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    Naxos

    Rautavaara: Cantus Arcticus, Etc / Lintu, Mikkola, Et Al

    CD · 1 disc

    $19.99
    Composer
    RAUTAVAARA
    Artist
    Laura, Hannu, Mikkola, Lintu
    Released
    Feb 15, 1999
    Einojuhani Rautavaara is one of the most original and accessible composers of the second half of the 20th century. His music has a deep romanticism to it, yet he often uses twelve-tone and atonal constructs as an integral part of the process.
    The First Piano Concerto is a very strong work, and though very original, seems descended from the colors of Debussy, the broadness of Tchaikovsky and the harmonic contours of Sibelius. The piano writing is full, rich and virtuosic, pitting the soloist against the forces of the orchestra. This is a work that truly deserves to be a part of the standard repertory.
    The Third Symphony employs much of the same power, but adds the grandeur and religiosity of Bruckner at the opening. At its weakest, some of the orchestral colors and motifs seem borrowed and melodramatic, but it is an immediately accessible work which opposes the formalist academic tradition.
    'Cantus Articus' is the strangest work on this recording. Subtitled a "Concerto for birds and orchestra," this work features recorded Arctic birdsong, not just as background, but as the featured element. Unfortunately, anyone who has seen Hitchcock's THE BIRDS recently will find 'Cantus Articus' more than a little creepy!
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  • Rautavaara: Cantus Arcticus, Etc / Lintu, Mikkola, Et Al

    Rautavaara: Cantus Arcticus, Etc / Lintu, Mikkola, Et Al

    Naxos Feb 1999
    1 disc
    CD
    $19.99
    Ondine

    Auvinen: Works for Orchestra / Lintu, Finnish Radio Symphony

    CD · 1 disc

    $9.49 $18.99 Save 50%
    Composer
    AUVINEN, ANTTI
    Artist
    Lintu
    Released
    Nov 06, 2020

    This new album release by the Finnish Radio Symphony Orchestra under Hannu Lintu presents a new contemporary voice within Finland’s contemporary music scene: Antti Auvinen. This album includes three recent orchestral works by the composer marked by highly pressurised and explosive rhythms and sounds.

    The premieres of Antti Auvinen’s (b. 1974) Junker Twist (2015) and Himmel Punk (2016) in the mid-2010s electrified the scene of Finland’s contemporary music: music critics felt that a new major voice in the country’s music scene had been born. Auvinen’s works are often thematically connected to events in the surrounding society. Junker Twist (2015) deals with the topic of rising neo-Nazist ideologies, while Himmel Punk (2016) takes a stand against religious discrimination. The most extensive work of this album, Turbo Aria (2017/2018), is partially based on arias sung by Finnish sopranos a century ago. These ‘arias’ sung by Alma Fohström, Aino Ackté and Järnefelt and the sounds of the accompanying instruments are augmented by the crackles, pops, hisses and other mechanical noises made by the original discs. Yet the work also has a second underlying theme: the refugee crisis. Is this program music? Perhaps – but it does not matter, because the music is equally impressive with the narrative or without it. In 2016, Auvinen was awarded with the Teosto award, one of the biggest music awards in the Nordic countries.

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  • Auvinen: Works for Orchestra / Lintu, Finnish Radio Symphony
    Sale

    Auvinen: Works for Orchestra / Lintu, Finnish Radio Symphony

    Ondine Nov 2020
    1 disc
    CD
    $18.99 $9.49Save 50%
    BIS

    Fagerlund: Nomade - Water Atlas / Lintu, Altstaedt, Finnish Radio Symphony

    SACD · 1 disc

    $21.99
    Composer
    FAGERLUND, SEBASTIAN
    Artist
    Altstaedt, Lintu
    Released
    Jun 04, 2021

    During the 2010s, Sebastian Fagerlund focused on a series of orchestral compositions and concertos, making one single excursion into vocal music: the opera Höstsonaten (Autumn Sonata, 2017). One of his most important works, the opera has influenced his subsequent music, with an increase of long melodic lines alongside his signature rhythmic drive and energy. Dedicated to Nicolas Altstaedt, Fagerlund’s cello concerto Nomade consists of six movements played without a break – a journey by the cellist-wanderer through various landscapes, moods and events depicted by the orchestra. Fagerlund has enjoyed a close relationship with the Finnish Radio Symphony Orchestra and conductor Hannu Lintu, who has premiered several of his works, including Nomade. Among the fruits of this collaboration is Water Atlas, the third part of a trilogy for orchestra, also comprising Stonework and Drifts, which the same team recorded for BIS in 2017. As a whole, the trilogy deals with basic elements, albeit in an abstract manner: stone, wind (or currents) and water. In Water Atlas Fagerlund was interested in the ever-continuous water cycle: the evaporation of water into the atmosphere and its return to the earth as rain – a cycle that is currently under threat from pollution and climate change.

