Mahler: Symphonies Nos. 7-9

$41.99
Label
Signum Classics
Release Date
July 10, 2015
Format
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    Featuring ⌄
    • COMPOSER
      MAHLER, GUSTAV
    • ORCHESTRA / ENSEMBLE
      Philharmonia Orchestra
    • PERFORMER
      S, Connolly, Owens, Vinke, Stone, Gadd, P, A, Tynan, Maazel, Matthews, Tynan
    Product Details ⌄
    • RELEASE DATE
      July 10, 2015
    • UPC
      635212036228
    • CATALOG NUMBER
      SIGCD362
    • LABEL
      Signum Classics
    • NUMBER OF DISCS
      6
    • GENRE
      Orchestral & Symphonic
    Works ⌄

    1. I. Langsam - Allegro con fuoco

      Composer: Gustav Mahler

      Ensemble: Philharmonia Orchestra

      Conductor: Lorin Maazel

    2. II. Nachtmusik: Allegro moderato

      Composer: Gustav Mahler

      Ensemble: Philharmonia Orchestra

      Conductor: Lorin Maazel

    3. III. Scherzo: Schattenhaft

      Composer: Gustav Mahler

      Ensemble: Philharmonia Orchestra

      Conductor: Lorin Maazel

    4. IV. Nachtmusik: Andante amoroso

      Composer: Gustav Mahler

      Ensemble: Philharmonia Orchestra

      Conductor: Lorin Maazel

    5. V. Rondo - Finale

      Composer: Gustav Mahler

      Ensemble: Philharmonia Orchestra

      Conductor: Lorin Maazel

    6. Part I, Veni, creator spiritus: Veni, creator spiritus -

      Composer: Gustav Mahler

      Ensemble: Philharmonia Voices, BBC Symphony Chorus, Philharmonia Chorus, Philharmonia Orchestra

      Conductor: Lorin Maazel

    7. Part I, Veni, creator spiritus: Imple superna gratia -

      Composer: Gustav Mahler

      Ensemble: Philharmonia Voices, BBC Symphony Chorus, Philharmonia Chorus, Philharmonia Orchestra

      Performer: Sally Matthews, Ailish Tynan, Sarah Connolly, Anne-Marie Owens, Stefan Vinke, Mark Stone, Stephen Gadd

      Conductor: Lorin Maazel

    8. Part I, Veni, creator spiritus: Infirma nostri corporis -

      Composer: Gustav Mahler

      Ensemble: Philharmonia Voices, BBC Symphony Chorus, Philharmonia Chorus, Philharmonia Orchestra

      Performer: Sally Matthews, Ailish Tynan, Sarah Connolly, Anne-Marie Owens, Stefan Vinke, Mark Stone, Stephen Gadd

      Conductor: Lorin Maazel

    9. Part I, Veni, creator spiritus: Accende lumen sensibus -

      Composer: Gustav Mahler

      Ensemble: Philharmonia Voices, BBC Symphony Chorus, Philharmonia Chorus, Eton College Chapel Choir, Philharmonia Orchestra

      Performer: Sally Matthews, Ailish Tynan, Sarah Connolly, Anne-Marie Owens, Stefan Vinke, Mark Stone, Stephen Gadd

      Conductor: Lorin Maazel

    10. Part I, Veni, creator spiritus: Veni, creator spiritus -

      Composer: Gustav Mahler

      Ensemble: Philharmonia Voices, BBC Symphony Chorus, Philharmonia Chorus, Eton College Chapel Choir, Philharmonia Orchestra

      Performer: Sally Matthews, Ailish Tynan, Sarah Connolly, Anne-Marie Owens, Stefan Vinke, Mark Stone, Stephen Gadd

      Conductor: Lorin Maazel

    11. Part I, Veni, creator spiritus: Gloria sit Patri Domino

      Composer: Gustav Mahler

      Ensemble: Philharmonia Voices, BBC Symphony Chorus, Philharmonia Chorus, Eton College Chapel Choir, Philharmonia Orchestra

      Performer: Sally Matthews, Ailish Tynan, Sarah Connolly, Anne-Marie Owens, Stefan Vinke, Mark Stone, Stephen Gadd

      Conductor: Lorin Maazel

    12. Part II, Final Scene from Faust: Poco adagio -

      Composer: Gustav Mahler

      Ensemble: Philharmonia Orchestra

      Conductor: Lorin Maazel

    13. Part II, Final Scene from Faust: Waldung, sie schwankt heran -

      Composer: Gustav Mahler

      Ensemble: Philharmonia Voices, BBC Symphony Chorus, Philharmonia Chorus, Philharmonia Orchestra

      Conductor: Lorin Maazel

    14. Part II, Final Scene from Faust: Ewiger Wonnebrand -

      Composer: Gustav Mahler

      Ensemble: Philharmonia Orchestra

      Performer: Mark Stone

      Conductor: Lorin Maazel

    15. Part II, Final Scene from Faust: Wie Felsenabgrund mir zu Fussen -

      Composer: Gustav Mahler

      Ensemble: Philharmonia Orchestra

      Performer: Stephen Gadd

      Conductor: Lorin Maazel

    16. Part II, Final Scene from Faust: Gerettet ist das edle Glied -

      Composer: Gustav Mahler

      Ensemble: Philharmonia Voices, BBC Symphony Chorus, Philharmonia Chorus, Eton College Chapel Choir, Philharmonia Orchestra

