Church, Three Guitars is a must-hear summit meeting between three extraordinary fretboard masters: Larry Coryell, Badi Assad - then a rising star of the Brazilian music scene - and John Abercrombie. Despite their differences in age, nationality, genre, gender, and musical sensibility, the three musicians found common ground in what Coryell described as a "unique intersection of creativity." Coryell and Abercrombie, pioneers of electric jazz fusion in the '70s, play steel-stringed acoustic guitars, which contrast with Assad's nylon-stringed classical guitar. The multi-talented Brazilian also contributed vocals and made percussion noises using her mouth and body. Highlights include Coryell's 'No Flight Tonite, ' Abercrombie's 'Timeless' and Assad's 'After The Rain.' Available for the first time since 2005, Three Guitars is reissued on 180gram One Step Pressing LP and SACD Hybrid Stereo.

Miles Davis's Kind of Blue was the number-one jazz album in history. It totaled five songs. There are four more songs from that same historic group, recorded in the same time period and at the same studio. And here they are. These songs deserve to stand on their own with artwork to highlight the quality of the music and that matches the time period of the recording. This is a rare opportunity to have a smash follow-up to what many consider the greatest jazz record ever! Through the years, these four remarkable performances - all from a single recording session in 1958 and all exemplary of the sound of Miles Davis' legend-loaded sextet of that year - have not been served well. They have been largely treated as add-ons for other compilations. Now, for the first time, Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., has deservedly given these tracks a stellar stand-alone release for jazz fans to savor! The once-in-a-generation lineup that recorded these tunes is the very same that would be immortalized for the enduring classic they would record almost a year later, Kind of Blue. Davis played trumpet sublime with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian 'Cannonball' Adderley. Undervalued since their recording, the tunes on this album reflect historial and musical significance. They offer early glimpses into the modal jazz that Kind of Blue would bring to the forefront. Using modes common in modern classical music, rather than the chords of popular songs, Miles had begun to experiment with the new approach on the Milestones recording sessions previously. Analogue Productions is proud to present Birth of the Blue in an exclusive first-of-it's-kind stand-alone release that reflects our reputation for meticulous production, capturing authentic sound with clarity, depth and fidelity that exceeds the audiophile standard. For this release, we started with the original 3-track recording session tapes that were mixed down to a brand-new 30 ips quarter-inch stereo master tape by senior mastering engineer Vic Anesini at Battery Studios. From that stereo master tape, Matthew Lutthans at The Mastering Lab mastered the album direct to DSD for this Hybrid Stereo SACD. Smash follow-up to what many consider the greatest jazz record ever! Four more songs from the pioneering ensemble that produced Miles Davis' Kind of Blue! Modal jazz precursor laid groundwork for future jazz innovation! Hybrid Stereo SACD Mastered by Matthew Lutthans at The Mastering Lab direct to DSD from a new 30 ips quarter-inch stereo master tape transferred from the original 3-track session tapes

Super Audio CD (SACD) disc is not compatible with regular CD player or drive. This disc format is compatible only with SACD player. Japanese SHM-SACD pressing, packaged in a paper sleeve. This will play on Super Audio CD players, but they do not play on regular CD players. Universal. 2025.

Super Audio CD (SACD) disc is not compatible with regular CD player or drive. This disc format is compatible only with SACD player. Japanese SHM-SACD pressing, packaged in a paper sleeve. This will play on Super Audio CD players, but they do not play on regular CD players. Universal. 2025.

Super Audio CD (SACD) disc is not compatible with regular CD player or drive. This disc format is compatible only with SACD player. Japanese SHM-SACD pressing, packaged in a paper sleeve. This will play on Super Audio CD players, but they do not play on regular CD players. Universal. 2025.

Released in 1999 by the noted audiophile label Chesky Records, The Feeling's Back showed that flugelhorn maestro Chuck Mangione - renowned for his trademark fedora hat and warm melodic lyricism - was still a force to be reckoned with in the jazz world. The son of an Italian American greengrocer, Rochester-born Mangione played hardbop in a group with his piano-playing brother before going solo in the mid-1960s. In 1978, he joined a small list of chart-busting elite jazz instrumentalists when his track 'Feels So Good' rose to No. 1 on the US Adult Contemporary chart. Considered a founding father of smooth jazz, Mangione began his own record label in the late '80s before landing at Chesky in 1999 for The Feeling's Back, the first of two albums for the company. Framing his mellow flugelhorn sound with lush, intimate arrangements and female vocals, TheFeeling's Back showed that the flugelhornist hadn't lost his mojo. At 58, he could still play with the sensitive touch and quiet fire that had defined his earlier, commercially successful work. The album is reissued on SACD Hybrid Stereo in 2025