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    Ondine

    Tuur: Peregrinus Ecstaticus / Lintu, Finnish Radio Symphony

    CD · 1 disc

    $18.99
    Composer
    TUUR, ERKKI-SVEN
    Artist
    Sundqvist, Kuusisto, Lintu
    Released
    Feb 17, 2017

    This release continues a series of recordings of Erikki-Sven Tuur's works. Tuur has written symphonies, concertos as well as commissions by various well-known orchestras. This album contains two concertos featuring the rising Finnish clarinetist Christoffer Sundqvist and star violinist Pekka Kuusisto together with Finnish Radio Symphony Orchestra, conducted by Hannu Lintu. Clarinet Concerto Peregrinus Ecstaticus was written to a commission by the Finnish Radio Symphony Orchestra and premiered together with the soloist Sundqvist and Lintu in 2013. The Latin title of this concerto suggest a pilgrimage. Tuur gave the following description of the work "Imagine a pilgrim's quest, full of obstacles and hazards, towards his desired goal - his perseverance and vigor alternating with exhaustion and fatigue - conquering actual physical obstacles combined with spiritual struggles...However, this composition is not an attempt to describe such a journey. On the most abstract level, this is the very hourney. I came up with this story and the title of the piece after I had already finished the score. Thus, this is not a program music. I would be delighted if this piece inspired listeners to create their own 'stories', in the hope that the music touches the creative core of the audience."

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  • Darkness In Light
    BIS

    Darkness In Light

    SACD · 1 disc

    $21.99
    Composer
    FAGERLUND, SEBASTIAN
    Artist
    Kuusisto, Lintu
    Released
    Apr 14, 2015
    This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.

    The style in which the Finnish composer Sebastian Fagerlund composes might be described as ‘magic realism’, combining elements of surrealism with factual narrative. Drawing upon the symphony orchestra’s full spectrum of colours, the music reflects not only the traditions of impressionism, modernism and post-minimalism but also reveals the composer’s acute ear for other genres, from cool jazz to ambient music. An earlier recording of orchestral works by Fagerlund was described by the enthusiastic reveiwer in BBC Music Magazine as displaying 'boundless technical resource at the service of a considerable imagination'. These qualities, and his receptivity towards different musical traditions Fagerlund shares with Pekka Kuusisto, to whom the violin concerto Darkness in Light is dedicated. The title of the work is a subtle reference to a quote from author Haruki Murakami’s novella Firefly: ‘Death is not the opposite of life, but a part of it’, and illustrates how the music transcends distinctions: darkness and light, tonality and atonality, orchestra and soloist, destruction and renewal – there cannot be one without the other. The disc closes with the orchestral work Ignite, composed for the Finnish Radio Symphony Orchestra which performs it here, under its chief conductor Hannu Lintu. The work takes its name from the constant collision of ideas that ‘ignites’ new energy, but in terms of form the inspiration has been the spiral, a shape found in DNA and mussel shells as well as in whirlwinds and the structure of galaxies. With a duration of 30 minutes, the work is organized in four movements separated by brief interludes – all of which are played without interruption.
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  • Darkness In Light

    Darkness In Light

    BIS Apr 2015
    1 disc
    SACD
    $21.99
  • Saariaho, K.: Graal Theatre / Solar / Lichtbogen

    Saariaho, K.: Graal Theatre / Solar / Lichtbogen

    Ondine Apr 1998
    1 disc
    CD
    $18.99
    BIS

    Sebastian Fagerlund: Drifts, Stonework & Guitar Concerto "Tr

    SACD · 1 disc

    $21.99
    Composer
    FAGERLUND, SEBASTIAN
    Artist
    Eskelinen, Lintu
    Released
    Mar 02, 2018

