William Parker's Universal Tonality documents an epic performance which brings his titular concept to full, vibrant life. An exquisite example of this system in practice, it features a truly once-in-a-lifetime assembly of creative music luminaries and legends. Clocking in at nearly two hours and featuring six extended pieces flowing across two discs, this Universal Tonality happening took place in December 2002. Parker invited 16 musicians of various ages, cultures and musical backgrounds - to join him in an experiment of "breathing together." Many of them met on stage for the first time that evening. While he provided a score (wonderfully illustrated pages from same are included in the package), all were advised that there need not be adherence to it. Parker's hope with this approach is that each musician will trust their own instincts - and those of the musicians around them - enough to let the sound find it's shape in real time. Ranging from roof-raising big band to intimate cross-cultural exchanges, that constant current of inspiration, and open, receptive communication was wholly present at Roulette that night, and is on full display on this magical recording. Lyrics and personal writings by Parker - which Leena Conquest sings, recites, or dramatically interprets - also play a key role in this work. Parker gave Conquest the same freedom of choice he afforded the instrumentalists, supplying her with materials to draw on as she saw fit. When discussing or writing on his Universal Tonality concept as a whole (as on the enclosed, extensive liner notes), Parker can sound like he's outlining a life philosophy. It is both telling and fitting that author Cisco Bradley chose to title his 2021 biography of William Parker after this concept. The results of this one-night-only communion can now take their place among Parker's many landmark works spanning the past three decades, including previously released Universal Tonality-driven pieces like Double Sunrise Over Neptune, and Red Giraffe with Dreadlocks (released on the box set For Those Who Are, Still).
Vinyl LP pressing, includes digital download. Alice Coltrane's devotion to spirituality was the central purpose of the final four decades of her life, an often-overlooked awakening that largely took shape during her four-year marriage to John Coltrane and after his 1967 death. By 1983, Alice had established the 48-acre Sai Anantam Ashram outside of Los Angeles. She quietly began recording music from the ashram, releasing it within her spiritual community in the form of private press cassette tapes. Luaka Bop is pleased to present the first-ever compilation of recordings from this period, making these songs available to the wider public for the first time. Entitled World Spirituality Classics, Volume 1: The Ecstatic Music of Alice Coltrane Turiyasangitananda, the release is the first installment in a planned series of spiritual music from around the globe; curated, compiled and distributed by Luaka Bop.
Black Magic Man is arguably the pivotal Joe McPhee release. It bridged the span between the regional and the international, bypassing the national altogether. Recorded in the same sessions that produced Nation Time, Black Magic Man consists of music not chosen for that LP. Like it's much-feted sister, technically it falls under the domain of CjR, Craig Johnson's herculean effort in support of McPhee. An erstwhile painter, Johnson became a self-taught audio engineer, acquiring equipment expressly to document McPhee's music. In December 1970, five years after Johnson and McPhee had met, they recorded two days of activity -a concert followed by an additional day of recordings-at Vassar College where McPhee was teaching in the Black Studies department. About half of the material was used to make Nation Time. While they had planned to issue a follow-up, the money wasn't there, so the tapes sat dormant. "Fast-forward five years-Werner X. Uehlinger, a Swiss businessman who worked for Sandoz Pharmaceuticals, contacted Johnson while on a trip to the US, and over dinner with McPhee, they discussed putting out some of the unused tracks from the Nation Time sessions. With this casual encounter in 1975, Hat Hut Records was inaugurated. The new label's maiden release was Black Magic Man, dubbed Hat Hut A, the first in what would become Hat Hut's letter series. Along the way, the series would feature seven Joe McPhee records, including the first four in a row." -John Corbett (excerpt from the liner notes)
