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COMPOSERMOZART, W.A.
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PERFORMERBach Collegium Japan, Masaaki Suzuki, Sampson, Vermeulen, Sakurada, Immler
Mozart: Great Mass in C Minor & Exsultate jubilate / Suzuki, Bach Collegium Japan
- BIS
- December 9, 2016
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RELEASE DATEDecember 09, 2016
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UPC7318599921716
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CATALOG NUMBERBIS-2171
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LABELBIS
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NUMBER OF DISCS1
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GENRE
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Kyrie (Chorus, Soprano)
Composer: Wolfgang Amadeus Mozart
Ensemble: Bach Collegium Japan Chorus, Bach Collegium Japan
Performer: Carolyn Sampson
Conductor: Masaaki Suzuki
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Gloria: Gloria (Chorus)
Composer: Wolfgang Amadeus Mozart
Ensemble: Bach Collegium Japan Chorus, Bach Collegium Japan
Conductor: Masaaki Suzuki
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Gloria: Laudamus te (Mezzo soprano)
Composer: Wolfgang Amadeus Mozart
Ensemble: Bach Collegium Japan
Performer: Olivia Vermeulen
Conductor: Masaaki Suzuki
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Gloria: Gratias (Chorus)
Composer: Wolfgang Amadeus Mozart
Ensemble: Bach Collegium Japan Chorus, Bach Collegium Japan
Conductor: Masaaki Suzuki
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Gloria: Domine (Soprano, Mezzo-soprano)
Composer: Wolfgang Amadeus Mozart
Ensemble: Bach Collegium Japan
Performer: Carolyn Sampson, Olivia Vermeulen
Conductor: Masaaki Suzuki
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Gloria: Qui tollis (Chorus)
Composer: Wolfgang Amadeus Mozart
Ensemble: Bach Collegium Japan Chorus, Bach Collegium Japan
Conductor: Masaaki Suzuki
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Gloria: Quoniam (Soprano, Mezzo-soprano, Tenor)
Composer: Wolfgang Amadeus Mozart
Ensemble: Bach Collegium Japan
Performer: Carolyn Sampson, Olivia Vermeulen, Makoto Sakurada
Conductor: Masaaki Suzuki
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Gloria: Jesu Christe - Cum Santo Spiritu (Chorus)
Composer: Wolfgang Amadeus Mozart
Ensemble: Bach Collegium Japan Chorus, Bach Collegium Japan
Conductor: Masaaki Suzuki
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Gloria: Cum Sancto Spiritu
Composer: Wolfgang Amadeus Mozart
Ensemble: Bach Collegium Japan Chorus, Bach Collegium Japan
Conductor: Masaaki Suzuki
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Credo: Credo in unum Deum (Chorus)
Composer: Wolfgang Amadeus Mozart
Ensemble: Bach Collegium Japan Chorus, Bach Collegium Japan
Conductor: Masaaki Suzuki
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Credo: Et incarnatus est (Soprano)
Composer: Wolfgang Amadeus Mozart
Ensemble: Bach Collegium Japan
Performer: Carolyn Sampson
Conductor: Masaaki Suzuki
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Sanctus: Hosanna
Composer: Wolfgang Amadeus Mozart
Ensemble: Bach Collegium Japan Chorus, Bach Collegium Japan
Conductor: Masaaki Suzuki
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Sanctus: Benedictus / Hosanna
Composer: Wolfgang Amadeus Mozart
Ensemble: Bach Collegium Japan Chorus, Bach Collegium Japan
Conductor: Masaaki Suzuki
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Exsultate, jubilate
Composer: Wolfgang Amadeus Mozart
Ensemble: Bach Collegium Japan
Performer: Carolyn Sampson
Conductor: Masaaki Suzuki
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Fulgat amica dies
Composer: Wolfgang Amadeus Mozart
Ensemble: Bach Collegium Japan
Performer: Carolyn Sampson
Conductor: Masaaki Suzuki
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Tu virginum corona
Composer: Wolfgang Amadeus Mozart
Ensemble: Bach Collegium Japan
Performer: Carolyn Sampson
Conductor: Masaaki Suzuki
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Allelujah
Composer: Wolfgang Amadeus Mozart
Ensemble: Bach Collegium Japan
Performer: Carolyn Sampson
Conductor: Masaaki Suzuki
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Exsultate jubilate, K. 165: Aria (1779 revised version)
Composer: Wolfgang Amadeus Mozart
Ensemble: Bach Collegium Japan
Performer: Carolyn Sampson
Conductor: Masaaki Suzuki
Featuring ⌄
Product Details ⌄
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Following on the 2015 release of Mozart’s Requiem, Masaaki Suzuki and his Bach Collegium Japan has gone on to record the composers Mass in C minor, K427 – the ‘Great Mass’. As the nickname indicates it is a work of unusual proportions for a mass of the Classical period – or would have been so, had Mozart completed it. It is not known for what occasion Mozart intended the work, but a letter to his father Leopold dated 4 January 1783 indicate that he may have committed himself to writing it in connection with his marriage to Constanze and a planned visit to Salzburg. A performance of parts of the Mass did take place in Salzburg in October 1783, with Constanze performing the prominent soprano part. Two years later Mozart reused the music from the Kyrie and Gloria sections in the sacred cantata Davidde penitente, K?469, but the Mass itself was left incomplete. The present performance includes the sections completed by Mozart himself, as well as those sections for which extensive sketches by Mozart provided a basis for completion (by Franz Beyer in 1989). Three of Suzuki’s soloists also took part in the recording of the Requiem, while the Dutch mezzo-soprano Olivia Vermeulen makes her first appearance on BIS, shining in the aria Laudamus te. The disc closes with the celebrated cantata Exsultate, jubilate in which the soprano Carolyn Sampson glitters in the virtuosic solo part. As an appendix to the programme she and the Bach Collegium Japan orchestra also repeats the initial aria, in a less well-known later version with a slightly different text and with flutes replacing the oboes of the original.
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