    Sebastian Fagerlund has been described as ‘a composer who commandingly bridges tradition and modernity’ (Klassik-Heute.de) while his music is ‘modern and unorthodox, opulent and strange, masterfully composed and orchestrated’ (MusicWeb-International). Previous acclaimed recordings on BIS include the chamber opera Döbeln, as well as orchestral works and concertos for clarinet, violin and bassoon respectively. Another concertante work froms part of the present programme: Transit for guitar and orchestra, written for Ismo Eskelinen who also performs it here. He is partnered by the Finnish Radio Symphony Orchestra and Hannu Lintu who have previously championed Fagerlund’s music: the orchestra has commissioned several works, including the guitar concerto as well as Drifts, the opening work here. The release takes its title from the third composition, Stonework, named after those man-made stone structures that are found all over the world, serving a range of purposes, from landmarks and navigational aids to burial monuments.

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    Ondine

    Larcher: Symphony No. 2, "Kenotaph" - Die Nacht der Verlorenen / Lintu, FRSO

    CD · 1 disc

    $9.49 $18.99 Save 50%
    Composer
    LARCHER, THOMAS
    Artist
    Schuen, Lintu
    Released
    Nov 19, 2021

    Austrian composer Thomas Larcher (b. 1963) is one of the great symphonists of our era. This album by the Finnish Radio Symphony Orchestra and conductor Hannu Lintu includes the first recording of his 2nd Symphony, ‘Kenotaph’, and the song cycle ‘Die Nacht der Verlorenen’ performed by the world-known baritone Andrè Schuen. Larcher’s symphony was written in 2015–2016 to a commission from the National Bank of Austria for its bicentenary. The premiere was given by the Vienna Philharmonic under Semyon Bychkov at the Musikverein in Vienna in June 2016. Larcher’s work, originally intended as a concerto for orchestra, engages with tradition as a fertile background, while still embodying the sound and consciousness of our time. The subtitle to Larcher’s work was motivated by the painful awareness of the thousands of refugees who have drowned in the Mediterranean. The work can also be understood as a more general meditation on human tragedy and an exploration of profound existential issues. Larcher ties the material of the work together with a strong sense of dramaturgy, intense emotional expression and a feeling for musical narrative. The song cycle ‘Die Nacht der Verlorenen’ for baritone and large ensemble sets fragments by Ingeborg Bachmann (1926–1973) that were posthumously published. Bachmann’s dark texts inspired Larcher to write intense and compelling music that is entirely in tune with the mood of the poems. Overall, the work is dominated by slow, meditative and often dreamlike and unreal moods, effectively underpinned by delicate and carefully designed scoring that conjures up a multitude of colors and shades.

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    Ondine

    Haapanen: Flute Concerto; Ladies' Room; Compulsion / FRSO

    CD · 1 disc

    $18.99
    Composer
    HAAPANEN, PERTTU
    Artist
    Koyama, Juntunen, Lintu, Slobodeniouk
    Released
    Nov 01, 2019

    This new album by the Finnish Radio Symphony Orchestra focuses on works by Perttu Haapanen (b. 1972), one of the most important and interesting Finnish composers of his generation. It includes a recently-written Flute Concerto with Yuki Koyama as soloist and conducted by Dima Slobodeniouk, and two other works conducted by Hannu Lintu: a song-cycle written for soprano Helena Juntunen and an orchestral work, Compulsion Island, written for the Finnish Radio Symphony Orchestra. Compulsion Island was written to a commission from the Finnish Radio Symphony Orchestra and makes full use of the resources of a full-sized symphony orchestra. Haapanen creates a multi-layered and richly sonorous texture where extended instrument techniques play a significant and carefully considered role. Quiet, stagnant and expectant yet tense moments alternate with charged and punchy rhythmical passages that increase in force until the final culmination, followed by a subsiding, dreamlike and unreal epilogue. The Flute Concerto lasts about 25 minutes and is in a single movement divided into two halves featuring different materials, according to the composer. At the surface level, it comes across as a flexible and elastic structure consisting of several short sections in rapid succession, with contrasting moods either alternating or superimposed. The palette of sonorities is rich, augmented by extended instrument techniques and a number of rare sound sources such as a typewriter producing crisp rhythms and the absurd sounds of wheezing toys. Ladies’ Room for soprano and chamber orchestra was written to a commission from the Musica nova Helsinki festival. Originally written and premiered in 2007 by Helena Juntunen, it was revised by Haapanen in the following year. The texts come from a wide variety of sources: poems by conductor and mezzosoprano Jutta Seppinen, the Bible, Google, the archives of Scotland Yard and Paul Celan. Between them are four nonsense text settings that pay homage to Adolf Wolfli, an early 20th-century Swiss artist. The soprano part is highly demanding due to its wide range of vocal techniques which make Ladies’ Room a vocal virtuoso work where the virtuoso component is an integral part of the content.