Joe McPhee's first international release, Black Magic Man, was issued on the newly formed Hat Hut imprint in 1975. It was a watershed moment for the 35-year-old musician. Based in Poughkeepsie, New York, he was too far away from Manhattan to have participated extensively in the Loft Jazz happenings of the decade. European exposure, however, would give McPhee an alternative circuit, something of an escape route from the trappings of American cultural myopia. In support of the new record for this Swiss label, McPhee invited John Snyder on a European tour in October 1975. Snyder was a synthesizer player with whom McPhee had made the duet LP Pieces Of Light, released a year earlier on CjR. The two musicians developed an extensive repertoire, playing diverse spaces in the Hudson Valley. Geographically close gigs were a plus, since it took extra energy to hoist Snyder's ARP 2600. "McPhee and Snyder were invited to play at the Willisau Jazz Festival in Switzerland. If you compare this live record with Pieces Of Light, a studio effort, it's considerably more open. South African drummer Makaya Ntshoko is rolling thunder on the choral 'Voices,' shuffling under Snyder's bubbly beat on 'Bahamian Folksong.' It is quite a special combination, enough so that Hat Hut chose to release it as their next LP, Hat Hut B in their alphabetical series. The Willisau Concert represents the sound of Joe McPhee opening up, opening out, expanding his field of operations to include new figures, fresh experiences, new continents of sound." -John Corbett (excerpt from the liner notes)
Europe 1966 is a box set consisting of live performances from free jazz visionary Albert Ayler. Each of the 4 LP's highlights some of the most magnificent moments on this European tour, showcasing Ayler and his bandmates at the height of their powers. The release includes performances from Berlin, Lorrach, Stockholm, and Paris, all of which occurred within a two week span. Ayler's masterful band on this tour included his brother Donald on trumpet, Michel Samson on violin, William Folwell on double bass, and Beaver Harris on drums. These performances have been remastered for vinyl by Dave Gardner at Infrasonic Mastering. The package also includes a 12 x 24 fold-out insert, featuring liner notes from John Litweller and photos from the tour.
Cereal Music is bassist-composer-leader-poet William Parker's first spoken word album -observations from a profound life devoted to the path of finding truth in beauty & speaking truth to power. Parker's words are further illuminated by deeply sensitive sound design created by likewise devoted artist on the same path, producer and singer Ellen Christi. William Parker's music -in it's vast scope & range of form- has been an elemental nutrient of countless listeners lives for nigh on five decades. William's words -whether published on page or spoken from the stage- are part of that music. They speak on the beauty of life itself, amplifying the light of life ever-present, even in exceptionally difficult circumstance. As his first artistic expression, Parker began writing as a young person growing up in the South Bronx projects, presenting an alternate perception of often bleak surroundings and living conditions in the neighborhood. This early awareness that there was another way of being in the world, has suffused his development into a singularly generous artist and human being. Ellen Christi's singing brings that same affirmation in the beauty of life. She & Parker's previous work together, The Majesty of Jah, is a tremendous feature for her voice. That album also includes the track, "Baldwin", w/ his ever-powerful words and voice resonating even more profoundly within the sonic architecture created around them by Christi. Here, she does the same for the words & voice of William Parker. Jacket printed on reverse board. Includes insert w/ illuminating notes & full-res download card w/ 3 bonus tracks.
Vinyl includes 4 of the 6 CD tracks & includes download card featuring all 6 tracks. Following the release of Migration of Silence Into and Out of The Tone World: Volumes 1-10 (Centering Records) and his first book-length biography, Universal Tonality: The Life and Music of William Parker (Duke University Press) earlier this year, composer, multi-instrumentalist, poet, griot, improviser and community leader William Parker will present a pair of brand new trio albums which further expound on his vision. One of the iconic and enduring music leaders to emerge in the world over the last half century, William Parker continues to raise the bar higher. Mayan Space Station is his first electric guitar trio album, and features Ava Mendoza - electric guitar, Gerald Cleaver - drums, and Parker on bass. Cosmic multi-hued blues, perfect for space and time travel. The unparalleled rhythmic firmament created by Parker & Cleaver is matched by Mendoza in full flight. All of the promise imagined by a trio recording of these musicians with compositions by Parker is delivered to the fullest. Regarding the album title, Parker offers: "Mayan Space Station is a conduit for peace and inspiration. It is an oasis where sound and silence navigators stop for sustenance to replenish their imaginations. It is a fictional reality that is important to the myth structure of the Tone World chronicle. In a way, musicians, and definitely these particular musicians, Ava Mendoza and Gerald Cleaver, belong to the blood line of sonic travelers who, as Sun Ra described it, 'travel the space ways.' Re-inventing the process, allowing music to flow through their instruments."
