Charles Lloyd's new studio album features a newly assembled quartet of four distinctive voices with the legendary saxophonist joined by pianist Jason Moran, bassist Larry Grenadier, and drummer Brian Blade. Recorded around Lloyd's 85th birthday concert, The Sky Will Still Be There Tomorrow is a majestic body of work that presents Lloyd originals new and reimagined. The double-album finds one of the most significant musicians of the 20th and 21st centuries still at the peak of his powers. 2 CD: Softpak, 8-page booklet

GREGORY PORTER / WATER - Gregory Porter's debut studio album, Water - originally released in 2010 under the Motema Music label - is now reissued on Blue Note Records. The tracks include love stories such as "Illusion and Pretty," and protests for African-American civil rights like "1960 What?" which recounts the 1967 Detroit riots. Water was hailed by fans and critics alike, elevating Porter to the status of the next great jazz star and marking the beginning of his successful career. 2 LP set pressed on clear vinyl.

Recorded in Oslo in September 1970, Afric Pepperbird was released on New Year's Day in 1971. Half a century later, it still conveys the freshness and excitement of discoveries being made. The album signaled the arrival of four Norwegian improvisers - Jan Garbarek, Terje Rypdal, Arild Andersen and Jon Christensen - at the fledgling ECM label. It was the start of a lifelong association with each of the musicians, whose influence was soon to reach far beyond the borders of their homeland.

2014 album of previously unreleased performances capturing the always-extraordinary saxophonist and flutist Charles Lloyd in 1965, leading a remarkable and previously unreleased quartet featuring three jazz giants: guitarist Gabor Szabo, bassist Ron Carter and drummer Pete La Roca. They were recorded at the now-defunct venues Judson Hall and Slugs', the Judson Hall recording comes from the archives of Resonance founder George Klabin, then a 19-year-old student at Columbia University recorded the Judson Hall show with up-close microphone placement techniques and state-of-the-art engineering - well ahead of 1965 standards. The Slugs' performances were recorded by Bjorn von Schlebrugge, who accompanied Lloyd to his Manhattan gigs. Slugs' has been called "one of the most important jazz shrines there ever was"

Grant Green - "Visions (Blue Note Classic Vinyl Series)" [180gram Heavy Vinyl LP] Grant Green embraced R&B and jazz-funk on his 1971 album, Visions, featuring Billy Wooten, Emmanuel Riggins, Chuck Rainey, Idris Muhammad, Ray Armando and Harold Caldwell. The guitarist's distinctive tone and melodicism elevate songs by The Jackson 5, Chicago, The Carpenters, Mozart and Quincy Jones' "Maybe Tomorrow," which was later sampled by Kendrick Lamar. This Blue Note Classic Vinyl Series stereo edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

Limited 180gm vinyl LP pressing. 1968's Love Cry mixes Albert Ayler's free jazz with a catchy combination of nursery rhythms and brass band marches, resulting in a peak example of experimental jazz of the period. This was Ayler's last recording with his brother, Donald, who keeps the pace fiery along with the rhythm section of Alan Silva (bass), Milford Graves (drums), and Call Cobbs (harpsichord). The Verve By Request Series features 180-gram vinyl, pressed at Third Man in Detroit.

Grant Green began his lengthy and prolific Blue Note career with the 1961 release of his debut album Grant's First Stand, a stellar soul jazz outing that featured the guitarist in an organ trio with Baby Face Willette on Hammond B3 and Ben Dixon on drums. When he returned to Van Gelder Studio next in April of that year it was once again with a trio but this time one with a leaner sound featuring Green backed by bass (Ben Tucker) and drums (Dave Bailey). The spare setting and sturdy support created spacious realms for Green to expound at length, unspooling his inventive, bluesy lines on a 5-song set that included the no-nonsense originals "No. 1 Green Street," "Grant's Dimensions," and "Green With Envy." Green also showcased his singular tone on a stunning version of Thelonious Monk's "'Round About Midnight" and an alluring rendition of the standard "Alone Together."

After two solid albums for Motema Music (which both earned Grammy nominations), Gregory Porter made his Blue Note debut with Liquid Spirit in 2013. The strength of Liquid Spirit lies in Porter's songs, based upon personal experiences with a relatable and emotional immediacy. Even more, his hooky melodies penetrate instantly.?10th Anniversary Edition 3 LP set includes the original album on 2 LPs, and a bonus LP of extra tracks and remixes, with 5 tracks on vinyl for the first time.

