Brahms: Complete Symphonies - A German Requiem / Landshamer, Boesch, Norrington, Radio-Sinfonieorchester Stuttgart des SWR

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Label
SWR
Release Date
September 10, 2021
Format
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    Featuring
    • COMPOSER
      BRAHMS, JOHANNES
    • ORCHESTRA / ENSEMBLE
      Radio-Sinfonieorchester Stuttgart Des Swr, Swr Vokalensemble
    • PERFORMER
      Norrington, Landshamer, Boesch, Ndr Ch
    Product Details
    • RELEASE DATE
      September 10, 2021
    • UPC
      747313952984
    • CATALOG NUMBER
      SWR19529CD
    • LABEL
      SWR
    • NUMBER OF DISCS
      4
    • GENRE
    Works
    1. I. Un poco sostenuto - Allegro

      Composer: Johannes Brahms

      Ensemble: Radio-Sinfonieorchester Stuttgart des SWR

      Conductor: Roger Norrington

    2. II. Andante sostenuto

      Composer: Johannes Brahms

      Ensemble: Radio-Sinfonieorchester Stuttgart des SWR

      Conductor: Roger Norrington

    3. III. Un poco allegretto e grazioso

      Composer: Johannes Brahms

      Ensemble: Radio-Sinfonieorchester Stuttgart des SWR

      Conductor: Roger Norrington

    4. IV. Adagio - Allegro non troppo ma con brio

      Composer: Johannes Brahms

      Ensemble: Radio-Sinfonieorchester Stuttgart des SWR

      Conductor: Roger Norrington

    5. I. Allegro non troppo

      Composer: Johannes Brahms

      Ensemble: Radio-Sinfonieorchester Stuttgart des SWR

      Conductor: Roger Norrington

    6. II. Adagio non troppo

      Composer: Johannes Brahms

      Ensemble: Radio-Sinfonieorchester Stuttgart des SWR

      Conductor: Roger Norrington

    7. III. Allegretto grazioso (quasi andantino) - Presto ma non assai

      Composer: Johannes Brahms

      Ensemble: Radio-Sinfonieorchester Stuttgart des SWR

      Conductor: Roger Norrington

    8. IV. Allegro con spirito

      Composer: Johannes Brahms

      Ensemble: Radio-Sinfonieorchester Stuttgart des SWR

      Conductor: Roger Norrington

    9. I. Allegro con brio

      Composer: Johannes Brahms

      Ensemble: Radio-Sinfonieorchester Stuttgart des SWR

      Conductor: Roger Norrington

    10. II. Andante

      Composer: Johannes Brahms

      Ensemble: Radio-Sinfonieorchester Stuttgart des SWR

      Conductor: Roger Norrington

    11. III. Poco allegretto

      Composer: Johannes Brahms

      Ensemble: Radio-Sinfonieorchester Stuttgart des SWR

      Conductor: Roger Norrington

    12. IV. Allegro

      Composer: Johannes Brahms

      Ensemble: Radio-Sinfonieorchester Stuttgart des SWR

      Conductor: Roger Norrington

    13. I. Allegro non troppo

      Composer: Johannes Brahms

      Ensemble: Radio-Sinfonieorchester Stuttgart des SWR

      Conductor: Roger Norrington

    14. II. Andante moderato

      Composer: Johannes Brahms

      Ensemble: Radio-Sinfonieorchester Stuttgart des SWR

      Conductor: Roger Norrington

    15. III. Allegro giocoso

      Composer: Johannes Brahms

      Ensemble: Radio-Sinfonieorchester Stuttgart des SWR

      Conductor: Roger Norrington

    16. IV. Allegro energico e passionato

      Composer: Johannes Brahms

      Ensemble: Radio-Sinfonieorchester Stuttgart des SWR

      Conductor: Roger Norrington

    17. I. Selig sind, die da Leid tragen

      Composer: Johannes Brahms

      Ensemble: SWR Vokalensemble Stuttgart, NDR Chor, Radio-Sinfonieorchester Stuttgart des SWR

      Conductor: Roger Norrington

    18. II. Denn alles Fleisch es ist wie Gras

      Composer: Johannes Brahms

      Ensemble: SWR Vokalensemble Stuttgart, NDR Chor, Radio-Sinfonieorchester Stuttgart des SWR

      Conductor: Roger Norrington

    19. III. Herr, lehre doch mich

      Composer: Johannes Brahms

      Ensemble: SWR Vokalensemble Stuttgart, NDR Chor, Radio-Sinfonieorchester Stuttgart des SWR

      Performer: Florian Boesch

      Conductor: Roger Norrington

    20. IV. Wie lieblich sind deine Wohnungen

      Composer: Johannes Brahms

      Ensemble: SWR Vokalensemble Stuttgart, NDR Chor, Radio-Sinfonieorchester Stuttgart des SWR

      Conductor: Roger Norrington

    21. V. Ihr habt nun Traurigkeit

      Composer: Johannes Brahms

      Ensemble: SWR Vokalensemble Stuttgart, NDR Chor, Radio-Sinfonieorchester Stuttgart des SWR

      Performer: Christina Landshamer

      Conductor: Roger Norrington

    22. VI. Denn wir haben hie keine bleibende Statt

      Composer: Johannes Brahms

      Ensemble: SWR Vokalensemble Stuttgart, NDR Chor, Radio-Sinfonieorchester Stuttgart des SWR

      Performer: Florian Boesch

      Conductor: Roger Norrington

    23. VII. Selig sind die Toten

      Composer: Johannes Brahms

      Ensemble: SWR Vokalensemble Stuttgart, NDR Chor, Radio-Sinfonieorchester Stuttgart des SWR

      Conductor: Roger Norrington


Sir Roger Norrington has been chief conductor of the former Stuttgart Radio Symphony Orchestra (today the SWR Symphonieorchester) for thirteen years. During this time he has caused a stir internationally with what has come to be termed ‘The Stuttgart Sound’: a synthesis of historically-informed performance practice with the technical capabilities of a modern orchestra. Whether in Mozart, Haydn, Bruckner or Brahms, Norrington has sought to capture the performance experience of the time, adjusting the orchestra’s size and seating plan to create an authentic sound without vibrato. The present reissue of Brahms' four symphonies, recorded back in 2005, is no exception to Norrington's artistic credo of keeping as close as possible to the composer's expectations. And one of the main features – beside the "pure sound" without vibrato – are the quick tempi. Brahms left no metronome indications in his symphonies. However, the overall timings left by the Brahms conductor von Bülow are so short, compared to today, that there can have been no very slow tempi in his interpretations. Additionally, Norrington considered also one of the many hints left by another admired conductor and friend of Brahsm, Steinbach: “By all means conduct the opening of Brahms First Symphony in 6. But it must sound in 2.” 'A German Requiem' is one of the most popular compositions by Johannes Brahms. Although the texts are taken from the Bible, the piece is not part of any ecclesiastical-liturgical tradition, it is aimed – as Brahms himself expressly emphasized – at people “who are in mourning” and unlike the “Requiem”, the Catholic Mass of the Dead, it is not a liturgical prayer for the souls of the deceased, but rather intended to console the bereaved.