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COMPOSERCOREA ADDERLEY ELLINGTON
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PERFORMERPeter Dominguez
Groove Dreams
Regular price
$12.99
Sale price
$16.99
Unit price
per
- Oberlin Music
- May 26, 2017
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RELEASE DATEMay 26, 2017
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UPC751778166862
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CATALOG NUMBEROC17-02
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LABELOberlin Music
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NUMBER OF DISCS1
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GENRE
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Mourning Song for a Chief
Composer: Traditional
Performer: Peter Dominguez
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Crystal Silence
Composer: Chick Corea
Performer: Peter Dominguez
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Bossa Nova Nemo (The Jive Samba)
Composer: Nat Adderley
Performer: Peter Dominguez
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Mood Indigo / Blue and Sentimental
Composer: Count Basie, Duke Ellington, Barney Bigard, Mack David, Jerry Livingston
Performer: Peter Dominguez
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Groove Dreams
Composer: Peter Dominguez
Performer: Peter Dominguez
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You're a Joy
Composer: Tadd Dameron
Performer: Peter Dominguez
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Spanglin'
Composer: Peter Dominguez
Performer: Peter Dominguez
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Lately
Composer: Stevie Wonder
Performer: Peter Dominguez
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Orbit (Unless It's You)
Composer: Bill Evans
Performer: Peter Dominguez
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With Malice Toward None
Composer: Tom McIntosh
Performer: Peter Dominguez
Featuring ⌄
Product Details ⌄
Works ⌄
Late bassist Milt Hinton is celebrated for a stage and studio career that intersected with countless legendary musicians - from Dizzy Gillespie and Cab Calloway to Barbra Streisand and Willie Nelson - for an incredible seven decades. Groove Dreams, a new recording by versatile bassist Peter Dominguez, honors Hinton's legacy with solo bass tunes from artists as varied as Duke Ellington, Stevi Wonder, Bill Evans, and Chick Corea. Performed on the 18th-century Italian bass Hinton played throughout his career, each song explores the nuances and deep colors of the instrument - qualities not always discernible in ensemble playing. A renowned bassist and educator in his own right, Dominguez met Hinton in 1981 and won the inaugural Milton J. Hinton Scholarship Competition that same year. More than three decades later, Dominguez was instrumental in forging a relationship between the Hinton estate and Oberlin Conservatory, where he is a professor of jazz studies and double bass. Oberlin's relationship with the Hinton estate has grown to include a scholarship fund; an extensive collection of papers, films, and personal artifacts amassed by the Hintons; a biennial summer Institute for Studio Bass; photographs taken by Hinton throughout his career; and four basses formerly owned by Hinton that continue to be played by Oberlin facutly, students and visiting artists. ''Words are not adequate to express the experience of playing Milt Hinton's bass,'' says Dominguez. ''We are ever mindful of its provenance and Milt's enduring spirit that thrives within it.''
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