Recorded in 1991 for the noted audiophile label Chesky Records, New York Reunion is a thrilling meeting of jazz giants. McCoy Tyner, who rose to fame with the John Coltrane Quartet, is joined by nonpareil tenor saxophonist Joe Henderson, the record-breaking double-bass maestro Ron Carter, and jazz drummer extraordinaire, Al Foster. The quartet reveals it's extraordinary synergy through a remarkable blend of jazz standards and original compositions. Among the album's many highlights is Henderson's bossa nova-infused classic 'Recorda Me' and Tyner's beautiful jazz waltz, 'Miss Bea,' a homage to his mother. The group also breathes new life into Cole Porter's timeless 'What Is This Thing Called Love.' The album's piece de resistance is an extraordinary revamp of Thelonious Monk's 'Ask Me Now,' which highlights Henderson's remarkable saxophone genius. The album is reissued on MQA-CD, SACD Hybrid Stereo and 180g One Step Pressing Double Pink Vinyl LP in 2025.

Elixir was the third album from the Grammy-nominated smooth jazz supergroup comprised of pianist Bob James guitarist Lee Ritenour, bassist Nathan East, and drummer Harvey Mason. The follow-up to the band's gold-certified first two albums - 1991's Fourplay and 1993's Between The Sheets - 1995's star-studded Elixir featured vocal cameos from Phil Collins ('Why Can't It Wait Till Morning') together with Patti Austin and Peabo Bryson, who duetted on a fabulous remake of Roberta Flack and Donny Hathaway's classic soul hit, 'The Closer I Get To You.' Other highlights include the instrumentals 'Play Lady Play,' 'Magic Carpet Ride', and the simmering title track, which all highlight the band's tasteful alchemy. Elixir has sold over 500,000 copies in the United States and was certified gold by the RIAA. The 30th anniversary edition of Elixir is newly remastered from the original tapes. Released by evosound on 180g One Step Pressing Transparent Double Black Vinyl LP, SACD Hybrid Multi-channel (with new 5.1 mix) and DolbyAtmos on digital.

Following the success of Impex's critically lauded 1STEP LP release of Stan Getz's cultural touchstone, they couldn't wait to present digital aficionados with their own ultimate high-quality option: The definitive Super Audio Compact Disc/Hybrid CD! For the first time ever, hear two complete versions of Getz/Gilberto: Bernie Grundman's 1STEP analog tape master-to-DSD version and a pristine new restoration/correction from Jamie Howarth at Plangent Processes. The Plangent Process corrects anomalies and repairs physical tape damage without adversely affecting the original sonic quality! Now, you can compare the original tape and the most pristine and accurate picture of the legendary recording sessions on one disc. Few recordings better capture the breezy warmth and easy-going sophistication of Brazilian bossa nova for an American jazz audience. Fewer recordings can replicate the you-are-there presence and flawlessly intimate studio acoustics. Only Getz/Gilberto has Billboard Top 10-charting singles like "The Girl from Ipanema" and "Desafinado." Finally, Impex also includes the 1STEP's two bonus tracks on the Plangent Processed version! We know you have many choices for enjoying this timeless classic. The Impex SACD/Hybrid of Getz/Gilberto sits above the digital competition with great features and incredibly lifelike sound! SACD Stereo SACD Layer Designed to Play on Standard CD Players, SACD Players & Other SACD-Capable Players

This release features the high-fidelity SHM-SACD format and is part of the [Verve 70 SACD Selection Vol. 1] series, launched to commemorate the 70th anniversary of Verve Records in 2026. Celebrating one of the most prestigious labels in jazz history, the series revisits Verve's legendary catalog using the latest DSD remastering, delivering exceptional clarity and depth of sound. Each title is issued as a single-layer SACD, emphasizing pure audio quality, and is packaged in a deluxe double cardboard sleeve designed to evoke an authentic, premium collector's experience, making this series an essential offering for audiophiles and Verve enthusiasts alik

This release features the high-fidelity SHM-SACD format and is part of the [Verve 70 SACD Selection Vol. 1] series, launched to commemorate the 70th anniversary of Verve Records in 2026. Celebrating one of the most prestigious labels in jazz history, the series revisits Verve's legendary catalog using the latest DSD remastering, delivering exceptional clarity and depth of sound. Each title is issued as a single-layer SACD, emphasizing pure audio quality, and is packaged in a deluxe double cardboard sleeve designed to evoke an authentic, premium collector's experience, making this series an essential offering for audiophiles and Verve enthusiasts alike. Nina Simone in Concert, released by Philips in 1964, marks her debut album for the label and captures performances recorded at Carnegie Hall in New York City on March 21, April 1, and April 6, 1964. The album features Simone on vocals, piano, and arrangements, supported by Rudy Stevenson on guitar, Lisle Atkinson on bass, and Bobby Hamilton on drums, with production by Hal Mooney, liner notes by Nat Shapiro, and photography by Mort Shuman.