LP includes 4 of the 5 CD tracks & includes download card featuring all 5 tracks / stickered noting this. Painters Winter features the trio of William Parker - bass, trombonium, shakuhachi; Daniel Carter - reeds, trumpet, flute; and Hamid Drake - drums. Carter & Parker have been perpetual space-ways traveling companions since first meeting & immediately beginning to channel music together in early 1970s NYC. Their work together in Other Dimensions In Music with Roy Campbell & Rashid Bakr for well over two decades manifest in bountiful music for the ages. They have recently been featured together in similar majestic open form on the album, Seraphic Light. Here, Carter again brings the full assembly of instruments he has for decades been a master of: trumpet, alto & tenor saxophones, clarinet and flute. Likewise, Hamid Drake is a musician's musician; one of the most in-demand drummers in the world. He is in command of a vast lexicon of drum languages, learned and absorbed directly. Drake & Parker launched their devoted "two-man big band" partnership in 2000 and haven't stopped since. In trio with Daniel Carter, they've created one previous album together, Painters Spring, released that same year. Regarding this album's title, Parker elucidates, "It speaks to those who paint with sound, in different landscapes, to celebrate the coming of the seasons: winter spring summer and autumn. Acknowledging the entire universe of world jazz music. Discovering the undiscovered." And from his liner notes, "The music on this album is a tribute to the flow of rhythm as melody and pulsation. Laced with the joy and the bounce, the dance and the heartbeat. Giving a nod to all the music that has ever passed through us. Sounds we both listened to while breezes and big green kites we called leaves sailed above the trees."
William Parker's new album expands on the ancient DNA/cultural codex that connects West Africa to Middle America, combining mesmerizing group work (bass, baritone sax, alto sax, doson'ngoni, congo, guiro, timbale, accordion) and solo pieces on bass and doson'ngoni. AUM. 2006.
Heart Trio features three lifelong-devoted fellow travelers on the path of healing through sound. World-renowned & revered bassist-composer-leader William Parker has performed and recorded extensively with both Cooper-Moore & Hamid Drake over the past 30+ years. And, the three of them are the core since 2012 in Parker's reborn In Order To Survive quartet. Heart Trio is, remarkably then, their debut as a trio on record.
William here plays doson ngoni, dudek, and flutes of bamboo, cedar & walnut. Cooper-Moore on his hand-crafted ashimba and harp; Hamid Drake on frame drum and drum kit. All of this music was collectively composed at the time of it's creation. This is music for sunrise and sunset. Daily music. Healing, centering, mantra, heart music. From William's notes included with the release: "The theory behind this music is the music itself. Empty and fill the heart and soul with sound, letting it dance. Without pretense. We are trying to get to a flow-Earth, sky, and flowing water sounds that jump out of the painting." William Parker received Lifetime of Achievement Honors at Vision 2024.
CD digipak features liner notes by William Parker. Painters Winter features the trio of William Parker - bass, trombonium, shakuhachi; Daniel Carter - reeds, trumpet, flute; and Hamid Drake - drums. Carter & Parker have been perpetual space-ways traveling companions since first meeting & immediately beginning to channel music together in early 1970s NYC. Their work together in Other Dimensions In Music with Roy Campbell & Rashid Bakr for well over two decades manifest in bountiful music for the ages. They have recently been featured together in similar majestic open form on the album, Seraphic Light. Here, Carter again brings the full assembly of instruments he has for decades been a master of: trumpet, alto & tenor saxophones, clarinet and flute. Likewise, Hamid Drake is a musician's musician; one of the most in-demand drummers in the world. He is in command of a vast lexicon of drum languages, learned and absorbed directly. Drake & Parker launched their devoted "two-man big band" partnership in 2000 and haven't stopped since. In trio with Daniel Carter, they've created one previous album together, Painters Spring, released that same year. Regarding this album's title, Parker elucidates, "It speaks to those who paint with sound, in different landscapes, to celebrate the coming of the seasons: winter spring summer and autumn. Acknowledging the entire universe of world jazz music. Discovering the undiscovered." And from his liner notes, "The music on this album is a tribute to the flow of rhythm as melody and pulsation. Laced with the joy and the bounce, the dance and the heartbeat. Giving a nod to all the music that has ever passed through us. Sounds we both listened to while breezes and big green kites we called leaves sailed above the trees."