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  • Haapanen: Flute Concerto; Ladies' Room; Compulsion / FRSO

    Haapanen: Flute Concerto; Ladies' Room; Compulsion / FRSO

    Ondine Nov 2019
    1 disc
    CD
    $18.99
  • Rautavaara: A Requiem in Our Time / Lintu, FInnish Brass Symphony
    Ondine

    Rautavaara: A Requiem in Our Time / Lintu, FInnish Brass Symphony

    CD · 1 disc

    $18.99
    Composer
    RAUTAVAARA, EINOJUHANI
    Artist
    Lintu
    Released
    Jun 07, 1996

    REVIEW:

    The Finnish Brass Symphony, directed by Hannu Lintu, has recorded a masterful survey of music by countryman Einojuhani Rautavaara. Spanning more than 45 years of the composer's work, the album functions as something of a compendium of themes that Rautavaara has returned to time and again in his music, from the dodecaphonic experiments of the Wind Octet to his ongoing fascination with angels. In this performance of 1981's Playgrounds for Angels, it becomes unclear if the playgrounds belong entirely to terrifying otherworldly beings or to these instrumentalists, whose superb ensemble skills definitely qualify them as supernaturally talented. 1953's A Requiem in our Time has been recorded at least four times, most memorably--until now--on a BIS disc with Brass Partout. The bold strokes and brash colors of this work are reflected in the more rare Soldier's Mass from 1968, whose "In Hora Mortis" movement presages the shimmering intensity of Rautavaara's later works.

    A few shorter compositions round out the collection. Originally written as a compulsory piece for a trumpet competition, the Tarantará must have struck fear into the hearts of those brass players--in Rautavaara's hands, the instrument is nothing short of a wild animal that shrieks, growls, and leaps all over the register with dizzying speed. The extraordinary trumpeter Pasi Pirinen makes it all seem easy. The fanfare written for Finland's 75th independence anniversary is a mere 37 seconds long: blink twice, and you miss it entirely. The most recent composition, 1998's Hymnus for trumpet and organ, ably performed by Deborah Calland and Barry Millington, completes the survey. Kudos to Ondine for a marvelous recording.

    --Anastasia Tsioulcas, ClassicsToday.com

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    Ondine

    Reger: Violin Concerto, Chaconne / Schmid, Lintu, Tampere Philharmonic

    CD · 1 disc

    $9.49 $18.99 Save 50%
    Composer
    REGER, MAX
    Artist
    Schmid, Lintu
    Released
    Oct 30, 2012

    Ondine is pleased to announce the first release with Austrian violinist Benjamin Schmid with a performance of Reger’s Violin Concerto and the Chaconne for Solo Violin. This release invites to listen to a captivating performance of Reger’s Violin Concerto, a hugely charming big romantic work with broad sentimental gestures.

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  • Reger: Violin Concerto, Chaconne / Schmid, Lintu, Tampere Philharmonic
    Sale

    Reger: Violin Concerto, Chaconne / Schmid, Lintu, Tampere Philharmonic

    Ondine Oct 2012
    1 disc
    CD
    $18.99 $9.49Save 50%
    Ondine

    Mahler: Symphony No. 1 & Blumine / Lintu, FRSO

    SACD · 1 disc

    $18.99
    Composer
    MAHLER, GUSTAV
    Artist
    Lintu
    Released
    Nov 13, 2015

    The Finnish Radio Symphony Orchestra conducted by Hannu Lintu presents Mahler’s Symphony Nr. 1 with the original 2nd movement Blumine restored which Mahler excised after a few performances of the symphony. To this day, there is much discussion of Mahler’s decision to drop this lovely movement with many theories attached to the discussion. Nonetheless this recording performs a valuable cultural service with its inclusion, especially in the hands of the very capable FRSO.

