Soundtracks and Film Scores
296 products
I Love My Wife: A Musical / Beechman, Pendleton
The recording was made to send out to potential backers to entice them to invest in the show. Those who did found this intimate show (the musicians also played parts in the piece) to be a sleeper hit. It opened at Broadway’s Ethel Barrymore Theatre on April 17, 1977 and entranced the critics. New York Times critic Clive Barnes enthused that the show was “bright, inventive, amusing and breezy.” It ended up playing a remarkable 857 performances.
Our recording also features bonus tracks from two other Cy Coleman shows, Atlantic City, with lyrics by Christopher Gore, and Home Again, with lyrics by Barbara Fried. The five songs excerpted from their demo recordings suggest the range of Coleman’s output in the 1970s.
And for I Love My Wife, informative liner notes by Coleman biographer Andy Propst explain it all. How two couples from the suburbs of Trenton, New Jersey, spend a rollicking Christmas Eve. These friends, with a little help of strong eggnog and other libations (some smoked), decide to explore a ménage-à-quatre. They make it as far as the bed when…Well, we’ll let Mr. Coleman and Mr. Stewart tell you the story. The songs, the story and the enthusiastic creators make this CD a joy to listen to. The 12-page booklet also contains photos from the original Broadway production.
I Love My Wife Backers’ Audition makes for a joyful listening experience and a bit of nostalgia for people of a certain age. A huge hit on Broadway, a rousing score, narration by the creators and performances of two of Broadway’s finest talents. What more could one hope for in today’s parlous times?
Forgotten Gems from Stage & Screen / David Jenness
David Jenness (1937–2017) is best known as the co-author of the widely read and influential book "Classic American Song: The Second Half-Century, 1950–2000.” In it he explores the final work of the Masters and introduces us to songs written by the next generations of composers and lyricists who upheld the demanding criteria established by their forebears. But Jenness was also a cabaret singer held in the highest regard in Santa Fe clubs. Between 1993 and 1998 he made frequent visits to recording studios, preserving his performances of songs he held dear. He said, “I’ve always loved good songs from the theater and film. In my life I’ve been lucky enough to get to know some of the forgotten songs of songwriters and performers—the kind of songs that singers like to sing late at night during the last set or at a party, or the songs that songwriters have a sneaky love for. “There’s kind of a revival going on of cabaret and theater tunes from earlier eras. I wanted to get the ones I know and love down on tape, hoping you’ll like them, too.” Jenness, who passed away three years ago, only shared his recordings on cassettes with friends. This release marks the first chance all of us have to appreciate a warm, understated vocal style that always honored the songwriters’ intent. He’s accompanied by piano or a tasty jazz trio. And the hall-of-fame songwriters include Cole Porter, Irving Berlin, Arlen & Koehler, Kern & Hammerstein, Rodgers & Hart, Lane & Loesser, Ellington & Latouche, Hugh Martin and Stephen Sondheim. This album is nirvana for all lovers of vintage American popular song—especially those who want to be introduced to rarely heard (or completely unknown) material courtesy of Jenness’s marvelous interpretations.
Barnum Backers' Audition / Coleman, Stewart
For the first time ever, a glimpse behind the scenes at the birth of a new musical comedy. Before the show could begin, production money for the budget had to be raised. And here is a unique opportunity to hear an actual backers’ audition in a fashionable East Side New York apartment with the actual songwriters performing the score. And as an added bonus, several songs were subsequently cut from the score and appear here for the first time in any medium. The extensive liner notes are written by Coleman biographer Andy Propst. Cy Coleman already could boast of hit Broadway shows such as Little Me, Seesaw, I Love My Wife and On the Twentieth Century. After the great success of Barnum, he would write the scores for the Tony Award-winning Will Rogers Follies, The Life, and others. Michael Stewart is best known for his masterful work on the libretto of Hello, Dolly! He had begun his Broadway lyric-writing career along with Cy Coleman on the hit show I Love My Wife. The two writers teamed up for their greatest success as a team, Barnum. Listening to this rare, historic recording, imagine yourself sitting in a lavish apartment plied with drinks and hors d’oeuvres and entertained by this marvelous score. Would you have invested in the show? Barnum eventually ran at the St. James Theatre for over 800 performances. It spawned a successful London production and countless regional and amateur productions since its opening night on April 30, 1980.
ROCKY IV / O.S.T.
STAR WARS TRILOGY / O.S.T.
Narziss Und Goldmund (Narcissus and Goldmund) (Music From the Motion Picture)
Narziss und Goldmund is one of Hermann Hesse's best-known novels and has now been adapted for the big screen for the first time by Stefan Ruzowitzky, director of the Oscar-winning production "Die Fälscher. The soundtrack to this extraordinary production with a star-studded German cast (including Jannis Niewöhner, Emilia Schüle, Jessica Schwarz, Uwe Ochsenknecht and many more) was composed by Henning Fuchs, who already proved his talent for sensitive compositions and arrangements with his first album "A New Beginning". The former assistant of Max Richter delivers the most exciting film music of spring 2020 for a daring and fascinating film project.
