Mel (Melanie Hel�ne) Bonis was born in Paris in 1858, and showed a prodigious talent for music from an early age, attending the Paris Conservatoire from the age of sixteen, studying alongside Debussy and Pierne under Cesar Franck. Her passionate relationship with the singer Amedee-Louis Hettich was frowned upon by her parents, who pressured her to marry edouard Domange, a twice-widowed industrialist with five children. Bonis threw herself into her role as wife and stepmother, until a reunion with Hettich in the 1890s reignited her serious interest in composition. She composed more than 300 works, including pieces for solo piano, chamber music, and over forty melodies for voice and piano. As Bonis was too modest for self-promotion, and a victim of gender-bias, her music fell into obscurity after the First World War, and she became bedridden from arthritis. She continued to compose until her death, in 1937. Her orchestral output dates from two decades, between 1891 and 1912, and is well represented on this album.

She was a great musical talent and a sensitive soul, the child of a socially aspiring family who forbid their daughter to marry the love of her life; instead she was forced into a utilitarian marriage with a respectable husband, but later had an affair with her first sweetheart after all - the stuff of a sentimental novel. Yet Mel Bonis (1858-1937) was no fictional character. She was one of the strongest composers of her time with a focus on piano, chamber music and art songs. She also enriched the repertoire of impressionism with numerous original gems and arrangements for orchestra. Her particularly modern Ophelia, her purring melodie of an enamoured tomcat on a roof at night, her Spanish gypsy waltz and her dances for orchestra are just some of the enchanting discoveries you will find here. Our recording pays a well-deserved tribute to this noble woman.

The French composer Mélanie Bonis (1858-1937) came from a modest family of the Parisian petty bourgeoisie. Nothing is known about any musical background on her part: music remains her very personal passion. Immediately enchanted by your sensitive music, I gradually realized how varied the pieces were, both by their technical difficulties and by the richness of the harmonies and the melodies, so profound and sometimes poignant. The immense joy of playing this music has turned into responsibility: the responsibility of showing a jewel and making something shine that should be known as a matter of course, because it's just great." (Myriam Barbaux-Cohen)

The Neave Trio's new album celebrates French works for piano trio, focussing on three works composed around the turn of the twentieth century. Saint-Saens's Piano Trio No. 2 dates from 1892 and comprises five movements. Unusually for Saint-Saens, the work took a great deal of time from conception to completion (over five years) and then went through a number of revisions before Saint-Saens was finally satisfied. Mel Bonis's two pieces Soir and Matin, whilst on a smaller scale, are equally powerful works, bridging the worlds of romanticism and impressionism. The first piece is dominated by a cantabile melody, whilst Matin is more chromatic and harmonically complex. The album concludes with Sally Beamish's arrangement of Debussy's orchestral masterpiece La Mer. This three-movement symphonic work presented Beamish with an exceptional challenge, as she strove to 'reinvent Debussy's orchestral score with the piano trio in mind... This meant exploring what strings and piano can do in terms of texture, and concentrating on idiomatic and natural techniques.' By studying and recreating Debussy's colours and textures, rather than attempting to transcribe every note, Beamish produced an arrangement that presents the performers and listeners with a completely new perspective on these well-loved seascapes.

Following on the success of her acclaimed release, Donna Voce, award winning pianist Anna Shelest continues her exploration of works by women composer in Donna Voce Volume 2 - Women of Legend. Featured are Fanny Mendelssohn's monumental feat of imagination and virtuosity Das Jahr (The Year), Melanie "Mel" Bonis' suite of musical portraits Femmes de Legende (Women of Legend), and contemporary Ukrainian composer Olena Ilnytska's evocative Nocturne 1. Hailed by The New York Times as a pianist of a fiery sensibility and warm touch, Anna Shelest is an international award-winning pianist who has thrilled audiences throughout the world.