-
COMPOSERVarious
-
PERFORMERLa Morra, Theatro Dei Cervelli, Francesco Corti
Music in Golden-Age Florence, 1250-1750 / Corti, La Morra, Theatro delli Cervelli
- Ramee
- February 23, 2024
-
RELEASE DATEFebruary 23, 2024
-
UPC4250128522069
-
CATALOG NUMBERRAM2206
-
LABELRamee
-
NUMBER OF DISCS2
-
GENRE
-
O levita nobilis Eugeni [Florence, 1250–1750]
Composer: Anonymous
Ensemble: La Morra
Conductor: Corina Marti, Michał Gondko
-
Ogne homo [Florence, 1250–1750]
Composer: Anonymous
Ensemble: La Morra
Conductor: Corina Marti, Michał Gondko
-
Vergine donzella imperadrice: O levita nobilis Eugeni [Florence, 1250–1750]
Composer: Anonymous
Ensemble: La Morra
Conductor: Corina Marti, Michał Gondko
-
I' vo' bene
Composer: Gherardello da Firenze
Ensemble: La Morra
Conductor: Corina Marti, Michał Gondko
-
Nella più cara parte
Composer: Francesco Landini
Ensemble: La Morra
Conductor: Corina Marti, Michał Gondko
-
La Manfredina - La rotta della Manfredina [Florence, 1250–1750]
Composer: Anonymous
Ensemble: La Morra
Conductor: Corina Marti, Michał Gondko
-
Astio non mori mai
Composer: Andreas de Florentia
Ensemble: La Morra
Conductor: Corina Marti, Michał Gondko
-
Verbum caro factum est [Florence, 1250–1750]
Composer: Anonymous
Ensemble: La Morra
Conductor: Corina Marti, Michał Gondko
-
Umil madonna
Composer: John Bedyngham
Ensemble: La Morra
Conductor: Corina Marti, Michał Gondko
-
Poichè il tuo cor [Florence, 1250–1750]
Composer: Anonymous
Ensemble: La Morra
Conductor: Corina Marti, Michał Gondko
-
Adieu Florens la yolye
Composer: Pietrequin
Ensemble: La Morra
Conductor: Corina Marti, Michał Gondko
-
In mijnem sin
Composer: Alexander Agricola
Ensemble: La Morra
Conductor: Corina Marti, Michał Gondko
-
Nè più bella di queste
Composer: Heinrich Isaac
Ensemble: La Morra
Conductor: Corina Marti, Michał Gondko
-
Iesù sommo conforto
Composer: Paulus Scotus
Ensemble: La Morra
Conductor: Corina Marti, Michał Gondko
-
Donna, el pianto et la mia doglia
Composer: Giovanni Serragli
Ensemble: La Morra
Conductor: Corina Marti, Michał Gondko
-
Sacerdos et pontifex [Florence, 1250–1750]
Composer: Anonymous
Ensemble: La Morra
Conductor: Corina Marti, Michał Gondko
-
Sacerdos et pontifex
Composer: Francesco Corteccia
Ensemble: Theatro dei Cervelli
Conductor: Andrés Locatelli
-
Ricercar del primo tuono del Zazzerino
Composer: Jacopo Peri
Performer: Francesco Corti
-
I'vo piangendo i miei passati tempi
Composer: Cristofano Malvezzi
Ensemble: Theatro dei Cervelli
Conductor: Andrés Locatelli
-
Mentre con mill'amori
Composer: Luca Bati
Ensemble: Theatro dei Cervelli
Conductor: Andrés Locatelli
-
Nasce la pena mia
Composer: Alessandro Striggio
Ensemble: Theatro dei Cervelli
Conductor: Andrés Locatelli
-
Nasce la pena mia (intavolato)
Composer: Alessandro Striggio
Performer: Francesco Corti
-
Stabat mater dolorosa
Composer: Serafino Razzi
Ensemble: Theatro dei Cervelli
Conductor: Andrés Locatelli
-
Se nelle voci nostre
Composer: Luca Marenzio
Ensemble: Theatro dei Cervelli
Conductor: Andrés Locatelli
-
Godi turba mortal
Composer: Emilio de' Cavalieri
Ensemble: Theatro dei Cervelli
Conductor: Andrés Locatelli
-
Fuga secunda à 4
Composer: Cristofano Malvezzi
Performer: Francesco Corti
-
Si bona suscepimus
Composer: Philippe Verdelot
Ensemble: Theatro dei Cervelli
Conductor: Andrés Locatelli
-
Aria di Firenze
Composer: Giovanni Paolo Foscarini