      Conductor: Lorin Maazel

    17. Part II, Final Scene from Faust: Uns bleibt ein Erdenrest -

      Composer: Gustav Mahler

      Ensemble: Philharmonia Voices, BBC Symphony Chorus, Philharmonia Chorus, Eton College Chapel Choir, Philharmonia Orchestra

      Performer: Sarah Connolly, Stefan Vinke

      Conductor: Lorin Maazel

    18. Part II, Final Scene from Faust: Hochste Herrscherin der Welt! -

      Composer: Gustav Mahler

      Ensemble: Philharmonia Voices, BBC Symphony Chorus, Philharmonia Chorus, Philharmonia Orchestra

      Performer: Stefan Vinke

      Conductor: Lorin Maazel

    19. Part II, Final Scene from Faust: Dir, der Unberuhrbaren - Du schwebst zu Hohen der ewigen Reiche -

      Composer: Gustav Mahler

      Ensemble: Philharmonia Voices, BBC Symphony Chorus, Philharmonia Chorus, Philharmonia Orchestra

      Performer: Ailish Tynan

      Conductor: Lorin Maazel

    20. Part II, Final Scene from Faust: Bei der Liebe, die den Fussen -

      Composer: Gustav Mahler

      Ensemble: Philharmonia Orchestra

      Performer: Sally Matthews, Sarah Connolly, Anne-Marie Owens

      Conductor: Lorin Maazel

    21. Part II, Final Scene from Faust: Neige, neige, du Ohnegleiche -

      Composer: Gustav Mahler

      Ensemble: Philharmonia Chorus, Eton College Chapel Choir, Philharmonia Orchestra

      Performer: Ailish Tynan

      Conductor: Lorin Maazel

    22. Part II, Final Scene from Faust: Komm! Hebe dich zu hohern Spharen! -

      Composer: Gustav Mahler

      Ensemble: Philharmonia Chorus, Philharmonia Orchestra

      Performer: Sarah Tynan

      Conductor: Lorin Maazel

    23. Part II, Final Scene from Faust: Blicket auf zum Retterblick, alle reuig Zarten -

      Composer: Gustav Mahler

      Ensemble: Philharmonia Voices, BBC Symphony Chorus, Philharmonia Chorus, Eton College Chapel Choir, Philharmonia Orchestra

      Performer: Stefan Vinke

      Conductor: Lorin Maazel

    24. Part II, Final Scene from Faust: Alles Vergangliche ist nur ein Gleichnis

      Composer: Gustav Mahler

      Ensemble: Philharmonia Voices, BBC Symphony Chorus, Philharmonia Chorus, Eton College Chapel Choir, Philharmonia Orchestra

      Performer: Sally Matthews, Ailish Tynan, Sarah Connolly, Anne-Marie Owens, Stefan Vinke, Mark Stone, Stephen Gadd

      Conductor: Lorin Maazel

    25. I. Andante comodo

      Composer: Gustav Mahler

      Ensemble: Philharmonia Orchestra

      Conductor: Lorin Maazel

    26. II. Im Tempo eines gemächlichen Ländlers - Etwas tappisch und sehr derb

      Composer: Gustav Mahler

      Ensemble: Philharmonia Orchestra

      Conductor: Lorin Maazel

    27. III. Rondo-Burleske: Allegro assai

      Composer: Gustav Mahler

      Ensemble: Philharmonia Orchestra

      Conductor: Lorin Maazel

    28. IV. Adagio - Sehr langsam und noch zuruckhaltend

      Composer: Gustav Mahler

      Ensemble: Philharmonia Orchestra

      Conductor: Lorin Maazel


In a nearly unmatchable seven decades-plus of public exposure as a conductor of more than 150 orchestras that included nearly every major American orchestra, more than 5,000 concert appearances and 300 official recordings, Lorin Maazel can be said to have been one of the most important figures in 20th and early 21st c. music. His recordings of symphonic cycles of composer’s complete orchestral works include those of Beethoven, Brahms, Debussy, Schubert, Tchaikovsky, Rachmaninoff, and Richard Strauss, for which he won an astonishing ten Grands Prix du Disques. Another composer who figures prominently and importantly in his discography and concert performances is Gustav Mahler, to which this last of three issued sets of symphonies, recorded live with the Philharmonia Orchestra at London’s Royal Festival Hall, concluding a much-lauded symphony cycle, sees release on Signum Classics. “... it’s wonderfully stylish: that hesitant Viennese-style playing-around and a lovely warm string sound ...” (BBC Radio 3) “This second volume, along with the first, is a treasured set on my shelves. I cannot wait for the final volume, Symphonies 7-9.” (ClassicalSource)