This release features the high-fidelity SHM-SACD format and is part of the [Verve 70 SACD Selection Vol. 1] series, launched to commemorate the 70th anniversary of Verve Records in 2026. Celebrating one of the most prestigious labels in jazz history, the series revisits Verve's legendary catalog using the latest DSD remastering, delivering exceptional clarity and depth of sound. Each title is issued as a single-layer SACD, emphasizing pure audio quality, and is packaged in a deluxe double cardboard sleeve designed to evoke an authentic, premium collector's experience, making this series an essential offering for audiophiles and Verve enthusiasts alike.

Features the high-fidelity SHM-SACD format. [Verve 70 SACD Selection Vol.1] Celebrating it's 70th anniversary in 2026, the prestigious label Verve Records launches a new series presenting it's legendary catalog in the latest high-resolution sound. Each title features the label's newly mastered DSD audio, released as single-layer SACDs and housed in deluxe double carboard sleeves for an authentic collector's experience.

This release features the high-fidelity SHM-SACD format and is part of the [Verve 70 SACD Selection Vol. 1] series, launched to commemorate the 70th anniversary of Verve Records in 2026. Celebrating one of the most prestigious labels in jazz history, the series revisits Verve's legendary catalog using the latest DSD remastering, delivering exceptional clarity and depth of sound. Each title is issued as a single-layer SACD, emphasizing pure audio quality, and is packaged in a deluxe double cardboard sleeve designed to evoke an authentic, premium collector's experience, making this series an essential offering for audiophiles and Verve enthusiasts alike.. This was Rollins' last album before industry pressures led him to take a six year hiatus. The album represents one of his more notable experiments with free jazz, and according to The New Grove Dictionary of Jazz illustrates "the furthest extent to which he incorporated noise elements into his playing". Music journalist Piero Scaruffi praised the album for the dissonant titular song, "a bold thematic improvisation on the riff of Lionel Hampton's 'Hey Baba Rebop'."

Released in 1989 by the noted audiophile label Chesky Records, Portraits is a testament to the prodigious talent of the legendary trumpeter, flugelhornist, and jazz educator Clark Terry. The first of four albums for the Chesky label, Portraits was recorded when the St. Louis-born hornblower, then 68 years old, was a much-venerated jazz elder. By then, he had 35 albums under his belt and boasted a resume that included stellar collaborations with Duke Ellington, Charles Mingus, Quincy Jones, and Dizzy Gillespie. For Portraits, produced by David Chesky, Terry assembled a quartet comprising pianist Don Friedman, bassist Victor Gaskin, and drummer Lewis Nash. With Terry alternating between flugelhorn and muted trumpet while also showing off his chops as an occasional vocalist, the quartet breezes through a blend of familiar jazz standards, like 'Pennies From Heaven,' and Terry's hard-driving original tune, 'Finger Filibuster,' where he shows off his athletic scat singing. Other highlights include the Louis Armstrong favorite 'When It's Sleepy Time Down South' and 'Sugar Blues,' a nostalgic nod to New Orleans jazz. The album is reissued on SACD Hybrid Stereo in 2025.

The final album recorded by the late double-Grammy-winning Chuck Mangione, Everything For Love, was the flugelhorn maestro's second outing for Chesky Records, a New York label renowned for it's audiophile-quality recordings and for cutting it's artists live in what producer David Chesky described as "reverberant spaces" using a single microphone. Recorded in St. Peter's Church, Chelsea, New York, in 2000, Everything For Love reunited Mangione with some of the musicians who had played with him in the '70s - saxophonist/flutist Gerry Niewood, guitarist Grant Geissman, and bassist Charles Meeks - and featured mostly original material. Highlights include 'Peggy Hill,' which Mangione composed for the animated sitcom King Of The Hill; 'Slo Ro,' a portrait of Mangione's wife Rosie; and 'Papa Mangione,' which pays tribute to Mangione's father, from whom he inherited his love of jazz. Other standouts include 'Annalise,' a beautiful waltz, and the album's only cover, a soulful, gospel-tinged rendition of the hymn 'Amazing Grace,' where Mangione takes the listener to church. Everything For Love is a fitting musical epitaph for Mangione, who died in 2025. The album will be reissued in 2026 on SACD Hybrid Stereo and 180g One-step Pressing Vinyl LP as part of the Chesky Original Masters series.