Khan: North India - The Music Room (Jalsaghar)
DIRTY DANCING: 20TH ANNIVERSARY EDITION / O.S.T.
STRANGER THINGS: SOUNDTRACK NETFLIX SEASON 4 / VAR
SPIDER-MAN: NO WAY HOME / O.S.T.
WATERSHIP DOWN / O.S.T.
STRANGER THINGS: MUSIC FROM NETFLIX SERIES / VAR
Animal Crackers / O.s.t.
CHAOS WALKING (ORIGINAL MOTION
Ma Rainey's Black Bottom
Ma Rainey's Black Bottom (Original Soundtrack) by Branford Marsalis The Netflix film features Chadwick Boseman's final performance and Viola Davis in the title role. Ma Rainey's Black Bottom is the new Netflix film, out December 18, that stars Viola Davis as blues icon Ma Rainey and the late Chadwick Boseman in his final on-screen performance. Tthe soundtrack featuresoriginal music from Branford Marsalis.
-----------------------
Milan Records announces the release of MA RAINEY’S BLACK BOTTOM (MUSIC FROM THE NETFLIX FILM), an album of music from Netflix’s newest original film about “Mother of the Blues” Ma Rainey. The album features score music by critically-acclaimed saxophonist, instrumentalist, composer, bandleader and educator BRANFORD MARSALIS, as well as newly-recorded covers of both popular Ma Rainey tracks and blues and jazz standards from the era. The multi-GRAMMY Award® winner brings over four decades of experience across stylistic boundaries to the project, imbuing the film with an authentic 1920s Chicago soundscape.
Of the soundtrack, composer BRANFORD MARSALIS says, “When George Wolfe called to ask me to compose music for his upcoming film, the project forced me to quickly fill in a gap in my musical experience: addressing the music of the 1920’s. I was excited about learning a new sound for my aural library and had to get right to work... Having only written arrangements for the modern big band (17 instruments, no strings), I looked forward to the challenge of writing in a ‘20s format and convincing the musicians to play the music as authentically as possible.”
Director GEORGE C. WOLFE adds, “When I signed on to direct Ma Rainey’s Black Bottom, I instantly knew I wanted to work with Branford Marsalis, because when you collaborate with Branford the composer/arranger, Branford the historian, musicologist, dramatist and raconteur shows up as well. And because he understands the inherently transgressive nature of the blues, Branford’s arrangements capture not only the cultural and regional DNA in Ma Rainey’s songs, but the wit and rage embedded in every note, shout and moan.”
Chicago, 1927. A recording session. Tensions rise between Ma Rainey (Viola Davis), her ambitious horn player (Chadwick Boseman), and the white management determined to control the legendary “Mother of the Blues.” Based on Pulitzer Prize winner August Wilson's play. Ma Rainey’s Black Bottom, directed by George C. Wolfe. Adapted for the screen by Ruben Santiago-Hudson. Produced by Denzel Washington, Todd Black and Dany Wolf. Starring Viola Davis, Chadwick Boseman, Colman Domingo, Glynn Turman, Michael Potts, Taylour Paige, Jonny Coyne, Jeremy Shamos and Dusan Brown.
LOVE AGAIN - O.S.T.
HORIZON FORBIDDEN WEST / O.S.T.
WITCHER: SEASON 2 / O.S.T.
Anne of Green Gables (Original London Cast Recording)
Anne of Green Gables is based on Lucy Maud Montgomery’s novel. Norman Campbell, the composer, and Elaine Campbell, the lyricist, collaborated with Don Harron and Mavor Moore to create Anne of Green Gables – The Musical. The musical first hit the stage in 1965, and is Canada’s longest-running musical. (Sony)
Ghostbusters: Afterlife (Original Soundtrack from the Netfli
Halffter: Carmen / Fitz-gerald, Frankfurt Radio Symphony
Ernesto Halffter, one of Manuel de Falla’s most admired disciples and a student of Stravinsky and Ravel, was a close associate of iconic figures such as Dalí, García Lorca, and Buñuel on the 20th century Iberian cultural scene. His magnificent score for Jacques Feyder’s 1926 silent film, Carmen, is one of the great impressionistic Spanish masterpieces of its era. More sombre and tragic than the music for Bizet’s opera, Halffter’s vivid panorama depicts the range and depth of the powerful emotions encompassed within the Carmen story, a tale of thwarted love, passion, jealousy, and violence set in the heart of Andalusia in southern Spain. This is not only the work’s world première recording but the first performance to realise the composer’s musical intentions in full.
MRS. HENDERSON SOUNDTRACK
Buster Keaton [2 CDs]
Carl Davis writes: "Buster Keaton's subjects ranged from the Stone Age to the American Civil War of the 1860s, as well as the present day, meaning the 1920s. Part of the fun of the show has been to include as a curtain raiser, Buster's 1920-21 shorts, which reveal much about his development as a filmmaker. Some of these are considered to be masterpieces in their own right. This recording consists of highlights from the original soundtracks." (CDC)
Charlotte's Web - Original Score