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  • Mahler: Symphony No. 1 & Blumine / Lintu, FRSO

    Mahler: Symphony No. 1 & Blumine / Lintu, FRSO

    Ondine Nov 2015
    1 disc
    SACD
    $18.99
    Ondine

    Saariaho: True Fire, Trans & Cier d'hiver / Lintu, Finnish Symphony Orchestra

    CD · 1 disc

    $18.99
    Composer
    SAARIAHO, KAIJA
    Artist
    Finley, Maistre, Lintu
    Released
    May 10, 2019

    Kaija Saariaho (b. 1952) is among the most prominent names in contemporary music scene today. This new album by the Finnish Radio Symphony Orchestra conducted by Hannu Lintu includes world première recordings of three works by Saariaho featuring bass-baritone Gerald Finley and harpist Xavier de Maistre as soloists. True Fire is a six-movement song cycle that was written to a commission from the Los Angeles Philharmonic, the NDR Symphony Orchestra, the BBC Symphony Orchestra and the Orchestre National de France, for baritone Gerald Finley with an original idea to explore the scope of the baritone voice. The texts conclusively determined what the vocal expression would be like and how the details in the musical material would shape up. The disparate texts chosen by Saariaho in fact have a common underlying theme: the status of humankind surrounded by nature, our observations of it and our belonging to it. Saariaho’s orchestral triptych Orion (2002) is one of her most performed works. Orion as a celestial phenomenon is showcased in the middle movement, Winter Sky. In 2013, Saariaho rescored this movement for a smaller orchestra, and to distinguish it from the original she gave it a title in French with the same meaning, Ciel d’hiver. It joins the series of works by Saariaho that are in one way or another inspired by things in sky and space. Trans for harp and orchestra is the composer’s latest addition to a series of concertos. It was written to a joint commission from the Suntory Foundation for Arts, the Finnish Radio Symphony Orchestra, the Swedish Radio Symphony Orchestra, the Tonhalle Orchestra in Zurich, Radio France and the Hessen Radio Orchestra. The premiere was given by Xavier de Maistre in Tokyo in August 2016.

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  • Shostakovich: Piano Concertos & 24 Preludes

    Shostakovich: Piano Concertos & 24 Preludes

    Danacord Dec 2002
    1 disc
    CD
    $18.99
    Ondine

    Lindberg: Aura; Marea; Related Rocks / Lintu, Finnish Radio Symphony

    CD · 1 disc

    $18.99
    Composer
    LINDBERG, MAGNUS
    Artist
    Lintu
    Released
    May 07, 2021

    Shortlisted for the 2022 Gramophone Awards!

    Composer Magnus Lindberg (b. 1958) is one of the leading names in today’s contemporary music. This album by the Finnish Radio Symphony Orchestra together with its chief conductor Hannu Lintu includes three works by the composer, including Aura, one of the most prominent monumental orchestral works of our era, together with two other works completed in the 1990s, including Marea and the first recording of Related Rocks. Aura – in memoriam Witold Lutoslawski represents a grand synthesis of Magnus Lindberg’s output in the 1990s. The work was written in 1993–1994 to a commission from Suntory Limited in Japan and was premiered by the Tokyo Symphony Orchestra under Kazufumi Yamashita at Suntory Hall in Tokyo in June 1994. Clocking in at 40 minutes, Aura is Lindberg’s most extensive orchestral work. Although not a symphony, this 4-movement work is closely linked to the symphonic concept represented by Lutoslawski. The composer heard of Lutoslawski’s death while writing the work and decided to dedicate it to his memory.

    REVIEWS:

    The Finnish Magnus Lindberg is among the world’s leading composers, and this is a mighty sample of his work. The nearly 40-minute Aura is a four-movement continuous structure of extraordinary power, its rich textural agglomerations as architecturally thwacking as they are minutely detailed.

    – Sunday Times (UK)

    All the performances on this Ondine CD are magnificent with state-of-the-art sound to match. Thus, if you are in the market for a fine programme of Magnus Lindberg, do not hesitate to add this to your collection.

