In the dark years of the Nazi-Fascist period, when the light of the end was still far off, Malipiero completed a long-awaited undertaking: an edition of the complete works of Claudio Monteverdi. Its last volume, the sixteenth, came out in 1942 at the height of the war. The edition contained the sacred production that the publisher Vincenti had assembled in the collection Messa a 4 voci et salmi (1650).

Quartetto Sincronie’s choice to include an arrangement of Monteverdi’s Mass, alternating the parts with Malipiero’s work, is yet another example of reinvention-creation that Malipiero would likely have appreciated. In the composers’ poetics, instruments are asked to sing as voices, and so the opposite—voices translated to instruments—is fitting. Philological rigor was, after all, foreign to Malipiero’s worldview. Instead, the composer spoke of his relationship with Monteverdi as a kind of psychic channeling: finding synchronicity within the synchrony of listening, which dissolves the distance of centuries. The Mass for Four Voices is thus split into parts throughout the record, but it remains possible to orient oneself. The cohesion is melodic: there’s a descending tetrachord G-F-E-D at the beginning of the Kyrie that returns in various guises (inverted, diminished, augmented), articulating the contrapuntal fabric of the different movements. The listener can thus follow this pathway, from the Gloria to the Agnus Dei, in a zigzag that turns Monteverdi the sacred “refrain” to Malipiero’s profane cycle of quartets.

Bridge Records announces the release of Volume 21 the Complete Crumb Edition, a monumental recording project begun in 1982, and completed 42 years later with this final installment. The Grammy award-winning Crumb series documents the late American composer's complete catalog of works, spanning Crumb's seventy-five year compositional career. Project producer David Starobin writes that “the series benefited tremendously from George's participation in the recording and post-production of these documents.” This last volume includes compositions from the beginning, middle, and end of Crumb’s career and features the world premiere recording of the composer's penultimate composition, the percussion quintet Kronos-Kryptos (2020), performed by Ensemble 20/21 of the Curtis Institute of Music. The record also includes Crumb's second acknowledged composition, the Sonata for Solo Violoncello (1955), performed by cellist Timothy Eddy, as well as two performances of Crumb's piano solo, Processional (1983), played by pianists Gilbert Kalish (keyboard version) and Marcantonio Barone (alternate version with extended piano effects).

The piano works on this CD date from different periods in Gian Francesco Malipiero’s creative life. From his unpublished juvenilia to the late Ricercar toccando, from the evocative Poemi asolani of 1916 to the disillusionment of the pieces written in the years following the First World War: a range of works that bear witness to the development of the composer’s conception of the piano miniature as a kind of intimate diary, between nostalgic impressions and aphoristic humour.