PORTRAITS OF CUBA reflects the musical odyssey of Paquito D'Rivera, a unique blend of Cuban and Jazz music that re-affirms both the artist's Cuban roots and his love for the American art form. Far beyond the realm of popular music, it is a jazz musicians's tribute to the enduring legacy of Cuba, beautifully orchestrated by arranger and conductor Carlos Franzetti and impeccably performed by Mr. D'Rivera and eighteen seasoned musicians, each with a proven track record of excellence. PORTRAITS OF CUBA was recorded live without overdubbing at St. Peter's Episcopal Church in New York City over a two day period in February of 1996, using a single, high resolution microphone set-up, capturing the beautiful and natural reverberation of the old church. As Producer David Chesky explained in 2025: "At Chesky, the goal for me was to make the best-sounding recordings we could. It was about pursuing the perfect sound." The selections encompass almost ten decades of Cuban music and are set to be reissued on SACD Hybrid Stereo and 180g One Step Pressing Vinyl LP.

In 2009, 79-year-old jazz drummer Jimmy Cobb, then the last surviving member of the famous Miles Davis group that had recorded the iconic Kind Of Blue album, was enjoying a late-career renaissance as a bandleader. Recruiting the Texas trumpet sensation and flugelhorn master Roy Hargrove alongside guitarist Russell Malone and bassist John Webber, Cobb recorded Jazz In The Key Of Blue, an exquisite collection of quiet, moody-invoking, late-night ballads for Chesky Records. The quartet offers stunning interpretations of standards from The Great American Songbook - including 'Every Time We Say Goodbye, ' and 'I Had The Craziest Dream' - with jazz-inflected covers of pop hits (Billy Preston and Syreeta's 1979 Motown hit 'With You I'm Born Again') and striking original tunes (Cobb's 'Remembering U'). Bolstered with new liner notes featuring quotes from bassist John Webber, Jazz In The Key Of Blue is reissued in 2026 as part of the Chesky Original Masters series on SACD Hybrid Stereo. Note: These Hybrid SACD discs are compatible with all standard CD and SACD players.

To commemorate the 100th anniversary of Miles Davis's birth in 2026, the Centennial Miles Davis SACD Selection presents 3 titles as hybrid SACD editions, each featuring newly remastered audio prepared by renowned mastering engineer Kevin Gray for Blue Note's acclaimed Tone Poet and Classic Vinyl reissue series, and marking the first time these remastered sources have been made available on SACD.

To commemorate the 100th anniversary of Miles Davis's birth in 2026, the Centennial Miles Davis SACD Selection brings together 3 titles as hybrid SACD editions, each featuring newly remastered audio prepared by renowned mastering engineer Kevin Gray for Blue Note's acclaimed Tone Poet and Classic Vinyl reissue series, and marking the first time these remastered sources have been released on SACD.

The daughter of 'Cats In The Cradle' singer Harry Chapin, Jen Chapin is a New York urban folk singer/songwriter and activist with an appetite for social justice. In 2008, accompanied solely by her husband, bassist Stephan Crump, and saxophonist Chris Cheek, she created reVisions in which she reimagined a collection of Stevie Wonder songs to offer social commentary on Barack Obama's historic rise to power. As much a testament to Chapin's unique artistic sensibility as a celebration of the enduring appeal and relevance of Wonder's songs, ReVisions, which also includes two self-penned numbers, puts a new spin on Wonder classics like 'Masterblaster (Jammin'),' 'You Haven't Done Nothin',' 'Higher Ground' and 'Village Ghetto Land.' Bolstered with new liner notes featuring a recent interview with Jen Chapin, ReVisions: The Songs Of Stevie Wonder is reissued in 2026 as part of the Chesky Original Masters series on 180g One Step Pressing Vinyl LP and SACD Hybrid Stereo.

Against the tide of hip-hop, electronic dance music, and indie-rock, which dominated the airwaves of the late '90s, Dave's True Story, a Big Apple duo comprised of singer Vicky Flint and guitarist and songwriter David Cantor, flew the flag for a cool alternative: jazz-inflected hipster pop. Cantor's songs on Sex Without Bodies, the group's Chesky Records debut, are witty, cinematic, erudite, cultured, and peppered with literary references. Highlights include the finger-clicking title track - which offers a humorous slant on virtual sex - the evocative 'Ned's Big Dutch Wife,' about a woman leading a shocking double life, and an adroit, jazzy cover of Lou Reed's classic 'Walk On The Wild Side.' Bolstered with new liner notes, Sex Without Bodies is reissued in 2026 as part of the Chesky Original Masters series on 180g One Step Pressing Vinyl LP and SACD Hybrid Stereo.