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COMPOSERBYRD, WILLIAM
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PERFORMERGlen Wilson
Byrd: Complete Fantasias For Harpsichord / Glen Wilson
- Naxos
- October 25, 2011
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RELEASE DATEOctober 25, 2011
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UPC747313243372
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CATALOG NUMBER8572433
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LABELNaxos
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NUMBER OF DISCS1
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GENRE
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Praeludium in G Major (from The Fitzwilliam Virginal Book, No. 117)
Composer: Anonymous
Performer: Glen Wilson
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Fantasia in G Major, No. 2 (Musica Britannica, Vol. 28, No. 62)
Composer: William Byrd
Performer: Glen Wilson
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Praeludium to the Fancie in A Minor (Musica Britannica, Vol. 27, No. 12)
Composer: William Byrd
Performer: Glen Wilson
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Fantasia in A Minor (Musica Britannica, Vol. 27, No. 13)
Composer: William Byrd
Performer: Glen Wilson
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Praeludium in C Major (Musica Britannica, Vol. 27, No. 24)
Composer: William Byrd
Performer: Glen Wilson
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Fantasia in C Major, No. 2 (Musica Britannica, Vol. 27, No. 25)
Composer: William Byrd
Performer: Glen Wilson
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Fantasia in G Minor (Music Britannica, Vol. 55, No. 55)
Composer: William Byrd
Performer: Glen Wilson
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Ut re mi fa sol la in G Major (Musica Britannica, Vol. 28, No. 64)
Composer: William Byrd
Performer: Glen Wilson
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Ut mi re (Musica Britannica, Vol. 28, No. 65)
Composer: William Byrd
Performer: Glen Wilson
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Prelude: Doric Music (Musica Britannica, Vol. 14, No. 59)
Composer: John Bull
Performer: Glen Wilson
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Fantasia in D Minor (Musica Britannica, Vol. 28, No. 46)
Composer: William Byrd
Performer: Glen Wilson
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Praeludium (attrib. W. Byrd) (Musica Britannica, Vol. 55, No. 3)
Composer: Anonymous
Performer: Glen Wilson
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Ut re mi fa sol la in F Major (Musica Britannica, Vol. 28, No. 58)
Composer: William Byrd
Performer: Glen Wilson
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Praeludium in G Minor (Musica Britannica, Vol. 27, No. 1)
Composer: William Byrd
Performer: Glen Wilson
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Fantasia in G Major, No. 3 (Musica Britannica, Vol. 28, No. 63)
Composer: William Byrd
Performer: Glen Wilson
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Fantasia in C Major, No. 1 (Musica Britannica, Vol. 27, No. 26)
Composer: William Byrd
Performer: Glen Wilson
Featuring ⌄
Product Details ⌄
Works ⌄
The fantasia was in the process of being adapted for keyboard from lute and consort music during William Byrd’s youth, and his formidable mastery of counterpoint brought the form to a pinnacle equivalent to his matchless vocal works. These splendours combine with lively dances and virtuoso display and quotations from songs of love and death. They also may hold fascinating symbols which mark secret Catholic allegiances, a gift for Elizabeth I, and a memorial to the tragic Mary, Queen of Scots. Our cover image shows the only possible contemporary impression of Byrd, as a Gentleman of the Chapel Royal at the funeral of Elizabeth I.
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