Following the release of Migration of Silence Into and Out of The Tone World: Volumes 1-10 (Centering Records) and his first book-length biography, Universal Tonality: The Life and Music of William Parker (Duke University Press) earlier this year, composer, multi-instrumentalist, poet, griot, improviser and community leader William Parker will present a pair of brand new trio albums which further expound on his vision. One of the iconic and enduring music leaders to emerge in the world over the last half century, William Parker continues to raise the bar higher. Mayan Space Station is his first electric guitar trio album, and features Ava Mendoza - electric guitar, Gerald Cleaver - drums, and Parker on bass. Cosmic multi-hued blues, perfect for space and time travel. The unparalleled rhythmic firmament created by Parker & Cleaver is matched by Mendoza in full flight. All of the promise imagined by a trio recording of these musicians with compositions by Parker is delivered to the fullest. Regarding the album title, Parker offers: "Mayan Space Station is a conduit for peace and inspiration. It is an oasis where sound and silence navigators stop for sustenance to replenish their imaginations. It is a fictional reality that is important to the myth structure of the Tone World chronicle. In a way, musicians, and definitely these particular musicians, Ava Mendoza and Gerald Cleaver, belong to the blood line of sonic travelers who, as Sun Ra described it, 'travel the space ways.' Re-inventing the process, allowing music to flow through their instruments."
Cereal Music is bassist-composer-leader-poet William Parker's first spoken word album -observations from a profound life devoted to the path of finding truth in beauty & speaking truth to power. Parker's words are further illuminated by deeply sensitive sound design created by likewise devoted artist on the same path, producer and singer Ellen Christi. William Parker's music - in it's vast scope & range of form - has been an elemental nutrient of countless listeners lives for nigh on five decades. William's words - whether published on page or spoken from the stage- are part of that music. They speak on the beauty of life itself, amplifying the light of life ever-present, even in exceptionally difficult circumstance.
As his first artistic expression, Parker began writing as a young person growing up in the South Bronx projects, presenting an alternate perception of often bleak surroundings and living conditions in the neighborhood. This early awareness that there was another way of being in the world, has suffused his development into a singularly generous artist and human being. Ellen Christi's singing brings that same affirmation in the beauty of life. She & Parker's previous work together, The Majesty of Jah, is a tremendous feature for her voice. That album also includes the track, "Baldwin", w/ his ever-powerful words and voice resonating even more profoundly within the sonic architecture created around them by Christi. Here, she does the same for the words & voice of William Parker.
Alice Coltrane - "The Carnegie Hall Concert" / Alice Coltrane's "The Carnegie Hall Concert" is a previously unreleased recording of a historic 1971 concert. The original multi-track recording was commissioned by Impulse but wasn't released at the time. Features an all-star group including Pharoah Sanders, Archie Shepp, Jimmy Garrison, Cecil McBee, Ed Blackwell and others. This was a triple bill placing her in the company of Laura Nyro and The Rascals. Concert produced by Sid Bernstein, who promoted the first Beatles concert in the US. 2 LP.
2021 archive release. Alice Coltrane is the undeniable godmother of spiritual jazz and an acknowledged influence on everyone from Flying Lotus and Kamasi Washington to Solange and Radiohead. Kirtan: Turiya Sings features Alice Coltrane at peak spirituality and is presented in this arrangement for the first time. Turyia Sings was originally released in 1982 on cassette as a collection of devotional songs including vocals, organ, strings, and synthesizers available only at Alice's Sai Anantam Ashram.
Vinyl LP pressing. 2022 release. For more than 6 decades, saxophonist and composer Charles Lloyd has been a free spirit, master musician, and visionary. At 84, he remains as prolific as ever. Early on, Lloyd saw how placing the improvised solo in interesting contexts could provoke greater freedom and creativity. That vision is evident on his Trio of Trios project, which encompasses 3 albums in different trio settings. The first, Trios: Chapel, features guitarist Bill Frisell and bassist Thomas Morgan.