    – MusicWeb International

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    Ondine

    Rautavaara: Kaivos / Lintu, Hynninen, Katajala, Tampere Philharmonic

    CD · 1 disc

    $18.99
    Composer
    RAUTAVAARA, EINOJUHANI
    Artist
    Lintu, Niemelä, Rusanen-Kartano, Hynninen, Kortekanga
    Released
    Feb 22, 2011
    This recording features the twelve-tone opera Kaivos (The Mine) by Einojuhani Rautavaara who also wrote the libretto (sung in Finnish). The opera in three acts tells the story of an uprising by mine workers somewhere in Europe at the end of the 1950s.

    Rautavaara wrote this, his first opera, from 1957-62 and today considers it, "perhaps the best opera I have ever written, a real thriller whose underlying theme - that a human being defines himself through his choices - is nevertheless universal."

    This CD release represents a real highlight in the work's exceptional history: the opera's underlying thematic allusions to the 1956 Hungarian uprising impeded a staged performance in Finland, a neighboring country of the then Soviet Union. Instead, a TV production was broadcast in 1963, making it the first Finnish Television opera. The present recording was made in connection with the premier live concert performance of the opera in Tampere (Finland) in September 2010, featuring the same cast.
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    Ondine

    Prokofiev: Piano Concertos Nos. 2 & 5 / Mustonen, Lintu, Finnish Radio Symphony

    CD · 1 disc

    $18.99
    Composer
    PROKOFIEV, SERGEI
    Artist
    Mustonen, Lintu
    Released
    Sep 08, 2017

    This is the second and final disc in a cycle of Sergei Prokofiev’s (1891–1953) piano concertos with pianist Olli Mustonen and the Finnish Radio Symphony Orchestra conducted by Hannu Lintu. The Gramophone Magazine wrote regarding the first volume in the series: "How many times have I regretted a shortage of fantasy, flair and fairy-tale imagination in recordings of the Prokofiev piano concertos? Well, here is a disc that takes all those qualities to the top."

    Prokofiev’s Piano Concertos are among 20th century masterpieces. He wrote this magical work just before World War I. The original score was destroyed during the Russian revolution, and Prokofiev had to re-write the concerto in 1923.

    Pianist Olli Mustonen has worked with most of the world’s leading orchestras, including the Berlin Philharmonic, New York Philharmonic and The Royal Concertgebouw, partnering conductors such as Ashkenazy, Barenboim, Dutoit, Eschenbach, Harnoncourt, Masur and Nagano. As a recitalist, he plays in all the significant musical capitals, including Mariinsky Theatre St Petersburg, Wigmore Hall, Beethoven-Haus Bonn, Symphony Center Chicago, New York Zankel Hall and Sydney Opera House. His many albums for Ondine include Respighi’s Concerto in modo Misolidio with Sakari Oramo and the Finnish Radio Symphony and a critically acclaimed disc of Scriabin’s solo piano music. The recent recordings by the Finnish Radio Symphony Orchestra under Hannu Lintu on Ondine have been a fruitful collaboration gathering excellent reviews in the international press.

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    Ondine

    Sibelius: Tapiola, En Saga & 8 Songs / Otter, Lintu, Finnish Radio Symphony

    SACD · 1 disc

    $18.99
    Composer
    SIBELIUS, JEAN
    Artist
    Von Otter, Lintu
    Released
    Oct 13, 2017

    This new release by the Finnish Radio Symphony Orchestra conducted by Hannu Lintu is an all-Sibelius program featuring internationally acclaimed mezzo-soprano Anne Sofie von Otter. The album includes two major tone poems by Jean Sibelius (1865–1957), Tapiola and En Saga, combined with a set of songs orchestrated by Aulis Sallinen (b. 1935) in 2015.

    Sibelius’ magnificent tone poem Tapiola, written shortly after the 7th Symphony, may be regarded as the culmination of a period that began with the Fifth Symphony, a period where Sibelius created music that grew organically out of tiny germs into huge processes. It was completed in 1926 and remained Sibelius’s last great orchestral work.

    In Tapiola, Sibelius appears to equate the primacy of nature with the value of art for its own sake, the unattainable truths of which remain uneroded by time or by the shifting ideals of mankind.

    The genesis of En Saga, originally premiered in 1892, is also shrouded in mystery, and even later in life Sibelius was reluctant to go into any detail regarding its content. It is among Sibelius’ earliest orchestral works, and its original title in Swedish, En saga, refers to ancient Nordic tales of heroes and gods. Although En saga is among the most popular works by Sibelius today, the premiere of the work was not a success and Sibelius revised the score in 1902.

