At his recital in Schwetzingen in 1962, Wilhelm Kempff confirmed his unique ability to connect exploratory, dreamful piano music in a repertoire with a broad radius and to give it clear gradations in all matters of style. In the process, he did not take this opportunity in Schwetzingen to follow a programmatic routine related to season and career, as is common in the risk-free assortment of works by Mozart, Beethoven and Schubert preferred by concert organizers. For the beginning of the series of pieces is likely to surprise even those familiar with Kempff's as a performer of wide-ranging sections of the piano repertoire. Rarely heard miniatures by Jean Philippe Rameau and Francois Couperin, forgotten by most practicing soloists, piano teachers and also the students following in their musical wake, show Kempff to be a musical acrobat and mystic of colors even on French territory.