J. S. Bach: Sonate en trio d'apres, BWV 1027, 1028 & 1029

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Label
Enphases
Release Date
April 24, 2026
Format
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    Featuring
    • COMPOSER
      Johann Sebastian Bach
    • PERFORMER
      Les curiosites esthetiques
    Product Details
    • RELEASE DATE
      April 24, 2026
    • UPC
      3701174600290
    • CATALOG NUMBER
      ENP022
    • LABEL
      Enphases
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. I. Adagio

      Composer: Johann Sebastian Bach

      Ensemble: Les Curiosités Esthétiques

    2. II. Allegro ma non tanto

      Composer: Johann Sebastian Bach

      Ensemble: Les Curiosités Esthétiques

    3. III. Andante

      Composer: Johann Sebastian Bach

      Ensemble: Les Curiosités Esthétiques

    4. IV. Allegro moderato

      Composer: Johann Sebastian Bach

      Ensemble: Les Curiosités Esthétiques

    5. Trio in D Minor, BWV 583 (arr. E. Mangot, F. Paccoud, J.P. Pinet and A. Zylberajch)

      Composer: Johann Sebastian Bach

      Ensemble: Les Curiosités Esthétiques

    6. I. Adagio

      Composer: Johann Sebastian Bach

      Ensemble: Les Curiosités Esthétiques

    7. II. Allegro

      Composer: Johann Sebastian Bach

      Ensemble: Les Curiosités Esthétiques

    8. III. Andante

      Composer: Johann Sebastian Bach

      Ensemble: Les Curiosités Esthétiques

    9. IV. Allegro

      Composer: Johann Sebastian Bach

      Ensemble: Les Curiosités Esthétiques

    10. Fantasia and Fugue in A Minor, BWV 904: I. Fantasia

      Composer: Johann Sebastian Bach

      Performer: Vincent Bernhardt

    11. I. Vivace

      Composer: Johann Sebastian Bach

      Ensemble: Les Curiosités Esthétiques

    12. II. Adagio

      Composer: Johann Sebastian Bach

      Ensemble: Les Curiosités Esthétiques

    13. III. Allegro

      Composer: Johann Sebastian Bach

      Ensemble: Les Curiosités Esthétiques


The tracks of this disc contain equally as many sensitive palimpsests (elaborations on an earlier composer's style) through which other emotions vibrate. The transcriptions they present only depart from the letter to better reveal-and revere-it's spirit. Our greatest wish would be that what these admirable pieces lose in authenticity, they recover thanks to the enthusiasm, fervor, and love that have guided us throughout our work. Because, in this field precisely, it is less a question of proving than of experiencing.