    On the occasion of the 150th anniversary of Sibelius’s birth in 2015 composer Aulis Sallinen (b. 1935) orchestrated a cycle of songs for mezzosoprano Anne Sophie von Otter. This cycle of eight songs contains several less known songs in a cavalcade juxtaposing human emotions and innermost thoughts with the natural environment and experiences in nature.

    The recent recordings by the Finnish Radio Symphony Orchestra under Hannu Lintu on Ondine have gathered excellent reviews in the international press.

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    Ondine

    Peter Lieberson: Songs Of Love And Sorrow - The Six Realms / Lintu, Finnish Radio Symphony Orchestra

    CD · 1 disc

    $18.99
    Composer
    LIEBERSON, PETER
    Artist
    Finley, Karttunen, Lintu
    Released
    Sep 04, 2020

    This new album by the Finnish Radio Symphony Orchestra and its chief conductor Hannu Lintu is dedicated to works by American composer Peter Lieberson (1946–2011). This album features award-winning bass-baritone Gerald Finley as soloist in Lieberson’s song cycle Songs of Love and Sorrow and Lieberson’s close friend Anssi Karttunen as soloist in The Six Realms for cello and orchestra. Lieberson’s Songs of Love and Sorrow is a deeply personal work. Lieberson had received a commission in 2005 to write a work for his wife, mezzo-soprano Lorraine Hunt Lieberson. This project was interrupted by Lorraine’s death and soon after also the composer was diagnosed with cancer. The news of being awarded the Grawemeyer Award for his earlier song cycle Neruda Songs (2005) encouraged the composer to write another cycle on Neruda’s poetry, Songs of Love and Sorrow. The work was premiered by Gerald Finley in 2010. The composer wrote in his program notes: “I suppose that my life story of the past three years is not dissimilar to many others. The basic truths of love and sorrow are, I think, experiences that all of us understand very well. To have one without the other is not likely, but certainly it is our capacity to love that makes this human life so poignant.” Buddhist religion had played a significant role in Lieberson’s life since the early 1970s. This also had an impact on Lieberson’s compositions. According to Lieberson, “When I started writing music again, my style had changed... There was less sense of struggle... the horizon expanded. It’s as if you had tunnel vision, and then you have panoramic vision. Studying Buddhism also affected my approach to composing [in that] I understand there’s a kind of journey that’s made.”

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    Ondine

    Prokofiev: Piano Concertos Nos. 1, 3 & 4 / Mustonen, Lintu, Finnish Radio Symphony

    CD · 1 disc

    $18.99
    Composer
    PROKOFIEV, SERGEI
    Artist
    Mustonen, Lintu
    Released
    Sep 09, 2016

    This awaited release is the first disc in a series of Olli Mustonen and the Finnish Radio Symphony Orchestra conducted by Hannu Lintu performing the Piano Concertos by Sergei Prokofiev. Without a doubt some of the most substantial twentieth century masterworks, Prokofiev’s piano concertos prove the composer’s brilliant piano skills. The composer premiered his First Piano Concerto in 1914. The Third Piano Concerto is the most popular of Prokofiev’s concertos. The piece took several years to complete, and premiered in Chicago in 1921. Prokofiev’s Fourth Piano Concerto (for the left hand) is the most rarely heard of the three concertos featured on this recording. He wrote the piece in 1931 for pianist Paul Wittgenstein, but the work wasn’t performed until 1956. Olli Mustonen is sought after by orchestras all over the world, and he has performed and recorded with such groups as the Berlin Philharmonic, the New York Philharmonic, and The Royal Concertgebouw. His recent collaborations with the Finnish Radio Symphony have garnered excellent reviews.

    REVIEW:

    How many times have I regretted a shortage of fantasy, flair, and fairy-tale imagination in recordings of the Prokofiev piano concertos? Well, here is a disc that takes all those qualities to the top, gleefully goes over it, and ends up halfway down the other side. The super-light, transparent textures Hannu Lintu conjures from the orchestra are an excellent foil for the soloist. If there is room in your collection for several sets of the Prokofiev concertos, this one at least comes with a provocative distinctiveness.

    – Gramophone

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