Ensemble: Theatro dei Cervelli
Conductor: Andrés Locatelli
-
La pastorella
Composer: Antonio Brunelli
Ensemble: Theatro dei Cervelli
Conductor: Andrés Locatelli
-
Partite sopra L'aria di Fiorenza
Composer: Girolamo Alessandro Frescobaldi
Performer: Francesco Corti
-
Quando il sol apparisce
Composer: Antonio Brunelli
Ensemble: Theatro dei Cervelli
Conductor: Andrés Locatelli
-
Aria di Fiorenza [Florence, 1250–1750]
Composer: Anonymous
Performer: Francesco Corti
-
Cantate Domino
Composer: Antonio Brunelli
Ensemble: Theatro dei Cervelli
Conductor: Andrés Locatelli
-
Io parto lasso
Composer: Giovanni Pietro Bucchianti
Ensemble: Theatro dei Cervelli
Conductor: Andrés Locatelli
-
Aria di Fiorenza Prima, Second, Terza, Quarta (4 variazioni)
Composer: Giovanni Battista Ferrini
Performer: Francesco Corti
-
Splendete serene
Composer: Antonio Brunelli
Ensemble: Theatro dei Cervelli
Conductor: Andrés Locatelli
-
Di quel nudo pargoletto
Composer: Antonio Brunelli
Ensemble: Theatro dei Cervelli
Conductor: Andrés Locatelli
-
Aria di Fiorenza - La Rotta - Saltarel [Florence, 1250–1750]
Composer: Anonymous
Performer: Francesco Corti, Anonymous
-
La Salviata
Composer: Domenico Anglesi
Ensemble: Theatro dei Cervelli
Conductor: Andrés Locatelli
-
Sull'affricane arene
Composer: Marco da Gagliano
Ensemble: Theatro dei Cervelli
Conductor: Andrés Locatelli
-
Preludio Cantabile con Ligature [Florence, 1250–1750]
Composer: Anonymous
Performer: Francesco Corti
-
Aria alla Francese [Florence, 1250–1750]
Composer: Anonymous
Performer: Francesco Corti
-
Passacagli Pastorali [Florence, 1250–1750]
Composer: Anonymous
Performer: Francesco Corti
-
Pastorale
Composer: Domenico Zipoli
Performer: Francesco Corti
-
Canzona in G Minor
Composer: Domenico Zipoli
Performer: Francesco Corti
-
Al Post Comunio
Composer: Domenico Zipoli
Performer: Francesco Corti
-
All'Elevazione
Composer: Domenico Zipoli
Performer: Francesco Corti
-
All'Offertorio
Composer: Domenico Zipoli
Performer: Francesco Corti
-
Pastorale meza bigia fatta apposta per la Gigia
Composer: Francesco Feroci
Performer: Francesco Corti
Featuring ⌄
Product Details ⌄
Works ⌄
This double album accompanies the eponymous book by Anthony M. Cummings, Music in Golden-Age Florence, 1250-1750 (University of Chicago Press, Chicago & London 2023). They are designed to enable readers and listeners to enter the sound world of late-medieval and early-modern Florence. Despite the enviable place Florence occupies in the historical imagination, its music-historical importance is not as well-understood as it should be. Yet if Florence was the city of Dante Alighieri, Niccolò Machiavelli, Michelangelo Buonarroti, and Galileo Galilei, it was also the birthplace of the Renaissance madrigal, opera, and the piano.
Our goal in assembling this set of recordings, which survey the principal surviving genres of music in Florence in the half-millennium between c. 1250 and c. 1750, was to provide a “virtual” evocation of the extraordinary musical culture of golden-age Florence, one of unsurpassed importance. Through the integration of the contents of the book and the CDs, and leveraging text, image, musical notation, and sound, we offer our listeners the possibility of a fascinating metaphoric time travel.
- Choosing a selection results in a full page refresh.
- Press the space key then arrow keys to make a selection.