GREEN IS BEAUTIFUL (BLUE NOTE CLASSIC VNYL SERIES) 180gram Heavy Vinyl - Grant Green's musical style evolved to embrace jazz-funk as the decade turned to 1970. The guitarist's vibrant album Green Is Beautiful is a highlight of the era. With his distinctive tone, he shines on a set that includes covers of James Brown ("Ain't It Funky Now"), The Beatles ("A Day In The Life") and Burt Bacharach ("I'll Never Fall In Love Again"). Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optima.

One of Rolling Stone's 500 Greatest Albums of All Time, Alice Coltrane's 4th Impulse! Album finds her on piano and harp in the company of saxophonist Pharoah Sanders. "Almost 50 years after [it] was released, the album remains a vision of universal healing, spiritual self-preservation in times of trouble and the god that appears when you seek her out." (NPR). Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

Vinyl LP pressing. Saxophonist and composer Charles Lloyd has been a free spirit, master musician, and visionary. At 84, he remains at the height of his powers and as prolific as ever. As a sound seeker, Lloyd has perhaps found no greater manifestation than on his Trio of Trios project, which encompasses 3 albums in different trio settings. The third, Trios: Sacred Thread, features guitarist Julian Lage and percussionist Zakir Hussain.

Gregory Porter's debut studio album, Water - originally released in 2010 under the Motema Music label - is now reissued on Blue Note Records. The tracks include love stories such as "Illusion and Pretty," and protests for African-American civil rights like "1960 What?" which recounts the 1967 Detroit riots. Water was hailed by fans and critics alike, elevating Porter to the status of the next great jazz star and marking the beginning of his successful career.

Limited 180gm vinyl LP pressing housed in gatefold tip-on jacket. The trio of Grant Green, Larry Young and Elvin Jones had a unique alchemy from the first time they got together on 1964's Talkin' About. For 1965's I Want To Hold Your Hand, they added Hank Mobley to the mix for sophisticated renditions of well-known songs by the Beatles, Antonio Carlos Jobim, Cole Porter and more. Blue Note Tone Poet Series is produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes.

Double vinyl LP pressing with 28-page 12 x 12" book. On March 15, 2018, legendary saxophonist, composer and jazz mystic Charles Lloyd celebrated his 80th birthday at The Lobero - his hometown venue in Santa Barbara, CA. He was joined by an unprecedented group of musicians including guitarist Julian Lage, pianist Gerald Clayton, bassist Reuben Rogers, and drummer Eric Harland.

Limited 180gm vinyl LP pressing housed in gatefold packaging. Guitarist Grant Green explored Latin and Brazilian influences on his highly enjoyable 1962 album, The Latin Bit, featuring Johnny Acea on piano, Wendell Marshall on bass, Willie Bobo on drums, Carlos "Patato" Valdes on conga, and Garvin Masseaux on chekere. Blue Note Tone Poet Series features all-analog, remastered sound.

MUKASHI-ONCE UPON A TIME

BOMBELLA

“...a serious meditation in the Parker universe: Shepp accompanied only by the extraordinary bass of intuitive Niels-Henning Ørsted Pedersen... The two musicians here in this Parker revisited, however, do not get lost in the immense shadow of the idol...” (Télérama) 180g Audiophile Vinyl

Departure #2

Following the highly successful duo series by Archie Shepp (with Horace Parlan SCCD 31079 “Goin’ Home”, SCCD 31139 “Trouble In Mind” and with Niels-Henning Ørsted Pedersen SCCD 31149 “Looking At Bird”), here with Holland’s leading keyboard player Jasper Van’t Hof the great saxophonist mesmerised the audience with his electrifying performance. 180g Audiophile Vinyl

“Clifford Jordan and The Magic Triangle toured in Europe in March-April 1975. I heard the group live and remember I was very impressed…With the quartet’s potential possibilities I cannot wait to see the release of the next volume…” (J.O – Orkester Journal 1978) “On Stage vol. 1 and its sequel embody the same group feelings and superb solo presentations by Jordan and Walton. They are the characteristic examples of this highly elaborated Be-bop music.” (Jørgen Siegumfeldt – Information 1978)

On Stage, Vol. 3

Games

Mandara Blossoms

Bright Passion

On Stage, Vol. 2

Hear Me One

Legendary South African bassist Johnny “Mbizo” Dyani (1947 – 1986) left a significant musical/political legacy in spite of his short life of 39 years. While still a teenager Johnny exiled himself from South Africa where an interracial band The Blue Notes was banned under apartheid rule. Regrettably he could not live to see the end of apartheid but remained an active component of anti-apartheid movement throughout his life. Johnny Dyani left a number of superb recordings on SteepleChase during the 70s and this is his most ambitious project with colourful instrumentation including steel drums. 180g Audiophile Vinyl

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